German Architecture

This week, architecture presents new visions of the future across a geographically diverse landscape, with landmark projects and renewal initiatives emerging in Saudi Arabia, Taiwan, Bahrain, Germany, Italy, Australia, Morocco, and Burundi. New platforms for discussing urban futures highlight decolonization and the climate crisis as central priorities for contemporary architectural practice. At the same time, contrasting perspectives on urban regeneration are reflected in both the demolition of recent landmark structures and the large-scale transformation of industrial sites. On another note, the Olympic Games continue to act as catalysts for architectural production, as seen in the proposal for a new sports center in Australia for Brisbane 2032. This momentum coincides with major international infrastructure developments in Africa, including a new airport terminal in Morocco, as well as projects that rethink spaces for research and public engagement, such as a new building for the German Language Forum.

Every architecture student knows what it's like to spend sleepless nights working away, rushing to finalize a project as a deadline looms ahead. Revising every detail, putting the finishing touches and hoping for the best. The pay-off? Seeing the finished project, talking about it with your classmates, and getting to dream about your perfect idea of what a space should look and feel like.

The 20th edition of the DAM Preis 2026 has been awarded to Peter Grundmann Architekten for the ZK/U Center for Art and Urbanistics, an adaptive reuse project in Berlin, Germany. The project transforms a former single-story warehouse at a freight station in Berlin-Moabit into a cultural meeting place. The jury recognized the practice's transformative approach, highlighting the use of an above-average amount of manual labor and a modest budget to encase the existing hall in a lightweight steel-and-glass structure and add an additional floor. Developed in close collaboration with the non-profit association KUNSTrePUBLIK e. V., the project supports a wide-ranging public program established at the former freight station since 2012, including exhibitions, performances, artist residencies, repair workshops, neighborhood markets, and public viewings. Peter Grundmann Architekten was selected through a Europe-wide tender process and commissioned to build the acclaimed extension in 2019.

Cultural institutions represent an active field for unbuilt architectural exploration, reflecting how architects continue to question the role of public buildings in shaping urban life. In this Unbuilt edition, submitted by the ArchDaily community, the selected proposals bring together a range of projects that engage with museums, exhibition centers, and diplomatic buildings as sites of public encounter. Rather than treating these programs as fixed types, these projects approach them as evolving spatial settings through which cities engage with history, knowledge, and representation.

In early 2025, photographer Paul Clemence documented Kö-Bogen II, a commercial and office complex designed by ingenhoven architects in Düsseldorf, Germany. The photo series focuses on the building's signature feature: its vast green façade, considered one of the largest in Europe. Referred to as a "green heart" and an "urban mountain," the building has become a landmark in the city due to its sloping surfaces wrapped in over 30,000 hornbeam plants. For Clemence, this was an unforeseen encounter during his first visit to Düsseldorf, which he describes as an unexpected meeting with a "stunning green pyramid."

Snøhetta has revealed new images of their winning design for the new Düsseldorf Opera House. First launched in 2017, the "Opera House of the Future" competition experienced several interruptions over the years due to shifts in the planned construction site, extending the decision-making process for this significant cultural project. The new building is set to accommodate the Deutsche Oper am Rhein alongside the City of Düsseldorf's Music Library and the Clara Schumann Music School, forming a consolidated cultural venue. The proposal aims to establish a contemporary opera house that strengthens the city's cultural infrastructure and public life.

The Deutsches Architekturmuseum (DAM) in Frankfurt, Germany, has opened a new interactive exhibition, on view from October 25, 2025, to February 8, 2026, presenting 100 years of architectural construction kits. Developed in collaboration with graphic designer Claus Krieger, Professors Andreas Kretzer and Philipp Reinfeld from the Stuttgart University of Applied Sciences (HFT), their students, and the wider DAM team, the exhibition brings together around 80 construction kits produced between 1890 and 1990. Many of these systems have been recreated at an enlarged scale so visitors can test their assemblies at eight central play stations. Additional digital features include VR model worlds programmed by HFT students. Dozens of completed models illustrate the range of architectural ideas represented across the kits, and the full collection is documented in an accompanying catalogue. The exhibition is accompanied by a public competition titled How Small Can Architecture Be?, which invites participants to submit miniature architectural models for display.

Adaptive reuse is shifting from simple preservation to active revitalization, a process of structurally rescuing and reprogramming architectural typologies whose original functions are no longer relevant. The obsolescence of architectural spaces occurs for varied reasons: sociological shifts, leaving spaces uninhabited; technological advances, phasing out specific machinery; and economic changes, making centralized functions necessary. The strategy of repurposing focuses on achieving spatial and functional longevity through minimal interventions, allowing the original structure to serve as the memory anchor of the project.

BIG – Bjarke Ingels Group has been selected as the winner of the international competition to design the new Hamburg State Opera, a major cultural project planned for the Baakenhöft peninsula in HafenCity, Hamburg, Germany. The building will consolidate the city's opera and ballet companies under one roof, introducing new performance spaces, production facilities, and public amenities along the Elbe. The project replaces the mid-20th-century opera house on Dammtorstraße, responding to the city's call for a venue that reflects contemporary standards in acoustics, stagecraft, and audience experience.

As the 19th Venice Architecture Biennale enters its concluding weeks, the global architecture scene continues to unveil significant projects and recognitions. This week's highlights include Studio Libeskind's residential complex in Prague; sauerbruch hutton's Panorama Constance exhibition building in Germany, and CRA–Carlo Ratti Associati's digitally fabricated bivouac for the upcoming Milano Cortina 2026 Winter Olympics. In New York, Venezuelan artist Miguel Braceli designed a major public artwork for the city's waterfront, addressing themes of migration, diversity, and the complexities of geopolitical identity. The week also brought recognition to sustainable and creative achievements, from the Holcim Foundation's regional awards for sustainable construction to the publication of Tadao Ando. Sketches, Drawings, and Architecture by Taschen, celebrating nearly five decades of the architect's design process.