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    <title>City: sevilla | ArchDaily</title>
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        <![CDATA[Casa Mueble / Heimat Studio]]>
      </title>
      <link>https://www.archdaily.com/997908/casa-mueble-heimat-studio</link>
      <pubDate>Wed, 22 Mar 2023 10:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
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      <description>
        <![CDATA[<p>The assignment consisted in the refurbishment of a small flat located in the historic centre of Seville, with a surface area of 55m2. The need of the clients to create a new space containing two bedrooms, kitchen, dining room and living room posed a major challenge. The external fa&ccedil;ade of the building is in front of a small square facing south, so the spaces most used during the day were turned towards it. In contrast, the night-facing spaces are located around the interior courtyard.</p>]]>
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      <title>
        <![CDATA[Habitat Seville Este Collective Housing / SV60 Arquitectos]]>
      </title>
      <link>https://www.archdaily.com/993843/habitat-seville-este-collective-housing-sv60-arquitectos</link>
      <pubDate>Fri, 16 Dec 2022 10:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Residential]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/993843/habitat-seville-este-collective-housing-sv60-arquitectos</guid>
      <description>
        <![CDATA[<p>The environment is characterized by its heterogeneity, with buildings of a very diverse architecture and of different uses and sizes (schools, residential buildings of different types, green areas, etc.). Likewise, the urban morphology in relation to the position of the buildings and their heights is very diverse, finding some buildings that are placed isolated inside the plots, others aligned to the road and a mixture of heights that build a diverse and heterogeneous image of the nearby environment. The integration of the building with the spaces surrounding the plot is one of the objectives to be solved with the proposal, creating morphological continuity between the new building and the adjoining buildings and public spaces and solving the accesses in the most comfortable and functional way possible.</p>]]>
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      <title>
        <![CDATA[Student Residence Rodo6 / Garcia & Melero Arquitectos]]>
      </title>
      <link>https://www.archdaily.com/990381/student-residence-rodo6-garcia-and-melero-arquitectos</link>
      <pubDate>Wed, 12 Oct 2022 10:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Sustainability]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/990381/student-residence-rodo6-garcia-and-melero-arquitectos</guid>
      <description>
        <![CDATA[<p>The building is located in the Arenal neighborhood, a maze of long, narrow streets right outside the historical city and halfway between the Cathedral and the Guadalquivir River. The site is near the medieval Atarazanas and the Maestranza Bullring, in an area that was formerly part of an old foundry and iron warehouse for regional aesthetic ironwork. Facing Rodo street and an even narrower small back alleyway, the site is bordered laterally by party walls of adjoining buildings.</p>]]>
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      <title>
        <![CDATA[Casa para Aitor / Arquitectura a Contrapelo]]>
      </title>
      <link>https://www.archdaily.com/976125/casa-para-aitor-arquitectura-a-contrapelo</link>
      <pubDate>Thu, 03 Feb 2022 10:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/976125/casa-para-aitor-arquitectura-a-contrapelo</guid>
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        <![CDATA[<p>Daruma is a Japanese amulet consisting of an ovoid wooden figure with large, absent pupils eyes and is linked to the accomplishment of a task. The right eye is painted at the beginning of the project, remaining incomplete as a daily reminder of the intense process necessary to complete the work, at which time the left eye is drawn to complete the figure.&nbsp;</p>]]>
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      <title>
        <![CDATA[Ramón y Cajal Residential Building / Estudio Alvarez-Sala + Aybar-Mateos Arquitectos + Hombre de Piedra]]>
      </title>
      <link>https://www.archdaily.com/963153/ramon-y-cajal-residential-building-estudio-alvarez-sala-plus-aybar-mateos-arquitectos-plus-hombre-de-piedra</link>
      <pubDate>Sat, 12 Jun 2021 09:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Residential]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/963153/ramon-y-cajal-residential-building-estudio-alvarez-sala-plus-aybar-mateos-arquitectos-plus-hombre-de-piedra</guid>
      <description>
        <![CDATA[<p class="Standard">The building has the qualities required after Covid-19: space, light, ventilation, and views, favouring and modulating the necessary contact with the exterior.&nbsp;</p>]]>
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        <![CDATA[Seville Cruise Terminal Phase 2  / Hombre de Piedra Arquitectos + Buró 4]]>
      </title>
      <link>https://www.archdaily.com/945750/seville-cruise-terminal-phase-2-hombre-de-piedra-arquitectos-plus-buro-4</link>
      <pubDate>Thu, 20 Aug 2020 16:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Extension]]>
      </category>
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      <description>
        <![CDATA[<p class="Standard">The second part can also be good. This is the second part of our Seville Cruise Terminal project, which expands and improves the original building.</p>]]>
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        <![CDATA[MKR Store / Vásquez Consuegra]]>
      </title>
      <link>https://www.archdaily.com/934112/mkr-store-vasquez-consuegra</link>
      <pubDate>Tue, 10 Mar 2020 18:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Retail]]>
      </category>
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      <description>
        <![CDATA[<p class="Standard">The refurbishment Project for the multilabel shop MKR (known before as Markaride) arises from the demand of reorganising and giving a new image to the existing retail space: an unstructured and limited space, not in compliance with the actual regulatory standards.</p>]]>
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      <title>
        <![CDATA[Magallanes Park / Vázquez Consuegra]]>
      </title>
      <link>https://www.archdaily.com/933927/magallanes-park-vazquez-consuegra</link>
      <pubDate>Sat, 29 Feb 2020 02:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Park]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/933927/magallanes-park-vazquez-consuegra</guid>
      <description>
        <![CDATA[<p dir="ltr">The land of the intervention is located on the right bank of the Guadalquivir River, bounded by the Navigation Pavilion and the Chapina Bridge on its north and south sides and west by the new route of the Path of the Discoveries. The edge of the river will delimit the perimeter to the east of the new gardens. These lands, with an area of approximately 40,000 m&sup2;, formed the sector called Puerta Triana, South access to the grounds of the Universal Exhibition of Seville in 1992. It was a heterogeneous conglomerate of diverse episodes that poorly coexisted in an impassable and inhospitable enclosure, abandoned to their fate after the end of the Universal Exposition. The proposal aims to generate a landscaped public space of quality from the pre-existence of the place: the horizontal esplanade, used today as a large surface car park and the sloping terrain towards the river dotted by the presence of some groups of trees, in an advanced state of degradation and abandonment.</p>]]>
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      <title>
        <![CDATA[House 141 in Valme Street / Estudio Curtidores]]>
      </title>
      <link>https://www.archdaily.com/932375/house-141-in-valme-street-estudio-curtidores</link>
      <pubDate>Sat, 01 Feb 2020 02:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/932375/house-141-in-valme-street-estudio-curtidores</guid>
      <description>
        <![CDATA[<p>The project its about the rehabilitation of 141 doors: the opportunity to recycle 141 wooden doors which where recycle by the owner from an old warehouse. As result of this, the opportunity arises to generate an inner skin, which is capable of drawing spaces of different dimensions, expandable and reducible, as the leaves opens or closes from the heart of the house, putting light in and appropiating the patio in very different ways depending of the users desire. The house (the patio and its extensions), is a toy to be modified at any time and it adapts to the needs of privacy or continuity of its inhabitants, or to the needs of light, depending on the external climate, or the internal mood of the inhabitants. A continuous skin that allows the house to be constituted of multiple small spaces of the same nature, thanks to the continuity of this internal nature that the doors build (and their large and small openings that allow the passage of people and light), or to transform into a one single space that gives the occasion to party with friends, dinner for guests or evenings between the patio and terraces.</p>]]>
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        <![CDATA[Recacha House / Studio Wet]]>
      </title>
      <link>https://www.archdaily.com/929191/recacha-house-studio-wet</link>
      <pubDate>Sat, 30 Nov 2019 09:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Residential]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/929191/recacha-house-studio-wet</guid>
      <description>
        <![CDATA[<p class="Standard">The renovation of this old residential building in the historic center of Seville has a special relevance to our office due to the expanded time frame in which it has been developed, including constant changes in the program of the building.&nbsp; We worked with this production for almost a decade. We changed deeply as architects while its construction continued slowly along the road map we settled in 2010.</p>]]>
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      <title>
        <![CDATA[A11 House in Sevilla / Vázquez Consuegra]]>
      </title>
      <link>https://www.archdaily.com/924278/a11-house-in-sevilla-vazquez-consuegra</link>
      <pubDate>Mon, 09 Sep 2019 12:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Renovation]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/924278/a11-house-in-sevilla-vazquez-consuegra</guid>
      <description>
        <![CDATA[<p>Operating within an uneven and lengthened plot (with a 2,20m facade) located in the city centre of Seville was not the only starting restriction, there was also a derelict steel structure, abandoned some years before by the previous landlord, which had to be reused and integrated on the project, even if it was thought for a quite dissimilar program.</p>]]>
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        <![CDATA[Hotel and Restaurant in the ancient Montalván Pottery Factory / AF6 Arquitectos]]>
      </title>
      <link>https://www.archdaily.com/916166/hotel-and-restaurant-in-the-ancient-montalvan-pottery-factory-af6-arquitectos</link>
      <pubDate>Sun, 05 May 2019 13:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Sustainability]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/916166/hotel-and-restaurant-in-the-ancient-montalvan-pottery-factory-af6-arquitectos</guid>
      <description>
        <![CDATA[<p>GENERAL DESCRIPTION<br />The Montalv&aacute;n Pottery Factory finished its production as a ceramic&rsquo;s factory in 2012. After its closure and new acquisition, it has been transformed for a new use: Hotel and Restaurant. The building has been built where the ancient Montalv&aacute;n pottery factory in Seville was settled, in the neighborhood of Triana.</p>]]>
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        <![CDATA[Hotel Mercer 5* at Mansion Castelar / Cruz y Ortiz Arquitectos]]>
      </title>
      <link>https://www.archdaily.com/915359/hotel-mercer-5-star-at-mansion-castelar-cruz-y-ortiz-arquitectos</link>
      <pubDate>Thu, 18 Apr 2019 00:00:00 +0000</pubDate>
      <dc:creator>Martita Vial della Maggiora</dc:creator>
      <category>
        <![CDATA[Interior Design]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/915359/hotel-mercer-5-star-at-mansion-castelar-cruz-y-ortiz-arquitectos</guid>
      <description>
        <![CDATA[<p>The project has consisted in the transformation of a XIX century palazzo into a boutique hotel with only 12 rooms.</p>]]>
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        <![CDATA[Intervention in the Basins of the Mudéjar Palace of Real Alcázar De Sevilla / Reina & Asociados]]>
      </title>
      <link>https://www.archdaily.com/910223/intervention-in-the-basins-of-the-mudejar-palace-of-real-alcazar-de-sevilla-reina-and-asociados</link>
      <pubDate>Mon, 28 Jan 2019 12:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Landmarks & Monuments]]>
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      <guid isPermaLink="false">https://www.archdaily.com/910223/intervention-in-the-basins-of-the-mudejar-palace-of-real-alcazar-de-sevilla-reina-and-asociados</guid>
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        <![CDATA[<p>The proposal contemplates the refurbishment of the basement spaces of the Palacio del Rey don Pedro with the aim of welcoming in the near future a selection of pieces of different types belonging to the archaeological collection of the Alc&aacute;zar, the result of the research carried out in the last years. The construction of the Mud&eacute;jar Palace supposes the destruction of previous Almohad buildings, including the southern wall of the complex that, partially dismantled, serves as a containment to the ground levels. On this front, the building exceeds the limits of the Islamic precinct and saves through a basal body the variable unevenness existing with the old orchards and corrals -current gardens- located outside the walls, constructing the sequence of vaulted spaces that are the object of the present action.</p>]]>
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        <![CDATA[Infanta Luisa Hospital / Miguel Blázquez Arquitectos]]>
      </title>
      <link>https://www.archdaily.com/905174/infanta-luisa-hospital-miguel-blazquez-arquitectos</link>
      <pubDate>Sat, 17 Nov 2018 05:00:00 +0000</pubDate>
      <dc:creator>Rayen Sagredo</dc:creator>
      <category>
        <![CDATA[hospital]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/905174/infanta-luisa-hospital-miguel-blazquez-arquitectos</guid>
      <description>
        <![CDATA[<p dir="ltr">The project consists of remodeling and expanding a hospital located in Triana, a well-known borough of the city, which was an old surgery building in Cruz Roja. The idea for the building was to support the quality health care that the center gives to their patients, as well as solving the existing circulation problems that arised after different changes and expansions, which gave the building a mixed and dilapidated image.</p>]]>
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        <![CDATA[Contemporary Art Space in the Former Convent of Madre de Dios / Sol89]]>
      </title>
      <link>https://www.archdaily.com/898907/contemporary-art-space-in-the-former-convent-of-madre-de-dios-sol89</link>
      <pubDate>Thu, 16 Aug 2018 02:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Arts & Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/898907/contemporary-art-space-in-the-former-convent-of-madre-de-dios-sol89</guid>
      <description>
        <![CDATA[<p>The intervention interprets the building where is inserted, an old convent, as a context in constant transformation over time. The project arises from a reflection on the creative process in contemporary art, its unpredictable condition and the current dissolution of limits between the space of production and exhibition.</p>]]>
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        <![CDATA[Ministry of Development and Housing offices / Cruz y Ortiz Arquitectos]]>
      </title>
      <link>https://www.archdaily.com/872547/ministry-of-development-and-housing-offices-cruz-y-ortiz-arquitectos</link>
      <pubDate>Thu, 01 Jun 2017 03:00:00 +0000</pubDate>
      <dc:creator>Rayen Sagredo</dc:creator>
      <category>
        <![CDATA[Offices]]>
      </category>
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      <description>
        <![CDATA[<p>The project aims to provide a certain uniqueness and public character to the future headquarters of two government ministries, without lessening the required functional efficiency of a standard office building.</p>]]>
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        <![CDATA[Blessed Sacrament Chapel / Pablo Millán]]>
      </title>
      <link>https://www.archdaily.com/806446/blessed-sacrament-chapel-pablo-millan</link>
      <pubDate>Fri, 03 Mar 2017 03:00:00 +0000</pubDate>
      <dc:creator>Sabrina Leiva</dc:creator>
      <category>
        <![CDATA[Religious Architecture]]>
      </category>
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      <description>
        <![CDATA[<p>To think of a space destined to house the Blessed Sacrament is to think of a very specific area within a temple, the Sancta Santorum, a place for the encounter with God. If we analyze how these spaces have materialized throughout the history of architecture, we observe a radical importance of geometry and strong directionality. Under these premises, Diego de Siloé will design a new renaissance plant for the cathedral of Granada with the sole objective of being an imposing custody or later Leonardo de Figueroa will do the same with the baroque San Luis de los Franceses.</p>]]>
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