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    <title>City: new-york-city | ArchDaily</title>
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        <![CDATA[NYCxDESIGN Festival]]>
      </title>
      <link>https://www.archdaily.com/1041762/nycxdesign-festival</link>
      <pubDate>Fri, 22 May 2026 09:05:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>The NYCxDESIGN Festival returns May 14-20, 2026, bringing together more than 163,000 designers, innovators, industry leaders, and enthusiasts for a week-long celebration of creativity, collaboration, and cultural exchange.</p>
<p>Established in 2012 as New York City&rsquo;s official design week, the festival has grown into one of the world&rsquo;s leading design gatherings, activating all five boroughs of the city with dynamic programming.</p>
<p>&ldquo;NYCxDESIGN represents a global platform that showcases the ideas, talent, and innovation that make New York City such an influential design destination, and home to the largest concentration of creatives per capita anywhere,&rdquo; said<br />Ilene Shaw, Executive Director of NYCxDESIGN.</p>
<p>Throughout the week,</p>]]>
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        <![CDATA[Lantern House / Heatherwick Studio]]>
      </title>
      <link>https://www.archdaily.com/968598/lantern-house-heatherwick-studio</link>
      <pubDate>Thu, 16 Sep 2021 11:00:00 +0000</pubDate>
      <dc:creator>Clara Ott</dc:creator>
      <category>
        <![CDATA[Apartments]]>
      </category>
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        <![CDATA[<p>The studio was commissioned by Related Companies in 2015 to design a new residential building in Chelsea, Manhattan, beside the High Line at West 18th Street. In contrast to new glass apartment blocks that have sprung up along the High Line, we wanted to create a new type of residence: one that was reminiscent of the area’s existing historical buildings, designed and built for permanency.</p>]]>
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        <![CDATA[AD Classics: Radio City Music Hall / Edward Durell Stone & Donald Deskey]]>
      </title>
      <link>https://www.archdaily.com/792104/ad-classics-radio-city-music-hall-edward-durell-stone-and-donald-deskey</link>
      <pubDate>Fri, 26 Oct 2018 22:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[concert house]]>
      </category>
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        <![CDATA[<p id="docs-internal-guid-1aa12bf0-2809-8e8e-a033-0dfb480c0ec8" dir="ltr"><em>This article was originally published on July 29, 2016. To read the stories behind other celebrated architecture projects, visit our <a href="https://www.archdaily.com/architecture-classics">AD Classics</a> section. </em><br><br>Upon opening its doors for the first time on a rainy winter’s night in 1932, the Radio City <a href="/tag/music-hall">Music Hall</a> in <a href="/tag/manhattan">Manhattan</a> was proclaimed so extraordinarily beautiful as to need no performers at all. The first built component of the massive <a href="/tag/rockefeller-center">Rockefeller Center</a>, the Music Hall has been the world’s largest indoor theater for over eighty years. With its elegant <a href="/tag/art-deco">Art Deco</a> interiors and complex stage machinery, the theater defied tradition to set a new standard for modern entertainment venues that remains to this day.</p>]]>
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        <![CDATA[AD Classics: TWA Flight Center / Eero Saarinen]]>
      </title>
      <link>https://www.archdaily.com/788012/ad-classics-twa-flight-center-eero-saarinen</link>
      <pubDate>Sun, 21 Oct 2018 22:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
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        <![CDATA[<p id="docs-internal-guid-d6adfc21-d712-e451-efd8-8bf6706c003c" dir="ltr"><em>This article was originally published on June 16, 2016. To read the stories behind other celebrated architecture projects, visit our <a href="https://www.archdaily.com/architecture-classics">AD Classics</a> section. </em><br><br>Built in the early days of airline travel, the <a href="/tag/twa">TWA</a> Terminal is a concrete symbol of the rapid technological transformations which were fueled by the outset of the Second World War. <a href="/tag/eero-saarinen">Eero Saarinen</a> sought to capture the sensation of flight in all aspects of the building, from a fluid and open interior, to the wing-like concrete shell of the roof. At TWA’s behest, Saarinen designed more than a functional terminal; he designed a monument to the airline and to aviation itself.</p>]]>
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        <![CDATA[AD Classics: Empire State Building / Shreve, Lamb and Harmon]]>
      </title>
      <link>https://www.archdaily.com/797767/ad-classics-empire-state-building-shreve-lamb-harmon</link>
      <pubDate>Fri, 19 Oct 2018 22:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[Commercial Architecture]]>
      </category>
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        <![CDATA[<p id="docs-internal-guid-e006d47a-e089-6a6f-ed01-ac043f48f4bc" dir="ltr"><em>This article was originally published on December 5, 2016. To read the stories behind other celebrated architecture projects, visit our <a href="https://www.archdaily.com/architecture-classics">AD Classics</a> section. </em><br><br>Even in Manhattan—a sea of skyscrapers—the Empire State Building towers over its neighbours. Since its completion in 1931 it has been one of the most iconic architectural landmarks in the United States, standing as the tallest structure in the world until the Twin Towers of the World Trade Center were constructed in Downtown <a href="/tag/manhattan">Manhattan</a> four decades later. Its construction in the early years of the <a href="/tag/great-depression">Great Depression</a>, employing thousands of workers and requiring vast material resources, was driven by more than commercial interest: the Empire State Building was to be a monument to the audacity of the United States of America, “a land which reached for the sky with its feet on the ground.”[1]</p>]]>
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        <![CDATA[AD Classics: 1988 Deconstructivist Exhibition at New York's Museum of Modern Art (MoMA)]]>
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      <link>https://www.archdaily.com/868063/ad-classics-1988-deconstructivist-exhibition-johnson-wigley-new-york-museum-of-modern-art-moma</link>
      <pubDate>Wed, 29 Mar 2017 07:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[Installation]]>
      </category>
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        <![CDATA[<p dir="ltr">When <a href="http://www.archdaily.com/tag/philip-johnson/" target="_blank">Philip Johnson</a> curated the Museum of Modern Arts’ (MoMA) 1932 “International <a href="/tag/exhibition">Exhibition</a> of Modern Architecture,” he did so with the explicit intention of defining the International Style. As a guest curator at the same institution in 1988 alongside <a href="http://www.archdaily.com/tag/mark-wigley">Mark Wigley</a> (now Dean Emeritus of the Columbia GSAPP), Johnson took the opposite approach: rather than present architecture derived from a rigidly uniform set of design principles, he gathered a collection of work by architects whose similar (but not identical) approaches had yielded similar results. The designers he selected—<strong>Peter Eisenman</strong>, <strong>Frank Gehry</strong>, <strong>Zaha Hadid</strong>, <strong>Rem Koolhaas</strong>, <strong>Daniel Libeskind</strong>, <strong>Bernard Tschumi</strong>, and the firm <strong>Coop Himmelblau</strong> (led by <strong>Wolf Prix</strong>)—would prove to be some of the most influential architects of the late 20th Century to the present day.[1,2]</p>]]>
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        <![CDATA[Acne Studios Madison Avenue / Acne Studios + Max Lamb]]>
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      <link>https://www.archdaily.com/799630/acne-studios-madison-avenue-max-lamb</link>
      <pubDate>Thu, 17 Nov 2016 10:15:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <category>
        <![CDATA[Showroom]]>
      </category>
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        <![CDATA[<p><em>From the designer. </em>Acne Studios new global flagship store on the Upper East Side of Madison Avenue in <a href="/tag/new-york-city">New York City</a> features gold as its signature tone, with metal interior walls and fittings in aluminum that have been electrostatically gilded. A black asphalt floor and structural columns are dotted with semi-precious coloured stones. The space, entirely wrapped in glass to allow interior visibility, is designed to act as a gallery as well as a clothing store.</p>]]>
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        <![CDATA[BIG to Extend High Line Vertically with Spiral Tower]]>
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      <link>https://www.archdaily.com/781752/big-to-extend-high-line-vertically-with-spiral-tower</link>
      <pubDate>Mon, 08 Feb 2016 12:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <category>
        <![CDATA[Skyscrapers]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/781752/big-to-extend-high-line-vertically-with-spiral-tower</guid>
      <description>
        <![CDATA[<p>Developer Tishman Speyer has commissioned <a href="http://www.archdaily.com/tag/big" target="_blank">BIG</a> to design a new office tower on the northern end of the <a href="http://www.archdaily.com/tag/high-line" target="_blank">High Line</a> at <a href="http://www.archdaily.com/tag/hudson-yards" target="_blank">Hudson Yards</a> in <a href="http://www.archdaily.com/tag/new-york-city" target="_blank">New York City</a>. Dubbed "<a href="http://www.thespiralny.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Spiral</a>," the 1005-foot-tall tower is named after its defining feature - an "ascending ribbon of lively green spaces" that extend the High Line "to the sky," says Bjarke Ingels. </p>]]>
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        <![CDATA[Isay Weinfeld Unveils the Design for His First Project in New York City]]>
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      <link>https://www.archdaily.com/779284/isay-weinfields-unveils-the-design-for-his-first-project-in-new-york-city</link>
      <pubDate>Mon, 28 Dec 2015 06:00:00 +0000</pubDate>
      <dc:creator>Eric Oh</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
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        <![CDATA[<p>Located on 527 West 27<sup>th</sup> Street, in “the heart of West <a href="http://www.archdaily.com/tag/chelsea" target="_blank">Chelsea</a>” and overlooking the <a href="http://www.archdaily.com/tag/high-line" target="_blank">highline</a>, Jardim is a set of two, 11-storey luxury <a href="http://www.archdaily.com/tag/condominium" target="_blank">condominium</a> buildings designed by Brazilian architect <a href="http://www.archdaily.com/office/isay-weinfeld" target="_blank">Isay Weinfeld</a>. His first project in <a href="http://www.archdaily.com/tag/new-york-city" target="_blank">New York</a>, the buildings comprise 36 condominium residences, each with between 1-4 bedrooms. Many of the residences will have private outdoor spaces, providing “seamless indoor-outdoor living."</p>]]>
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        <![CDATA[National September 11 Memorial Museum Pavilion / Snøhetta]]>
      </title>
      <link>https://www.archdaily.com/507022/national-september-11-memorial-museum-celebrates-opening</link>
      <pubDate>Thu, 15 May 2014 01:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <category>
        <![CDATA[Landmarks & Monuments]]>
      </category>
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        <![CDATA[<p class="p1">Today marked the ceremonially opening of the National September 11 Memorial Museum. Set to officially open to the public next Wednesday (May 21), the subterranean museum has already made headlines for its emotional 70 foot decent to the bedrock of the World Trade Center Towers. </p>]]>
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        <![CDATA[300 Lafayette Street / COOKFOX]]>
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      <link>https://www.archdaily.com/457436/300-lafayette-street-cookfox</link>
      <pubDate>Thu, 12 Dec 2013 01:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <category>
        <![CDATA[Retail]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/457436/300-lafayette-street-cookfox</guid>
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        <![CDATA[<p>Planned to transform former gas station site at the entrance of SOHO by mid-2015, this <b><a href="http://cookfox.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">COOKFOX</a></b>-design was labeled as one of the most “erudite and captivating” presentations the Landmarks Preservation Commission has seen in years. The seven-story office and retail building is centered around the idea of connecting users to nature. Softening the building’s modern steel and glass facade will be a cloak of lush balconies topped with prime penthouse office space.</p>]]>
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        <![CDATA['Coverage: Seventy-Five Years of Oculus' Exhibition]]>
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      <link>https://www.archdaily.com/423125/coverage-seventy-five-years-of-oculus-exhibition</link>
      <pubDate>Sun, 01 Sep 2013 00:00:00 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
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        <![CDATA[<p>Taking place at the Center for Architecture September 3-23, <a href="http://aiany.aiany.org/index.php?section=aia-new-york&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">AIA New York</a>'s <a href="http://cfa.aiany.org/index.php?expid=263&amp;section=upcoming&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">'Coverage: Seventy-Five Years of Oculus' Exhibition</a> celebrates 75 years of Oculus<em> </em>and the 10 years since the 2003 re-launch. The exhibition will include original issues of Oculus<em> </em>from the AIA New York Chapter's archives dating back to 1938, and will trace the publication's history from an AIANY newsletter to the quarterly architectural journal it is today. The opening reception takes place 6:00-8:00pm EST. For more information, please visit <a href="http://cfa.aiany.org/index.php?expid=263&amp;section=upcoming&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">here</a>,<br></p>]]>
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        <![CDATA[Networking/Happy Hour ]]>
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      <link>https://www.archdaily.com/418018/networking-happy-hour</link>
      <pubDate>Wed, 21 Aug 2013 00:00:00 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
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        <![CDATA[<p><span style="font-size: 15px; line-height: 1.45em;">Taking place at the Daltile Design Gallery September 18th from 6:30pm-8:30pm EST, </span><a href="http://www.nycoba.org/home/?utm_medium=website&amp;utm_source=archdaily.com" style="font-size: 15px; line-height: 1.45em;" target="_blank">nycobaNOMA</a><span style="font-size: 15px; line-height: 1.45em;"> </span><span style="font-size: 15px; line-height: 1.45em;">(New York Coalition of Black Architects &amp; New York Chapter of the National Organization of Minority Architects) will present <a href="http://www.nycoba.org/2013/08/17/networking-mixerdesigntalk-mohawk-showroom-2/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Networking/Happy Hour</a> which includes a Design Talk with Mark Gardner, principal of J<a href="http://jaklitschgardner.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">aklitsch / Gardner Architects (J/GA)</a>. The award-winning <a href="/tag/new-york">New York</a> City-based studio is know for their expertise in designing high-end commercial and residential buildings and interiors, furnishing and objects. Gardner will speak about the office’s current works, endeavors, and project installations. For more information, please visit <a href="http://www.nycoba.org/2013/08/17/networking-mixerdesigntalk-mohawk-showroom-2/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">here</a>.</span><br></p>]]>
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        <![CDATA['Urban Fabric: Building New York's Garment District' Exhibition]]>
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      <link>https://www.archdaily.com/414918/urban-fabric-building-new-york-s-garment-district-exhibition</link>
      <pubDate>Wed, 14 Aug 2013 00:00:00 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
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        <![CDATA[<p>Despite its drastic evolution in the past 50 years, New York's historic Garment District remains one of the most authentic neighborhoods in the city. From August 5 through October 31, <a href="http://www.skyscraper.org/EXHIBITIONS/URBAN_FABRIC/garment_district.htm?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Skyscraper Museum</a> is presenting a free exhibition on its architecture and urban history in a pop-up space at 1411 Broadway. The installation reprises the exhibition The Skyscraper Museum originated last year in its lower Manhattan gallery. This exhibition is a great opportunity to explore a place that was once known as having the largest concentration of skyscraper factories in the world with more than 100,000 manufacturing jobs. For more information, please visit <a href="http://www.skyscraper.org/EXHIBITIONS/URBAN_FABRIC/garment_district.htm?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">here</a>.</p>]]>
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        <![CDATA[Midtown Financial Company / a + i architecture]]>
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      <link>https://www.archdaily.com/410877/midtown-financial-company-a-i-architecture</link>
      <pubDate>Fri, 09 Aug 2013 00:00:00 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
      <category>
        <![CDATA[Offices]]>
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        <![CDATA[<p>A prominent hedge fund over the boom years had acquired spaces in 2 different buildings in midtown.  With an office divided among not only floors, but buildings, the office space lost cohesion.  As things settled out, including the departure of the founder and CEO, they looked to consolidate into 1 building with 6 contiguous floors and an opportunity to redefine their identity.  Much of their existing office space followed an outdated design model, perimeter offices with solid walls connected by a warren of interior corridors. </p>]]>
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        <![CDATA[Networking @ Urban Office]]>
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      <link>https://www.archdaily.com/413962/networking-at-urban-office</link>
      <pubDate>Fri, 09 Aug 2013 00:00:00 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
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        <![CDATA[<p><a href="http://www.nycoba.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">nycobaNOMA</a> (New York Coalition of Black Architects and New York Chapter of the National Organization of Minority Architects) is inviting all to come out and join professionals in the design, <span>architecture, development, real estate, and construction</span> fields for an evening of networking at the Urban Office Showroom in <a href="/tag/new-york">New York</a> City. Taking place Tuesday, August 20th, from 6:30-8:30 EST, participants can expect not just networking, but <span>good spirits at the beautiful midtown showroom. Fore more information, please visit <a href="http://www.nycoba.org/portfolio-test-page/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">here</a>.</span><br></p>]]>
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        <![CDATA[M&M House / Stan Allen Architect]]>
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      <link>https://www.archdaily.com/407029/m-and-m-house-stan-allen-architect</link>
      <pubDate>Wed, 07 Aug 2013 01:00:00 +0000</pubDate>
      <dc:creator>Jonathan Alarcón</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
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        <![CDATA[<p>The M&amp;M House is a weekend retreat constructed on a five acre wooded lot. The client is a well-known New York artist and her husband. The first phase, a modest, one story house, was constructed in 2000. Organized like an open loft space, all services are concentrated in a compact central block, allowing natural cross ventilation and optimal use of living space. Responding to the constraints of the sloping site, the house is orientated to capture light and views, while the painted wood siding echoes the rhythm of the trees on site. </p>]]>
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        <![CDATA[AD Classics: Modern Architecture International Exhibition / Philip Johnson and Henry-Russell Hitchcock]]>
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      <link>https://www.archdaily.com/409918/ad-classics-modern-architecture-international-exhibition-philip-johnson-and-henry-russell-hitchcock</link>
      <pubDate>Fri, 02 Aug 2013 01:00:00 +0000</pubDate>
      <dc:creator>Gili Merin</dc:creator>
      <category>
        <![CDATA[Other]]>
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        <![CDATA[<p>“Modern Architecture: International Exhibition” is the title of an exhibition that took place in 1932 at the Museum of Modern Art in <a href="/tag/new-york-city">New York City</a>. Curated by <a href="/tag/philip-johnson">Philip Johnson</a> and Henry-Russell Hitchcock, the exhibition introduced an emerging architectural style characterized by simplified geometry and a lack of ornamentation; known as the “International Style,” it was described by Johnson as “probably the first fundamentally original and widely distributed style since the Gothic.” The exhibition, along with an accompanying catalogue, laid the principles for the canon of Modern architecture. </p>]]>
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