<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>City: arzignano | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 9 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Atipografia Threshold and Treasure Gallery  / AMAA - Collaborative Office For Research And Development]]>
      </title>
      <link>https://www.archdaily.com/993445/atipografia-threshold-and-treasure-gallery-amaa-collaborative-office-for-research-and-development</link>
      <pubDate>Mon, 06 Oct 2025 06:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Gallery]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/993445/atipografia-threshold-and-treasure-gallery-amaa-collaborative-office-for-research-and-development</guid>
      <description>
        <![CDATA[<p>'Threshold and Treasure' questions the role of threshold and treasure in art, architecture, and, more specifically, galleries as places of display. It is precisely in the space of the threshold that the meaning of the entire project unfolds: thus, the entrance becomes both work of art and an urban system.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6391/1f8a/4a44/6025/7dc5/bbf2/newsletter/atipografia-threshold-and-treasure-gallery-amaa-collaborative-office-for-research-and-development_1.jpg?1670455202"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Space Within a Space Installation / AMAA - Collaborative Office For Research And Development]]>
      </title>
      <link>https://www.archdaily.com/948232/space-within-a-space-installation-amaa-collaborative-office-for-research-and-development</link>
      <pubDate>Wed, 23 Jun 2021 01:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Temporary installations]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/948232/space-within-a-space-installation-amaa-collaborative-office-for-research-and-development</guid>
      <description>
        <![CDATA[<p>L’architettura non è spazio, […] l’architettura è un gesto del pensiero. Livio Vacchini in “Capolavori” I prefer something like the cave-like-unintentional space. something that is in between nature and artifact — formless form. Sou Fujimoto, “Essays on architecture and ceramics — vol 4”</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5f6b/7b1e/63c0/176b/3f00/02bb/newsletter/02_Cont_3001_2880px.jpg?1600879376"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Pleonastic is Fantastic Restoration / AMAA - Collaborative Office For Research And Development]]>
      </title>
      <link>https://www.archdaily.com/955528/pleonastic-is-fantastic-restoration-amaa-collaborative-office-for-research-and-development</link>
      <pubDate>Fri, 22 Jan 2021 06:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Restoration]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/955528/pleonastic-is-fantastic-restoration-amaa-collaborative-office-for-research-and-development</guid>
      <description>
        <![CDATA[<p class="p1">The tension between old and new find its realization in the pleonastic stairway – object hanging in the balance within the space.  What is pleonastic is not strictly necessary. The stairway wasn’t necessary in the first place; neither was the strut supporting the stairway. The invention that the stairway brings about is its independence from the slab and the walls. The self-supporting stairway does not touch the beauty and the fragility of the wooden slab and the load-bearing walls. That’s how the stairway from being pleonastic becomes fantastic.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6009/e070/63c0/1757/3d00/011e/newsletter/AMAA_09_SCA_2431_1001.jpg?1611260004"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Studio in Arzignano / Amaa]]>
      </title>
      <link>https://www.archdaily.com/921611/studio-in-arzignano-amaa</link>
      <pubDate>Wed, 24 Jul 2019 00:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Offices Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/921611/studio-in-arzignano-amaa</guid>
      <description>
        <![CDATA[<p class="Normal1">Architecture is the result of a complex phase, such as the project. It is not a unique and linear process but it is based on the continuous review of multiple options available always keeping a critical attitude. This is a peculiar practice manner based on the primary role of the IDEA in the process. The act of DOING is also fundamental and researches a balance between the three steps of working on architecture: theory, order and the final outcome. Each one keeps the essence of the original idea and gradually becomes more precise and developed until the project reaches the realization. Theory is a synthesis in the making of the background made of models, references, words and other contributions coming from other disciplines, all weaved together.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5d36/336a/284d/d1c0/d600/011f/newsletter/feature_-_A_1001_copy.jpg?1563833117"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The [B] Zone | 1882 Concept Store / [A+M]2 Architects]]>
      </title>
      <link>https://www.archdaily.com/805197/the-b-zone-1882-concept-store-a-plus-m-2-architects</link>
      <pubDate>Tue, 14 Feb 2017 05:00:00 +0000</pubDate>
      <dc:creator>Valentina Villa</dc:creator>
      <category>
        <![CDATA[Store]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/805197/the-b-zone-1882-concept-store-a-plus-m-2-architects</guid>
      <description>
        <![CDATA[<p class="p1">The former Pellizzari’s pumps factory was still as it was during the production, before it was left abandoned. The site – the [B] zone - showed the ravages of time and the sequence of layers that have been added time after time.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/58a0/f920/e58e/ce84/e900/051c/newsletter/6.jpg?1486944537"></enclosure>
    </item>
  </channel>
</rss>
