<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Category: Museum &amp; Exhibition Interiors | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Wed, 24 Jun 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Memorial Exhibition Hall Design for the "Mianmao Road" / Atelier Haode]]>
      </title>
      <link>https://www.archdaily.com/1033499/memorial-exhibition-hall-design-for-the-mianmao-road-atelier-haode</link>
      <pubDate>Sun, 31 Aug 2025 02:00:00 +0000</pubDate>
      <dc:creator>韩爽</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1033499/memorial-exhibition-hall-design-for-the-mianmao-road-atelier-haode</guid>
      <description>
        <![CDATA[<p>Seventeen years ago, the Wenchuan Earthquake severely damaged infrastructure in this region. After arduous post-disaster reconstruction, the "Mianmao Road" was initiated in 2009 with multi-party funding to connect Mianzhu City (on the edge of the Sichuan Basin) and Mao County in Aba Prefecture. Due to the treacherous terrain and frequent hazards, the highway became one of Sichuan's most challenging post-disaster transportation projects. After 14 years of construction, the road opened in 2023, ending the historical isolation between Mianzhu and Mao County. To commemorate its construction journey, honor the heroic efforts of its builders, and serve local cultural and spiritual needs, the "Mianmao Road" Memorial Exhibition Hall was established.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68ae/c1b7/7b16/8100/0138/25c2/newsletter/Fig_20__Arch-Exist.jpg?1756283338"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[BRITA 131 Art Space / Jiangjie Office]]>
      </title>
      <link>https://www.archdaily.com/1030538/brita-131-art-space-jiangjie-office</link>
      <pubDate>Mon, 02 Jun 2025 00:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1030538/brita-131-art-space-jiangjie-office</guid>
      <description>
        <![CDATA[<p>BRITA 131 Art Space recently opened its doors to the public. This project was initiated by founder Xiao Jun in the BAC art community, with the aim of integrating the works of local artists into daily life and connecting them with the wider public. As a non-profit art organization, it is not only an exhibition space, but also a communication platform.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6835/9d88/13b9/4101/87ae/8971/newsletter/brita-131-art-space-jiangjie-office_2.jpg?1748344213"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Path to Net Zero for Arts - Exhibition on Carbon Reduction / Üroborus_studioLab]]>
      </title>
      <link>https://www.archdaily.com/1029517/path-to-net-zero-for-arts-exhibition-on-carbon-reduction-uroborus-studiolab</link>
      <pubDate>Sun, 27 Apr 2025 17:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1029517/path-to-net-zero-for-arts-exhibition-on-carbon-reduction-uroborus-studiolab</guid>
      <description>
        <![CDATA[<p dir="ltr">Taiwan is a fertile ground for cultural creativity, hosting tens of thousands of cultural exhibitions annually across the island. When tasked by the Ministry of Culture with the space design for a net-zero carbon reduction exhibition, we re-evaluated the one-time waste often generated by past exhibitions. We challenged ourselves to transform common, everyday rental logistics pallets, rental lighting, infinitely reusable ratchet straps, and metal hardware into the main characters of the exhibition. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/680b/54a6/8e64/3500/01dd/9d4e/newsletter/YHL06396-__.jpg?1745573082"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Exhibition Center of CANNANO / HOT DESIGN]]>
      </title>
      <link>https://www.archdaily.com/1021551/the-exhibition-center-of-cannano-hot-design</link>
      <pubDate>Thu, 26 Sep 2024 00:00:00 +0000</pubDate>
      <dc:creator>July Shao</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1021551/the-exhibition-center-of-cannano-hot-design</guid>
      <description>
        <![CDATA[<p>Located on the north side of the intersection of Hulin Middle Road and Zhujiang North Road in Huangpu District, Guangzhou, The Exhibition Center is located at the central landscape plaza of the CANNANO Park. It is a dome-like structure with a diameter of about 39m and a height of 21m, with a total floor area of 4158.99 square meters. The basement level covers 992.63 square meters and is mainly used for equipment and utility space, while the three above-ground floors total 3,166.36 square meters and are primarily used for exhibition halls, reception areas, and academic conferences. The Exhibition Center will serve as a key symbol for showcasing research achievements, hosting external exhibitions, and media releases, aiming to become a world-leading nanotechnology exhibition hall with multiple "firsts" globally.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/66f2/3d9c/2684/7b56/0baf/38ce/newsletter/the-exhibition-center-of-cannano-hot-design_1.jpg?1727151580"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[apm Gallery in Haikou GAOXINGLI / Dazhou And Associates]]>
      </title>
      <link>https://www.archdaily.com/1016672/apm-gallery-in-haikou-gaoxingli-dazhou-and-associates</link>
      <pubDate>Sun, 19 May 2024 02:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1016672/apm-gallery-in-haikou-gaoxingli-dazhou-and-associates</guid>
      <description>
        <![CDATA[<p>In early 2021, the Noya team proposed the renovation scheme of Haikou GAOXINGLI. Dazhou and Associates has completed the design of two iconic buildings, NOYARD and APM. Situated on the east side of the block, apm, was a newly built two-story building with a pitched roof. We intend to transform it into a small-scale community art gallery, infusing contemporary art into the community and driving vitality on the east side of the block.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6646/14c9/58f1/c52d/c839/2134/newsletter/apm-gallery-in-haikou-gaoxingli-dazhou-and-associates_2.jpg?1715869008"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Homo Ludens Exhibition / Guillermo Hevia García  + Catalina Poblete]]>
      </title>
      <link>https://www.archdaily.com/1010165/homo-ludens-exhibition-guillermo-hevia-garcia-plus-catalina-poblete</link>
      <pubDate>Mon, 27 Nov 2023 18:00:00 +0000</pubDate>
      <dc:creator>Benjamin Zapico</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1010165/homo-ludens-exhibition-guillermo-hevia-garcia-plus-catalina-poblete</guid>
      <description>
        <![CDATA[<p class="p1">Game and art in motion. How can we incorporate the concept of play into an art exhibition? The Homo Ludens exhibition proposes the challenge of transforming play into a concept that not only organizes the curation of the artworks but also guides the assembly and museography project of the exhibition.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/655b/d875/781a/6901/7c34/e0a8/newsletter/museografia-exposicion-homo-ludens-coleccion-ca-guillermo-hevia-garcia-plus-catalina-poblete_12.jpg?1700518016"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Robert Olnick Pavilion / Alberto Campo Baeza + Miguel Quismondo]]>
      </title>
      <link>https://www.archdaily.com/1007400/robert-olnick-pavilion-alberto-campo-baeza-plus-miguel-quismondo-plus-aia</link>
      <pubDate>Tue, 26 Sep 2023 16:00:00 +0000</pubDate>
      <dc:creator>Benjamin Zapico</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1007400/robert-olnick-pavilion-alberto-campo-baeza-plus-miguel-quismondo-plus-aia</guid>
      <description>
        <![CDATA[<p>We want to create a very simple and sober building while being the most beautiful in the world. We understand that this new building should complete and complement the main building of MagaZZino. To achieve this, it is arranged perpendicular to the first, creating a unified space between them. The new extension is set back from the main complex at an appropriate distance to address functional issues.&nbsp;</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6512/3667/7316/3267/299a/797b/newsletter/pabellon-robert-olnick-alberto-campo-baeza-plus-miguel-quismondo-plus-aia_4.jpg?1695692401"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Exhibition Hall in the Attic of the Olomouc Archdiocesan Museum / Šépka architekti]]>
      </title>
      <link>https://www.archdaily.com/1006309/exhibition-hall-in-the-attic-of-the-olomouc-archdiocesan-museum-sepka-architekti</link>
      <pubDate>Sun, 03 Sep 2023 09:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1006309/exhibition-hall-in-the-attic-of-the-olomouc-archdiocesan-museum-sepka-architekti</guid>
      <description>
        <![CDATA[<p>The design of the exhibition hall in the attic of the chapter deanery follows up on the modifications from 1998‒2006 when the <a href="/tag/olomouc">Olomouc</a> Archdiocesan Museum was created. When thinking through it, we asked ourselves the question of the degree of intervention in the existing attic. We did not find it appropriate to insulate the wooden structures, and for that reason, we rejected the standard thermal insulation of the attic space.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/64f1/df91/fc81/0444/006d/1b47/newsletter/exhibition-hall-in-the-attic-of-the-olomouc-archdiocesan-museum-sepka-architekti_3.jpg?1693573033"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Meizhou New Town Art Space in Meishan  / Atelier Sizhou]]>
      </title>
      <link>https://www.archdaily.com/1004556/meizhou-new-town-art-space-in-meishan-atelier-sizhou</link>
      <pubDate>Fri, 28 Jul 2023 01:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1004556/meizhou-new-town-art-space-in-meishan-atelier-sizhou</guid>
      <description>
        <![CDATA[<p>Background. This project is located within the <a href="/tag/meizhou">Meizhou</a> Now Town of Vanke in Meishan City. It was originally a two-story neo-Chinese commercial building, with a terrace， totaling about 800 ㎡. The owner wanted to transform this two-story building into a community art space with a composite function of exhibition and restaurant, as well as an echo of local culture. With a tight budget and an implementation period of only three months, the project was considered to require an easy and flexible approach to the space to fulfill the function and ensure quality.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/64c0/3073/4b88/3f60/ff50/31a8/newsletter/meizhou-new-town-art-space-in-meishan-atelier-sizhou_14.jpg?1690316977"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[CRA (Center for Artistic Residencies) / BURR Studio]]>
      </title>
      <link>https://www.archdaily.com/1002207/cra-center-for-artistic-residencies-burr-studio</link>
      <pubDate>Mon, 12 Jun 2023 01:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1002207/cra-center-for-artistic-residencies-burr-studio</guid>
      <description>
        <![CDATA[<p>CRA is a set of support structures designed to temporarily transform one of the warehouses in Matadero <a href="/tag/madrid">Madrid</a> into the Center for Artistic Residencies.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6483/5d5f/7870/7201/7a1f/0fce/newsletter/cra-centro-de-residencias-artisticas-burr-studio_23.jpg?1686330787"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Cold War Museum / Tchoban Voss Architekten]]>
      </title>
      <link>https://www.archdaily.com/996451/cold-war-museum-tchoban-voss-architekten</link>
      <pubDate>Tue, 14 Feb 2023 12:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/996451/cold-war-museum-tchoban-voss-architekten</guid>
      <description>
        <![CDATA[<p>The Cold War Museum <a href="/tag/berlin">Berlin</a>, which opened in November 2022, is centrally located in Berlin-Mitte on the boulevard Unter den Linden between the Brandenburg Gate and the Humboldt Forum. On two floors and over 1,600 sqm, the High-Tech Museum 4.0 illuminates the different facets of the Cold War from 1945 to the dissolution of the USSR in 1991 and makes history tangible across generations with interactive and virtual applications and selected exhibits.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/63ea/abc4/2b86/6c57/a94c/ea75/newsletter/cold-war-museum-tchoban-voss-architekten_22.jpg?1676323835"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Pillars Exhibition / 2050+]]>
      </title>
      <link>https://www.archdaily.com/984272/the-pillars-exhibition-2050-plus</link>
      <pubDate>Mon, 27 Jun 2022 03:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/984272/the-pillars-exhibition-2050-plus</guid>
      <description>
        <![CDATA[<p class="p1">2050+ has designed <em>The Pillars</em> room, a permanent exhibition space within the new National Museum in Oslo, which opened its doors to the public on June 11th. The room will host temporary shows featuring pieces from The Fredriksen Family Collection.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/62b9/00eb/c3a2/ab01/7e4e/c9b7/newsletter/the-pillars-exhibition-2050-plus_13.jpg?1656291585"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[For the Sake of Calmness Exhibition / Ahmadreza Schricker Architecture North - ASA North]]>
      </title>
      <link>https://www.archdaily.com/984024/for-the-sake-of-calmness-exhibition-ahmadreza-schricker-architecture-north-asa-north</link>
      <pubDate>Tue, 21 Jun 2022 14:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/984024/for-the-sake-of-calmness-exhibition-ahmadreza-schricker-architecture-north-asa-north</guid>
      <description>
        <![CDATA[<p class="p1">After the opening of “<a href="https://pejman.foundation/argofactory/about/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Argo Contemporary Art Museum &amp; Cultural Centre</a>” led by <a href="http://www.asanorth.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">ASA North</a>, the firm showed another side to their practice: one focusing on atmosphere, assemblage, and curation rather than the traditional architectural efforts that the museum’s visitors associated with the firm.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/62b1/d273/6f92/4301/66ec/7780/newsletter/for-the-sake-of-calmness-exhibition-ahmadreza-schricker-architecture-north-asa-north_9.jpg?1655820970"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Project N.0378 Exhibition / AIM Architecture]]>
      </title>
      <link>https://www.archdaily.com/960112/project-378-aim-architecture</link>
      <pubDate>Sat, 07 May 2022 02:00:00 +0000</pubDate>
      <dc:creator>Yu Xin Li</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/960112/project-378-aim-architecture</guid>
      <description>
        <![CDATA[<p>Project No.0378 by AIM ARCHITECTURE, is an exhibition that offers an insight into architecture, interior design, and furniture projects. An invitation to understand the design journey, of AIM’s founders: Wendy Saunders &amp; Vincent de Graaf.<br>The exhibition is inspired by buildings and their future: their ambiguity, ever-changing - always questioning.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6076/26e1/f91c/81f9/7400/02a9/newsletter/Indoor_Landscape__1.jpg?1618355918"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Hanji House Pavilion  / Stefano Boeri Architetti]]>
      </title>
      <link>https://www.archdaily.com/980546/hanji-house-pavilion-stefano-boeri-architetti</link>
      <pubDate>Thu, 21 Apr 2022 06:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/980546/hanji-house-pavilion-stefano-boeri-architetti</guid>
      <description>
        <![CDATA[<p class="p2">Designed by <strong>Stefano Boeri Architetti</strong>, the <strong><em>Hanji House</em></strong> is a site-specific commissioned pavilion made in dialogue with the exhibition <strong><em>Chun Kwang Young: Times Reimagined</em></strong> – that features 40 large-scale mulberry-paper reliefs, sculptures, and installations created by the Korean artist <strong>Chun Kwang Young</strong>, at the Palazzo Contarini Polignac, in Venice.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6260/706c/5b8f/ab21/c2b8/4068/newsletter/10-tr-courtesy-cky-photo-alice-clancy.jpg?1650487475"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Flow Gallery / John Pardey Architects]]>
      </title>
      <link>https://www.archdaily.com/917625/flow-gallery-house-john-pardey-architects</link>
      <pubDate>Tue, 05 Apr 2022 02:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/917625/flow-gallery-house-john-pardey-architects</guid>
      <description>
        <![CDATA[<p>Flow is an internationally recognized craft gallery in <a href="/tag/london">London</a> founded by Yvonna Demczynska in 1999 in the heart of Notting Hill. Curating some six exhibitions each year, more recently Yvonna has established touring exhibitions and pop-up exhibitions across the world, so the need for a large permanent gallery space diminished while at the same time, she was keen to move closer to the gallery.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5ce5/3d02/284d/d14b/fd00/01df/newsletter/feature_-Flow_Gallery_04.jpg?1558527192"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Yangtze Opus Wuhan Art Museum / Waterfrom Design]]>
      </title>
      <link>https://www.archdaily.com/975701/yangtze-opus-wuhan-art-museum-waterfrom-design</link>
      <pubDate>Tue, 25 Jan 2022 20:00:00 +0000</pubDate>
      <dc:creator>Xiaohang Hou</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/975701/yangtze-opus-wuhan-art-museum-waterfrom-design</guid>
      <description>
        <![CDATA[<p><em>Vertical Lifen<strong>. </strong></em>Affection in all directions by Simplicity and Zigzaging. Lifen in Wuhan resembles a lane in Beijing and it is the essential cultural symbol in the city. The journal depicts the common people’s lives, mixed culture in the settlement, as well as the rise and fall of the population in the places. It shows the mutual prosperity of building and life. At Wuhan beach with the combination of the present and the past and western and eastern culture, by modern language, Water from Design reconstructed Life. Through the horizontal extension of traditional compound houses and vertical characteristics of western buildings, it analyzed and reorganized vertical and horizontal dimensions and reconstructed the modern space in the lanes. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/61ee/b733/3e4b/316b/a000/0114/newsletter/2.reception_center_%C2%A9Vincent_Wu_%E5%90%B4%E9%89%B4%E6%B3%89.jpg?1643034406"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Yuntai Ice Chrysanthemum Display Shelves / LUO studio]]>
      </title>
      <link>https://www.archdaily.com/974106/yuntai-ice-chrysanthemum-display-shelves-luo-studio</link>
      <pubDate>Sun, 02 Jan 2022 21:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/974106/yuntai-ice-chrysanthemum-display-shelves-luo-studio</guid>
      <description>
        <![CDATA[<p><strong>Agricultural products exhibition for supporting rural industries revitalization<br> </strong>2021 opens a new chapter of China's Rural Revitalization Initiative. As industries take the lead in rural revitalization, quality agricultural products and better ways of displaying them are essential. This is quite true for Houyanmen Village in Huanfeng Town, Xiuwu County. The Yuntai Ice Chrysanthemum Industry Park in the village needed an exhibition space to display its ice chrysanthemum (a species of medicinal chrysanthemum) products, and the operator thought that what products display needed was just a place with a moderate size. Therefore, they commissioned a familiar steel structure manufacturer to construct a space with portal steel frames at a very fast speed, for serving product display and livestreaming selling activities. Such portal steel frames replicated the structures of other plants in the industry park. The operator thought that the space was ready for use once furniture pieces were set in.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/61c5/2acd/3e4b/31c3/5700/0028/newsletter/工作场景全览.jpg?1640311495"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Immersive Digital Gallery / Listen Communication]]>
      </title>
      <link>https://www.archdaily.com/974107/immersive-digital-gallery-listen-communication</link>
      <pubDate>Sun, 26 Dec 2021 21:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/974107/immersive-digital-gallery-listen-communication</guid>
      <description>
        <![CDATA[<p class="p1"><strong>An AR experience zone within the utopian garden filled with the scent of flowers.</strong> As you follow the scent of smoke, you will face a flower that holds the warmth. Inspired by Hanok(traditional Korean house) the exhibition area is an idealistic space where reality and unreality, past and present coexist. Traces of little birds and tiger patterned ridge illustrate the creatures of nature and the warmth of nature itself. The garden is designed to offer a comfortable resting space and it is filled with craft products based on usability, quality content with cutting edge technology, and cultural heritage. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/61c4/8ba4/b038/0623/9e51/14de/newsletter/listen-6.jpg?1640270829"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Origin of Life Museum / Fenhom·URO]]>
      </title>
      <link>https://www.archdaily.com/974103/the-origin-o-f-life-museum-fenhom-star-uro</link>
      <pubDate>Fri, 24 Dec 2021 20:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/974103/the-origin-o-f-life-museum-fenhom-star-uro</guid>
      <description>
        <![CDATA[<p>In China, sex culture has always been a topic that people are ashamed to discuss. Sex education in China is deficient, and the output of sex education is usually wrong. A year ago the design team was given the task of designing a sexual culture museum in the Pengzu Mountain. Peng Zu realized longevity and health preservation through chamber technique, guiding technique, and dietary technique. The culture hall of the Origin of life focuses on peng Zu's research on chamber technique and related education and popular science. What kind of sexual culture museum can attract people to learn about it? Ying Zhang who designed this museum, an architect and interior designer who graduated from Harvard, said the sex culture exhibition hall should popularize sex culture education and life education to people through artistic expression so that the sex culture education exhibition hall is no longer a place that people refuse to avoid, but people can look like a piece of art.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/61c5/254b/3e4b/31c3/5700/0009/newsletter/存在建筑-建筑摄影10.jpg?1640310083"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architecture project for the 34th Bienal de Arte de São Paulo / Andrade Morettin Arquitetos Associados]]>
      </title>
      <link>https://www.archdaily.com/971040/architecture-project-for-the-34th-bienal-de-arte-de-sao-paulo-andrade-morettin-arquitetos-associados</link>
      <pubDate>Mon, 01 Nov 2021 02:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/971040/architecture-project-for-the-34th-bienal-de-arte-de-sao-paulo-andrade-morettin-arquitetos-associados</guid>
      <description>
        <![CDATA[<p>The invitation to write, in the space of the correspondences, about the architectural design for the 34th Bienal de S&atilde;o Paulo led us to reflect on the work process around it and to revisit the reading that we made of the event&rsquo;s curatorial proposal &ndash; which is aimed discussing the relationship between things, much more than the things themselves. A discussion that is centered on the possibility of dialogue &ndash; or of mediation &ndash; as a way of relating with the world.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/617a/ef65/1239/1301/6549/a5a9/newsletter/036475-1.jpg?1635446645"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Denver Art Museum Design Galleries and Studio  / OMA]]>
      </title>
      <link>https://www.archdaily.com/970802/denver-art-museum-design-galleries-and-studio-oma</link>
      <pubDate>Tue, 26 Oct 2021 06:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/970802/denver-art-museum-design-galleries-and-studio-oma</guid>
      <description>
        <![CDATA[<p>Comprising nearly 19,000 works dating from the sixteenth century to the present day, the DAM’s architecture and design collection encompass one of the most preeminent modern and contemporary design collections of any comprehensive museum in the US, featuring a broad range of design practices, including architecture, furniture, and industrial and graphic design.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6177/2046/eb9b/7201/6519/af7d/newsletter/oma-new-york-denver-art-museum-finals-high-res-05.jpg?1635197033"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Perrotin Gallery  / PRO-Peterson Rich Office]]>
      </title>
      <link>https://www.archdaily.com/970762/perrotin-gallery-pro-peterson-rich-office</link>
      <pubDate>Mon, 25 Oct 2021 16:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/970762/perrotin-gallery-pro-peterson-rich-office</guid>
      <description>
        <![CDATA[<p class="p1">Peterson Rich Office’s first public art gallery — the <a href="/tag/new-york">New York</a> flagship for Perrotin — involves the complete adaptive reuse and redesign of The Beckenstein Building. Constructed in 1890 and located at 130 Orchard Street on the Lower East Side, the building has evolved from residential lofts to commercial use, and now functions as an open, flexible contemporary art gallery and workspace. Because of its scale and varied uses, the building functions more like an institution than a commercial art gallery.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6176/d4c2/f91c/81f4/9500/001e/newsletter/_FACADE_4.jpg?1635177607"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[041 Exhibition at MO / ŠA atelier]]>
      </title>
      <link>https://www.archdaily.com/969942/041-exhibition-at-mo-sa-atelier</link>
      <pubDate>Mon, 11 Oct 2021 01:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/969942/041-exhibition-at-mo-sa-atelier</guid>
      <description>
        <![CDATA[<p class="p1">"Celebration for change" is the topic of MO museum main exhibition that speaks about the feast as a state of personal or social transformation. A wide selection of photographs created by Lithuanian artists is united by concept of liminality. It is a ritual space to signify transition, threshold, transformation, and return. These aspects are interpreted by the architecture of the exhibition, creating a coherent scenario for visitors. . The exhibition consists of three main sections with an individual space atmosphere. Linear movement through the exhibition refers to a ritual and helps to structure a large amount of works. Such a layout reveals connections between different authors and periods.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6163/28b8/1248/3401/6477/bbb0/newsletter/01-mo-permainu-svente-c-norbert-tukaj-8949.jpg?1633888456"></enclosure>
    </item>
  </channel>
</rss>
