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    <title>Category: Memorial Center | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
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        <![CDATA[Mangyeong Church Martyrs Memorial / AEV Architectures + TONN architects]]>
      </title>
      <link>https://www.archdaily.com/1037109/mangyeong-church-martyrs-memorial-aev-architectures-plus-tonn-architects</link>
      <pubDate>Thu, 08 Jan 2026 07:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
      </category>
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      <description>
        <![CDATA[<p>A Place of Memory and Reconciliation Created by Light<br>In the tranquil village of Mangyeong, located three hours south of Seoul, a deeply meaningful commemorative space has been established. This <strong>memorial honors Pastor Kim Jong-han and the fifteen members of the Mangyeong Church</strong> who were martyred during the Korean War in 1950. The Mangyeong Church Martyrs Memorial is designed, not as a conventional monument, but as a <strong>powerful symbol of remembrance, renewal, and hope for a rural community </strong>grappling with depopulation and the erosion of its cultural identity.</p>]]>
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      <title>
        <![CDATA[The ET-302 Memorial / Alebel Desta Consulting Architects and Engineers]]>
      </title>
      <link>https://www.archdaily.com/1028581/the-et-302-memorial-alebel-desta-consulting-architects-and-engineers</link>
      <pubDate>Tue, 08 Apr 2025 07:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Landscape]]>
      </category>
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      <description>
        <![CDATA[<p>The ET-302 Memorial Park serves as a meaningful tribute to 157 individuals worldwide, telling the story of the flight's final moments. It weaves the narrative of the crash into its design, guiding visitors along paths that lead to the crash site, burial ground, and areas for reflection, healing, and connection, all while integrating naturally into the surrounding farmland.</p>]]>
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      <title>
        <![CDATA[Dr.Vishnuvardhan Memorial Complex / M9 Design Studio]]>
      </title>
      <link>https://www.archdaily.com/1013935/dishnuvardhan-memorial-complex-m9-design-studio</link>
      <pubDate>Fri, 01 Mar 2024 10:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Cultural Center]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1013935/dishnuvardhan-memorial-complex-m9-design-studio</guid>
      <description>
        <![CDATA[<p class="p1">In the heart of rural tranquility in Mysore, a visionary project has taken shape to commemorate the iconic actor Dr. Vishnuvardhan. This memorial transcends its role as a mere architectural endeavor; it is a testament to the transformative power of design in fostering community dialogue and social change.</p>]]>
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      <title>
        <![CDATA[Yanzi Memorial Hall / Architectural Design and Research Institution of SCUT]]>
      </title>
      <link>https://www.archdaily.com/1010057/yanzi-memorial-hall-architectural-design-and-research-institution-of-scut</link>
      <pubDate>Tue, 28 Nov 2023 00:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Museum]]>
      </category>
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        <![CDATA[<p>Fengxian, which is named after the respect of Yanzi, is located among the river towns along the Yangtze River. Yanzi Memorial Hall is located in the core area of Fengxian District, Shanghai. It is used to display the stories of the sage Yanzi and spread the worship of Fengxian people to those sages. Yanzi Memorial Hall is a cultural exhibition with multiple functions, including museum exhibition, teaching, meeting, etc. As a public venue, it is not only an urban cultural garden but also a spiritual education hall for citizens.</p>]]>
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      <title>
        <![CDATA[Hamidur Rahman Memorial Complex / Marina Tabassum Architects]]>
      </title>
      <link>https://www.archdaily.com/1008996/hamidur-rahman-memorial-complex-marina-tabassum-architects</link>
      <pubDate>Tue, 31 Oct 2023 01:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1008996/hamidur-rahman-memorial-complex-marina-tabassum-architects</guid>
      <description>
        <![CDATA[<p>The Hamidur Rahman Memorial Complex is located along the Buringanga River in Fatullah. The sprawling grounds are screened from the street by a high wall. The former Hamid family home was built in the 1960s at the site's western end, directly on the riverbank. In the years that followed, leading to the country's independence, it was a secret meeting place and served as a hideout for Awami League politicians who could reach the house unseen by boat. After 1971, a cold storage facility was built on the property for commercial purposes, and nine years later, a multi-story textile factory was built. The family home remained unused with all these developments, which led to its dilapidation.</p>]]>
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      <title>
        <![CDATA[Taoyiqiu Memorial / Atelier Deshaus]]>
      </title>
      <link>https://www.archdaily.com/1008763/taoyiqiu-memorial-atelier-deshaus</link>
      <pubDate>Thu, 26 Oct 2023 01:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1008763/taoyiqiu-memorial-atelier-deshaus</guid>
      <description>
        <![CDATA[<p>Tao Yiqiu was born into a wealthy landowning family in Xiajiaqiao Town (now known as the Xiaqiao Community of Lujia Town) of Kunshan. In his early years, he had done many beneficial things for his hometown. In 1939, he founded the first counter-Japanese armed force in Kunshan and sold his own land to support the resistance. In appreciation of Tao Yiqiu's deeds and contributions, a memorial hall was built in his honor in Lujia Town, Kunshan.</p>]]>
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      <title>
        <![CDATA[Masella Cabin / Marte.Marte Architects]]>
      </title>
      <link>https://www.archdaily.com/1004831/masella-cabin-martarte-architects</link>
      <pubDate>Wed, 02 Aug 2023 06:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
      </category>
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      <description>
        <![CDATA[<p>Above the church in <a href="https://www.archdaily.com/tag/dafins">Dafins</a>, there is a gently sloping road that leads first across meadows and then through the forest towards Frödisch stream to the shady side of the village nestled in the Alpine foothills. The road was built in the 1920s by the village of Sulz so that in winter, wood could be transported down to the valley by horses and hand-drawn sleds. After 1960 was impassable for a long time due to damage, the old loggers’ road is today intact again and provides access to several sections of the scenic recreation area on the Masella ridge.</p>]]>
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      <title>
        <![CDATA[Hwaseong Hambaeksan Memorial Park / HAEAHN Architecture]]>
      </title>
      <link>https://www.archdaily.com/999499/hwaseong-hambaeksan-memorial-park-haeahn-architecture</link>
      <pubDate>Sat, 15 Apr 2023 21:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
      </category>
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      <description>
        <![CDATA[<p>To implement a new funeral culture, Haeahn Architecture planned Hwaseong Hambaeksan Memorial Park as a place of light and nature to console the deceased’s family and mourners, commemorating the memory of the deceased as the park completes the scenic beauty of the area in harmony with Mount Hambaek. Hwaseong Hambaeksan Memorial Park is a user-oriented funerary cultural complex. As the place harmoniously embraces the surrounding nature and softly touches the sky, we applied the design concept “the Forest painted with the Sky”, Haeahn Architecture allocated all facilities along the one-stop circular route in consideration of the ceremonial procedure, from funeral services to cremation to enshrinement.</p>]]>
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      <title>
        <![CDATA[The Clearing Memorial / SWA Group]]>
      </title>
      <link>https://www.archdaily.com/995696/the-clearing-memorial-swa-group</link>
      <pubDate>Tue, 31 Jan 2023 16:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
      </category>
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      <description>
        <![CDATA[<p>“The Clearing” was designed to honor the 20 children and six educators who were slain on Dec 14, 2012 at Sandy Hook Elementary School. Landscape architects Dan Affleck and Ben Waldo created a competition‐winning design for a memorial space that is both open‐ended and unifying in how it is experienced, honoring the full spectrum of emotions this tragedy evokes.</p>]]>
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      <title>
        <![CDATA[The Weight of the Void / Miguel Ortego]]>
      </title>
      <link>https://www.archdaily.com/912613/the-weight-of-the-void-miguel-ortego</link>
      <pubDate>Wed, 04 Jan 2023 14:00:00 +0000</pubDate>
      <dc:creator>Clara Ott</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/912613/the-weight-of-the-void-miguel-ortego</guid>
      <description>
        <![CDATA[<p>The idea of the Eternal Recurrence is mysterious, and with it, Nietzsche perplexed the other philosophers. "To think that once everything has to be repeated as we have already experienced it, and that even that repetition must be repeated to infinity."</p>]]>
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      <title>
        <![CDATA[Nakagawa Century Memorial Hall  / Masaaki Hisatake Architects]]>
      </title>
      <link>https://www.archdaily.com/991051/nakagawa-century-memorial-hall-masaaki-hisatake-architects</link>
      <pubDate>Mon, 24 Oct 2022 20:00:00 +0000</pubDate>
      <dc:creator>Bianca Valentina Roșescu</dc:creator>
      <category>
        <![CDATA[Office buildings]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/991051/nakagawa-century-memorial-hall-masaaki-hisatake-architects</guid>
      <description>
        <![CDATA[<p><em>Background</em> - [A facility for the next generation that aims to contribute to employees, the industry, and the community]. Nakagawa Century Memorial Hall is a complex facility that includes headquarters offices, a training center, and a cafeteria. The cafeteria is open to the public.</p>]]>
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      <title>
        <![CDATA[Memorial to the Heavenly Hundred Heroes / Guess Line Architects]]>
      </title>
      <link>https://www.archdaily.com/985926/memorial-to-the-heavenly-hundred-heroes-guess-line-architects</link>
      <pubDate>Tue, 26 Jul 2022 14:00:00 +0000</pubDate>
      <dc:creator>Bianca Valentina Roșescu</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
      </category>
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      <description>
        <![CDATA[<p>This minimalist space conveys the spirit of modernity and perpetuates the memory of the Heroes of the Heavenly Hundred who sacrificed their lives during the Revolution of Dignity. In the competition, the task was to choose a neglected site in the center - the historical part of <a href="https://www.archdaily.com/tag/lviv">Lviv</a>, which is part of the UNESCO zone. This is a complex terrain with large level variations (more than 10 meters). After analyzing the relief, we tried to inscribe the space in the historically formed environment, thus dividing it into different level zones.</p>]]>
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      <title>
        <![CDATA[Bundang Memorial Park Charnel House / Studiozt]]>
      </title>
      <link>https://www.archdaily.com/981580/bundang-memorial-park-charnel-house-studiozt</link>
      <pubDate>Mon, 09 May 2022 22:00:00 +0000</pubDate>
      <dc:creator>Bianca Valentina Roșescu</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/981580/bundang-memorial-park-charnel-house-studiozt</guid>
      <description>
        <![CDATA[<p>Like the sonata form, a musical structure consisting of variations and ending with a coda, men become aware of the finite life through the unavoidable path towards death. If death is embraced as a natural and essential part of the cycle of life, we can understand that architecture embracing death in fact imitates life.</p>]]>
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        <![CDATA[Monument Majer / N/A]]>
      </title>
      <link>https://www.archdaily.com/979613/monument-majer-n-a</link>
      <pubDate>Tue, 05 Apr 2022 12:00:00 +0000</pubDate>
      <dc:creator>Bianca Valentina Roșescu</dc:creator>
      <category>
        <![CDATA[Landmarks & Monuments]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/979613/monument-majer-n-a</guid>
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        <![CDATA[<p>The project of the World War I military cemetery in <a href="https://www.archdaily.com/tag/banska-bystrica">Banska Bystrica</a> reconstruction is understood not only as a chance for reviving a reverent space that commemorates 1385 Fallen from 1914 to 1918 cruelty but it aims to be a space, that presents the process of forgetting and neglecting of what should be remembered. The World War I cemetery of Austro-Hungarian origin was abandoned during the communist regime in the 50ties and brutally overlaid and thus divided by new road infrastructure.</p>]]>
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        <![CDATA[Loenen Pavilion  / KAAN Architecten]]>
      </title>
      <link>https://www.archdaily.com/952194/loenen-pavilion-kaan-architecten</link>
      <pubDate>Sun, 12 Dec 2021 17:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/952194/loenen-pavilion-kaan-architecten</guid>
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        <![CDATA[<p class="p1">KAAN Architecten was commissioned by the Netherlands War Graves Foundation (Oorlogsgravenstichting) to design a multifunctional building commemorating the Dutch victims during the Second World War and more recent international conflicts, in <a href="https://www.archdaily.com/tag/loenen">Loenen</a> near Apeldoorn. Harmoniously blending with the surrounding forest, the building is a layered and connecting element between the existing Loenen National War Cemetery and the new National Veterans Cemetery. </p>]]>
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        <![CDATA[Southern Red Army Three-Year Guerrilla War Memorial / Huajian Group Shanghai Architectural Design & Research Institute]]>
      </title>
      <link>https://www.archdaily.com/968526/southern-red-army-three-year-guerrilla-war-memorial-huajian-group-shanghai-architectural-design-and-research-institute</link>
      <pubDate>Thu, 16 Sep 2021 22:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
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        <![CDATA[<p>Before get to the memorial hall, there is a mountain road composed of winding paths and steps. The entrance plaza is divided by an oblique path and the sharp patterns, giving the plaza a heavy commemorative atmosphere. After stepping on ten steps, the surrounding granite exterior walls gradually form a strong mass turning. The deep concave entrance and undulating stone changes affect the mood of visitors constantly. Therefore, tourists will enter the hall from here with their hesitation and expectation.</p>]]>
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        <![CDATA[Expansion of Gu Zhenghong Memorial Hall / Atelier Diameter]]>
      </title>
      <link>https://www.archdaily.com/964752/expansion-of-gu-zhenghong-memorial-hall-atelier-diameter</link>
      <pubDate>Mon, 12 Jul 2021 22:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
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        <![CDATA[<p>Around a century ago, the abrupt end of the life of a twenty-year-old young worker in a Japanese-owned cotton mill ignited the outburst of the May Thirtieth Movement. His name was Gu Zhenghong. Hundred years later, on No.300 Aomen Road, Putuo District, <a href="https://www.archdaily.com/tag/shanghai">Shanghai</a>, the very site where the martyr laid to rest, the expansion work of Gu Zhenghong Memorial Hall was completed right before the 100th anniversary of the founding of the Communist Party of China (CPC) to present a brand-new look in front of the public.</p>]]>
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        <![CDATA[Huangpi Dong Combat Site / West-line Studio]]>
      </title>
      <link>https://www.archdaily.com/956043/huangpi-dong-combat-site-west-line-studio</link>
      <pubDate>Wed, 03 Feb 2021 23:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
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      <guid isPermaLink="false">https://www.archdaily.com/956043/huangpi-dong-combat-site-west-line-studio</guid>
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        <![CDATA[<p>The Huangpi Dong combat site, located in Tiantai Town, 12km from <a href="https://www.archdaily.com/tag/chishui">Chishui</a> City, is a well renowned “red tourism” spot in south-west China. At the very top of the mountain, reachable by a steep route through a bamboo forest, the concrete monument stands surrounded by a stunning view.</p>]]>
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        <![CDATA[Better Place Forests Memorial / OpenScope Studio + Fletcher Studio]]>
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      <link>https://www.archdaily.com/953675/better-place-forests-memorial-openscope-studio</link>
      <pubDate>Mon, 21 Dec 2020 17:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
      </category>
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        <![CDATA[<p>Located on the crest of a wooded rise, framing a view towards the meadow below, the visitor center for Better Place Forests in <a href="https://www.archdaily.com/tag/point-arena">Point Arena</a>, California marks the threshold of the visitors’ journey into the forest’s memorial groves. Better Places Forests offers a sustainable alternative to cemeteries. Within these protected forests, families choose trees to mark the place where they’ll spread their loved ones’ ashes over generations. The concept has simple poetry—merging ritual, memorial, and forest conservation—yet its realization involved a large team of design and technical specialists, led by Fletcher Studio, landscape architects. Located on a 40-acre stretch of the Mendocino Coast, Better Place Forests’ Point Arena location establishes a framework for future sites, each with its own unique qualities. </p>]]>
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        <![CDATA[Mediathek / Laboratory of Architecture #3]]>
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      <link>https://www.archdaily.com/875068/mediathek-laboratory-of-architecture-number-3</link>
      <pubDate>Wed, 23 Sep 2020 23:00:00 +0000</pubDate>
      <dc:creator>Rayen Sagredo</dc:creator>
      <category>
        <![CDATA[Library]]>
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        <![CDATA[<p>To be inviting is a central aspect forming the architectural concept of the third municipal Mediatheque opened in 2017 in <a href="https://www.archdaily.com/tag/tbilisi">Tbilisi</a> Georgia.</p>]]>
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        <![CDATA[Memorial to Enslaved Laborers / Höweler + Yoon Architecture]]>
      </title>
      <link>https://www.archdaily.com/946365/memorial-to-enslaved-laborers-howeler-plus-yoon-architecture</link>
      <pubDate>Wed, 26 Aug 2020 17:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
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        <![CDATA[<p>The Memorial to Enslaved Laborers (MEL) at the University of Virginia (UVA) honors the lives, labor, and perseverance of the community of enslaved African Americans who built UVA and sustained daily life of faculty, students, and administrators at the University. </p>]]>
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        <![CDATA[Memorial Hall / West-line Studio]]>
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      <link>https://www.archdaily.com/938397/memorial-hall-west-line-studio</link>
      <pubDate>Sat, 02 May 2020 02:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Memorial Center]]>
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        <![CDATA[<p>The Memorial Hall is dedicated to the deeds of the martyrs who rest in the adjacent cemetery in the city of <a href="https://www.archdaily.com/tag/chishui">Chishui</a>, in Guizhou province. The cemetery complex is organized around a main west-east axis; the oblique cut in the southern part of the new building and its main entrance staircase’s orientation highlight this axis, paying respect to the old cemetery complex. Added in 2012, the Memorial Hall is located on the northern side of the main cemetery axis, on a Danxia stone hillside with an elevation difference of about 10 meters. Danxia is the local red stone, typical of the Chishui area, whose color is given by an accumulation of reddish sandstone.</p>]]>
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        <![CDATA[National Memorial Arboretum’s Remembrance Centre / Glenn Howells Architects]]>
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      <link>https://www.archdaily.com/938430/national-memorial-arboretums-remembrance-centre-glenn-howells-architects</link>
      <pubDate>Wed, 29 Apr 2020 09:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Exhibition center]]>
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        <![CDATA[<p>The new Remembrance Centre embodies purity of form, employing both modern and classical architectural precedents. The building engages materially with its environment, chiming with the existing structures that define the NMA and harnessing a soft material concept of larch timber and natural stone. This provides a calm and rational architectural language that compliments the NMA as a place of reflection and memorial.</p>]]>
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        <![CDATA[National War Memorial, New Delhi India / WeBe Design Lab]]>
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      <link>https://www.archdaily.com/936907/national-war-memorial-new-delhi-india-webe-design-lab</link>
      <pubDate>Sat, 04 Apr 2020 00:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Monuments]]>
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      <description>
        <![CDATA[<p>The concept of rebirth is inspired from the quote of Captain Vikram Batra.  </p>]]>
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