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    <title>Author: Valentina Díaz | ArchDaily</title>
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        <![CDATA[Barcelona Architecture City Guide: 30 Buildings and Places from Gaudí to Today]]>
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      <link>https://www.archdaily.com/918881/23-amazing-places-in-barcelonas-best-architecture-city-guide</link>
      <pubDate>Mon, 16 Mar 2026 04:00:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p data-start="220" data-end="862"><a href="https://www.archdaily.com/tag/barcelona" target="_blank" rel="noopener">Barcelona</a> is a city where architecture has long served as a laboratory of urban experimentation, each era leaving its mark on the city's fabric. From the dense streets of the Gothic Quarter to the ornate interiors of the Palau de la Música Catalana, the city expanded outward through <a href="https://www.archdaily.com/962819/types-of-urban-blocks-different-ways-of-occupying-the-city/60a5c0e1f91c8106d400000c-types-of-urban-blocks-different-ways-of-occupying-the-city-image" target="_blank" rel="noopener">Ildefons Cerdà's Eixample</a>, a stage where <a href="https://www.archdaily.com/tag/antoni-gaudi" target="_blank" rel="noopener">Gaudí</a> and his contemporaries challenged the rules of form, scale, and ornamentation. These experiments defined a local identity and culminated in the Sagrada Família, a vision that <a href="https://www.archdaily.com/1038993/the-final-piece-of-gaudis-sagrada-familia-central-tower-installed-in-barcelona" target="_blank" rel="noopener">continues into the 21st century</a> through the integration of advanced technology.</p>]]>
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        <![CDATA[Smiljan Radić Clarke: Get to Know the 2026 Pritzker Winner's Work]]>
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      <link>https://www.archdaily.com/1039546/smiljan-radic-clarke-get-to-know-the-2026-pritzker-winners-work</link>
      <pubDate>Thu, 12 Mar 2026 09:15:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p>The 2026 Pritzker Price Award has been awarded this year to the Chilean architect of Croatian descent, <a href="https://www.archdaily.com/office/smiljan-radic" target="_blank" rel="noopener">Smiljan Radić Clarke</a>. Born in <a href="https://www.archdaily.com/tag/santiago">Santiago</a>, <a href="https://www.archdaily.com/tag/chile">Chile</a>, in 1965, his practice evokes a geography of extremes, shaped by the tectonic tension between the staggering weight of the Andes and the seismic instability of the territory. After graduating from the Pontifical Catholic University of Chile and pursuing further studies in <a href="https://www.archdaily.com/895127/10-chapels-in-a-venice-forest-comprise-the-vaticans-first-ever-biennale-contribution" target="_blank" rel="noopener">aesthetics in Venice</a>, Smiljan Radić Clarke established his base in Santiago. From there, he has developed one of the most singular visions in contemporary architecture. His work privileges the intensity of the moment through a fragile architecture. Within it, the building operates as a temporary and tactile refuge that places the spectator in a state of aesthetic uncertainty, oscillating between ancestral ruin and avant-garde artefact.</p>]]>
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        <![CDATA[The Centauric Heritage: Equine Scale and Mexican Monumental Architecture]]>
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      <link>https://www.archdaily.com/1038962/the-centauric-heritage-equine-scale-and-mexican-monumental-architecture</link>
      <pubDate>Fri, 27 Feb 2026 07:30:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p>In the architectural history of the <a href="https://www.archdaily.com/918548/the-ultimate-list-of-sites-declared-world-heritage-in-mexico?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">Mexican territory</a>, the built environment has functioned not merely as a human stage, but as a <a href="https://www.researchgate.net/publication/342475259_Horseback_riding_pathways_and_harbors_at_the_beginning_of_the_colonial_era_in_Mexico?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">biological infrastructure </a>designed to organize proximity between species. The resulting spatial logic is not a solo performance, but a negotiated coexistence between human and animal bodies. To examine <a href="https://www.archdaily.com/1010733/the-architectural-heritage-of-the-valley-of-mexico-through-the-eyes-of-santiago-arau?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">this heritage today</a> is to shift the analytical focus away from stylistic authorship and toward a more fundamental phenomenon: the persistence of spatial practices that emerged to sustain shared forms of life. </p>]]>
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        <![CDATA[Inside Contemporary Kazakhstani Architecture: Exploring the Work of NAAW]]>
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      <link>https://www.archdaily.com/1038159/inside-contemporary-kazakhstani-architecture-exploring-the-work-of-naaw</link>
      <pubDate>Fri, 30 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p>Selected as one of the winners of <a href="https://www.archdaily.com/1033983/20-practices-shaping-the-future-of-architecture-winners-of-the-archdaily-2025-next-practices-awards" target="_blank" rel="noopener">ArchDaily 2025 Next Practices Awards</a>, <a href="https://www.archdaily.com/office/naaw?ad_name=project-specs&amp;ad_medium=single" target="_blank" rel="noopener">NAAW</a> represents a new generation of architectural studios reshaping contemporary practice in Central Asia. Founded in 2019 by Elvira Bakubayeva and Aisulu Uali, the studio operates at the intersection of research, interdisciplinary collaboration, and spatial experimentation, positioning architecture as a tool for reflection and an active agent in shaping contemporary <a href="https://www.archdaily.com/country/kazakhstan" target="_blank" rel="noopener">Kazakhstani</a> identity.</p>]]>
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        <![CDATA[Consciously Driven: In Conversation with VOID, the Costa Rican Studio Shaping Regenerative Architecture]]>
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      <link>https://www.archdaily.com/1035802/consciously-driven-in-conversation-with-void-the-costa-rican-studio-shaping-regenerative-architecture</link>
      <pubDate>Fri, 07 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p data-start="197" data-end="776">The conversation with <a href="https://www.archdaily.com/office/void-cr?ad_name=project-specs&amp;ad_medium=single" target="_blank" rel="noopener">VOID</a> emerges within the framework of the <a href="https://www.archdaily.cl/cl/1033436/bienal-de-arquitectura-latinoamericana-2025" target="_blank" rel="noopener">2025 Latin American Architecture Biennial</a>, offering an opportunity to explore a practice that listens, cares, and accompanies. Their work unfolds as an act of mediation: through interdisciplinary research and attention to the plurality of natural and social factors, they seek to understand the many natures of a place. Since its beginning in 2012, this process has evolved, consolidating a stance that seeks to design architecture from and for the place—caring for it, healing it, and regenerating it—opening spaces where territories sustain and unfold their own adaptive processes.</p>]]>
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        <![CDATA[Highlights from BAL 2025: Latin American Architecture Biennial]]>
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      <link>https://www.archdaily.com/1034939/highlights-from-bal-2025-latin-american-architecture-biennial</link>
      <pubDate>Fri, 17 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p data-start="272" data-end="716">Held in Pamplona from the 23rd to the 26th of September, the 2025 <a href="https://www.archdaily.cl/cl/1033436/bienal-de-arquitectura-latinoamericana-2025" target="_blank" rel="noopener">Latin American Architecture Biennial</a> (BAL) brought together emerging studios and established voices from across the continent. This year’s edition stood out for the diversity and depth of its <a href="https://www.archdaily.cl/cl/1024580/las-14-practicas-emergentes-seleccionadas-para-la-bienal-de-arquitectura-latinoamericana-2025?ad_medium=gallery" target="_blank" rel="noopener">participants</a>: projects of striking formal and conceptual richness, developed by young yet remarkably mature offices. Together, they reflected the vitality of today’s Latin American architecture — thoughtful, inventive, and deeply aware of its context.</p>]]>
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        <![CDATA[Unconventional Playgrounds: Built from Junk, Shaped by Concrete, Freed by Play]]>
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      <link>https://www.archdaily.com/1033445/unconventional-playgrounds-built-from-junk-shaped-by-concrete-freed-by-play</link>
      <pubDate>Fri, 29 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p>What if the best kind of play isn't the safest? For decades, cities have built <a href="https://www.archdaily.com/1032581/playgrounds-as-political-spaces-negotiating-risk-space-and-childhood?ad_campaign=special-tag" target="_blank" rel="noopener">playgrounds to be clean, colorful, and easy to supervise</a>. Yet these spaces—designed more for adult peace of mind than for children's curiosity—often strip away <a href="https://www.archdaily.com/1032761/playscapes-and-public-imagination-the-ambiguous-play-in-urban-life-of-hong-kong?ad_campaign=special-tag" target="_blank" rel="noopener">what makes play truly transformative</a>: risk, unpredictability, and self-direction. Rising safety standards, shrinking public space, and the commercialization of play equipment have only further narrowed the possibilities for <a href="https://www.archdaily.com/1033387/a-natural-childhood-how-architecture-connects-landscape-culture-and-play?ad_campaign=special-tag" target="_blank" rel="noopener">children's independent exploration</a>. From a junkyard in 1940s <a href="https://www.archdaily.com/tag/copenhagen">Copenhagen</a> to the <a href="https://www.archdaily.com/tag/concrete">concrete</a> landscapes of postwar <a href="https://www.archdaily.com/tag/amsterdam">Amsterdam</a>, a handful of architects, planners, and activists have challenged the idea that play must be neat and controlled. Their unconventional playgrounds—made of loose parts, raw materials, and abstract forms—gave children the freedom to build, demolish, explore, and get dirty.</p>]]>
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        <![CDATA[Rice Museum: Architecture Rooted in Rural Memory and Ecology]]>
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      <link>https://www.archdaily.com/1031914/rice-museum-architecture-rooted-in-rural-memory-and-ecology</link>
      <pubDate>Fri, 11 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p>Located on a farm in southern <a href="https://www.archdaily.com/tag/india">India</a>, the Rice Museum occupies the upper floor of Syed Ghani's home, nestled in <a href="https://www.archdaily.com/1003533/building-for-billions-shifting-the-focus-to-rural-india" target="_blank" rel="noopener">the verdant agricultural landscape of Mandya</a> — a region shaped by brick structures, expansive greenery, and ancestral farming knowledge. Syed Ghani, a farmer, historian, and museologist, has dedicated himself to preserving indigenous rice varieties through seed conservation, proliferation, and educational initiatives. With the support of local farmers, he has helped recover more than 1,000 native paddy (rice) varieties, safeguarding an essential part of India's agricultural heritage.</p>]]>
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        <![CDATA[Grounded Interiors: Exploring Earth-Based Flooring Through 10 Contemporary Interiors]]>
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      <link>https://www.archdaily.com/1031002/grounded-interiors-exploring-earth-based-flooring-through-10-contemporary-interiors</link>
      <pubDate>Fri, 13 Jun 2025 06:30:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/933775/9-projects-that-demonstrate-the-versatility-of-brick-floor" target="_blank" rel="noopener">Earth-based flooring materials</a> comprise natural elements such as clay, sand, silt, lime, and organic fibres. They offer both structural performance and sensory engagement when used in both outdoor and interior spaces. Due to their thermal properties, <a href="https://endeavourcentre.org/resources-for-building-green/free-encyclopedia-of-sustainable-building-materials/flooring/earthen-floors/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">durability, and sustainable qualities</a>, these materials have evolved from vernacular construction techniques into high-value architectural elements that are always being reinvented and optimized. There are several types of earthen floorings, each offering unique benefits, and they are increasingly used in interior settings.</p>]]>
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        <![CDATA[From Concept to Object: Studio PRACTICE's Contribution to Korean Architecture’s New Wave]]>
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      <link>https://www.archdaily.com/1023281/from-concept-to-object-studio-practices-contribution-to-korean-architectures-new-wave</link>
      <pubDate>Mon, 11 Nov 2024 06:00:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/1014620/archdailys-2024-best-new-practices">PRACTICE</a> is a Seoul-based studio founded in 2020 by designers <a href="https://studiopractice.kr/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Sisan Lee and Sehou Ahn</a>, and one of <a href="https://www.archdaily.com/1014620/archdailys-2024-best-new-practices" target="_blank" rel="noopener">ArchDaily's 2024 Best New Practices.</a> With backgrounds in architecture and interior design, they explore a wide range of creative fields, from spatial and exhibition design to custom furniture, art objects, and material experimentation, and had been highlighted last year due to their fast design approach which <em>"matches the fast-evolving iterations at the world's bustling hub of fashion and design"</em>. The studio brings a unique depth to each project by creating custom-designed elements, furniture, and objects that reflect their diverse creative capacities. Pieces within their projects are crafted from a deep understanding of its purpose and materiality, demonstrating the studio's commitment to thoughtful, integrity-driven design.</p>]]>
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