<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Author: Suneet Zishan Langar | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Fri, 10 Apr 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Beyond Refugee Housing: 5 Examples of Social Infrastructure for Displaced People]]>
      </title>
      <link>https://www.archdaily.com/919496/beyond-refugee-housing-5-examples-of-social-infrastructure-for-displaced-people</link>
      <pubDate>Tue, 05 May 2020 07:35:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/919496/beyond-refugee-housing-5-examples-of-social-infrastructure-for-displaced-people</guid>
      <description>
        <![CDATA[<p dir="ltr">Throughout human history, the movement of populations–in search of food, shelter, or better economic opportunities–has been the norm rather than the exception. Today, however, the world is witnessing unprecedented levels of displacement. The United Nations <a href="https://www.unhcr.org/figures-at-a-glance.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">reports</a> that 68.5 million people are currently displaced from their homes; this includes nearly 25.4 million refugees, over half of whom are under the age of eighteen. With conflicts raging on in countries like <a href="https://www.archdaily.com/tag/syria">Syria</a> and Myanmar, and climate change set to lead to increased sea levels and crop failures, the crisis is increasingly being recognised as one of the foundational challenges of the twenty-first century.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5d0b/6c35/284d/d1bd/8700/00ef/newsletter/Courtesy_of_CatalyticAction_(1).jpg?1561029678"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[These CNC Prototypes Were 3-D Mapped From Natural Forms]]>
      </title>
      <link>https://www.archdaily.com/898786/digital-design-and-indian-craft-merge-to-generate-these-beautiful-cladding-patterns</link>
      <pubDate>Thu, 02 Aug 2018 08:00:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/898786/digital-design-and-indian-craft-merge-to-generate-these-beautiful-cladding-patterns</guid>
      <description>
        <![CDATA[<p class="p1"><a href="http://anomastone.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Anoma</a>, headed by EDIDA-winning Indian artist <a href="https://www.ruchika-grover.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Ruchika Grover</a>, is a product design studio that explores the potential of natural stone. Its surfaces, sculptures, and installations, are created through a unique process, which combines digital manufacturing and traditional hand craftsmanship. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5b5f/7dbd/f197/cc3b/cf00/0254/newsletter/facebooks.jpg?1532984760"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[How to Choose an Undergraduate Architecture Thesis Topic]]>
      </title>
      <link>https://www.archdaily.com/878664/how-to-choose-an-undergraduate-architecture-thesis-topic</link>
      <pubDate>Mon, 11 Sep 2017 09:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/878664/how-to-choose-an-undergraduate-architecture-thesis-topic</guid>
      <description>
        <![CDATA[<p>As architecture students head to their final year of BArch, half-crazy from years’ worth of scraped fingers, ghastly juries, sleepless nights, and a general lack of social life, they encounter the mighty problem of choosing a thesis topic. There are many subjects to choose from, but a personal interest in a particular subject is just one of the many factors that should influence this decision. Students need to ask themselves several other questions: Is the topic significant enough? Is it expansive enough? Is the project realistically doable?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/59b6/62f8/b22e/38d6/2c00/00cf/newsletter/5.jpg?1505125107"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[9 Types of Design Juror Every Architecture Student Faces in School]]>
      </title>
      <link>https://www.archdaily.com/878528/9-types-of-design-juror-every-architecture-student-faces-in-school</link>
      <pubDate>Mon, 04 Sep 2017 09:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/878528/9-types-of-design-juror-every-architecture-student-faces-in-school</guid>
      <description>
        <![CDATA[<p>Design juries undoubtedly form the very foundation of architecture school. Their success or failure, however, largely lies in the hands of the jurors who are assigned to review student work. While architecture is an inter-disciplinary subject with wide-ranging consequences, most jurors are specialists in a singular sub-field. This makes design juries a terrifyingly unpredictable affair; students don’t just battle against their nerves and sleep-deprivation, but are also required to be on their toes to ensure that they can handle anything that the jurors might throw at them.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/59ad/2eac/b22e/3828/7b00/06d4/newsletter/9_TY.jpg?1504521896"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[This Stone Vault Prototype Creates Almost No Material Waste]]>
      </title>
      <link>https://www.archdaily.com/878196/this-stone-vault-prototype-creates-almost-no-material-waste</link>
      <pubDate>Sat, 26 Aug 2017 09:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/878196/this-stone-vault-prototype-creates-almost-no-material-waste</guid>
      <description>
        <![CDATA[<p>Italy-based <a href="http://www.newfundamentals.it/index.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">New Fundamentals Research Group</a> recently designed and built a full-scale prototype of an experimental barrel-vaulted stone structure for <a href="http://www.snbr-stone.com/index.php?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">SNBR</a>, a French company that specializes in cutting-edge stone construction. The structure is named Hypar Vault in a reference to the geometry of its constituent blocks; it uses two types of prefabricated stone modules—one type is the mirror image of the other—whose designs are based on the hypar (hyperbolic paraboloid), one of the only <a href="https://en.wikipedia.org/wiki/Ruled_surface?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">"doubly-ruled" surfaces</a> in geometry. The use of these configurations allowed the <a href="https://www.archdaily.com/tag/vault">vault</a> to be constructed with almost zero wasted stone.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/599b/e6ab/b22e/3825/2300/011d/newsletter/IMG_3479.jpg?1503389338"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[8 Annoying Things All Architects Do]]>
      </title>
      <link>https://www.archdaily.com/877934/8-annoying-things-all-architects-do</link>
      <pubDate>Mon, 21 Aug 2017 07:00:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/877934/8-annoying-things-all-architects-do</guid>
      <description>
        <![CDATA[<p>Contrary to how Hollywood movies portray the quintessential architect—creative, sensitive, and virtually flawless—architects are a diverse bunch of fallible people. This stems from the fact that the study and practice of architecture are wrought with several “perils.” <a href="https://www.archdaily.com/tag/architecture">Architecture</a> school is a beast, if not the profession at large, and it essentially reinvents the psyche of its students by simultaneously breaking them down and building them up—say hello to unresolved issues!</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/59d3/fb47/b22e/38ef/b100/016e/newsletter/BeFunky_Collage.jpg?1507064638"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Behind India's Ambitious Plan to Create the World's Longest River]]>
      </title>
      <link>https://www.archdaily.com/877423/behind-indias-ambitious-plan-to-create-the-worlds-longest-river</link>
      <pubDate>Wed, 16 Aug 2017 09:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/877423/behind-indias-ambitious-plan-to-create-the-worlds-longest-river</guid>
      <description>
        <![CDATA[<p>Against the backdrop of an ever-increasing number of its <a href="http://www.ecologise.in/2017/05/07/worst-drought-140-years-leads-farmer-deaths-riots-policy-impasse-cauvery-delta/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">farmers committing suicides</a>, and its cities crumbling under intensifying pressure on their water resources—owing to their <a href="http://www.bbc.com/news/world-asia-33720723?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">rapidly growing populations</a>—India has revived its incredibly ambitious Interlinking of Rivers (ILR) project which <a href="http://www.iwmi.cgiar.org/iwmi-tata/PDFs/2012_Highlight-16.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">aims to</a> create a nation-wide water-grid twice the length of the Nile. The $168 billion project, first envisioned almost four decades ago, <a href="http://www.iwmi.cgiar.org/iwmi-tata/PDFs/2012_Highlight-16.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">entails</a> the linkage of thirty-seven of the country’s rivers through the construction of thirty canals and three-thousand water reservoirs. <a href="http://nwda.gov.in/index2.asp?langid=1&amp;slid=3&amp;sublinkid=3&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The chief objective is</a> to address <a href="https://www.archdaily.com/tag/india">India</a>’s regional inequity in <a href="https://www.archdaily.com/tag/water-availability">water availability</a>: <a href="http://www.iwmi.cgiar.org/iwmi-tata/PDFs/2012_Highlight-16.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">174 billion cubic meters of water is proposed to be transported</a> across river basins, from potentially water-surplus to water-deficit areas.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/598b/6de0/b22e/38da/c600/0420/newsletter/6309463151_012f80e25b_b.jpg?1502309852"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Real Reason For the Resurgence of Streetcars in America (Spoiler: It's Not for Transport)]]>
      </title>
      <link>https://www.archdaily.com/877521/the-real-reason-for-the-resurgence-of-streetcars-in-america-spoiler-its-not-for-transport</link>
      <pubDate>Sat, 12 Aug 2017 09:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/877521/the-real-reason-for-the-resurgence-of-streetcars-in-america-spoiler-its-not-for-transport</guid>
      <description>
        <![CDATA[<p>In this six-minute-long <a href="https://www.archdaily.com/tag/video">video</a>, <em><a href="https://www.vox.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Vox</a></em> makes the argument that the primary reason behind the recent resurgence of <a href="https://www.archdaily.com/tag/streetcar">streetcar</a> systems—or proposals for streetcars, at least—in the USA is not because of their contributions to <a href="https://www.archdaily.com/tag/urban-mobility">urban mobility</a>, but instead because of the fact that they drive and sustain <a href="https://www.archdaily.com/tag/economic-development">economic development</a>. As it uncovers the causes for the popular failure of the streetcar systems in cities such as <a href="https://www.dcstreetcar.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Washington DC</a>, <a href="http://streetcar.atlantaga.gov/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Atlanta</a>, and <a href="http://www.shstreetcar.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Salt Lake City</a> (low speed and limited connectivity, mostly) it asks why an increasing number of American city governments are pushing for streetcars in spite of their dismal record at improving transit. Is it solely due to their positively modern aesthetic? Are streetcars destined to function as mere “attractions” in a city’s urban landscape? Or is the real objective something more complex?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/598e/0d4d/b22e/382f/f400/0043/newsletter/Portland_Streetcar_on_Tilikum_Crossing_bridge_Sep_2015.jpg?1502481737"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[This Street Art Foundation Is Transforming India's Urban Landscape—With the Government's Support]]>
      </title>
      <link>https://www.archdaily.com/876705/this-street-art-foundation-is-transforming-indias-urban-landscape-with-the-governments-support</link>
      <pubDate>Tue, 08 Aug 2017 09:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/876705/this-street-art-foundation-is-transforming-indias-urban-landscape-with-the-governments-support</guid>
      <description>
        <![CDATA[<p>Last month, <em>ArchDaily</em> had an opportunity to speak with Akshat Nauriyal, Content Director at Delhi-based non-profit <a href="https://www.st-artindia.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">St+Art India Foundation</a> which aims to do exactly what its name suggests—to embed <a href="https://www.archdaily.com/tag/art">art</a> in streets. The organization’s recent work in the Indian metropolises of <a href="https://www.archdaily.com/tag/delhi">Delhi</a>, <a href="https://www.archdaily.com/tag/mumbai">Mumbai</a>, <a href="https://www.archdaily.com/tag/hyderabad">Hyderabad</a>, and <a href="https://www.archdaily.com/tag/bengaluru">Bengaluru</a>, has resulted in a popular reclamation of the cities’ civic spaces and a simultaneous transformation of their urban fabric. Primarily working within residential neighborhoods—they are touted with the creation of the country’s first public art district in Lodhi Colony, Delhi—the foundation has also collaborated with metro-rail corporations to enliven transit-spaces. While St+Art India’s experiments are evidently rooted in social activism and urban design, they mark a significant moment in the historic timeline of the application of street art in cities: the initiative involves what it believes to be a first-of-its-kind engagement between street artists and the government.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5980/9977/b22e/3898/8e00/019b/newsletter/7_The_Origin_of_the_World_by_Borondo_by_Naman_Saraiya.jpg?1501600113"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[7 Annual Competitions Every Architecture Student Should Try at Least Once]]>
      </title>
      <link>https://www.archdaily.com/877018/7-annual-competitions-every-architecture-student-should-try-at-least-once</link>
      <pubDate>Mon, 07 Aug 2017 08:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/877018/7-annual-competitions-every-architecture-student-should-try-at-least-once</guid>
      <description>
        <![CDATA[<p>When you’re used to the grind of architecture school, breaks can hit you like rain on a warm day—cool at first, but terribly annoying soon enough. While the first few days breeze past as you catch-up on lost sleep and binge-watch <a href="http://www.archdaily.com/802096/game-of-thrones-the-politics-and-foundations-of-fictional-cities">Game of Thrones</a>, you realize before long that you’re going insane with nothing to absorb all your new-found energy.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5988/5edb/b22e/38da/c600/00c0/newsletter/19072_03.jpg?1502109397"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Massive River Development Plan Hopes to Rejuvenate India's Relationship to the Ganges]]>
      </title>
      <link>https://www.archdaily.com/876505/massive-river-development-plan-hopes-to-rejuvenate-indias-relationship-to-the-ganges</link>
      <pubDate>Tue, 01 Aug 2017 09:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/876505/massive-river-development-plan-hopes-to-rejuvenate-indias-relationship-to-the-ganges</guid>
      <description>
        <![CDATA[<p>Delhi-based firm <a href="http://www.morphogenesis.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Morphogenesis</a> has recently unveiled a proposal for a project that will rehabilitate and develop the ghats (a flight of steps leading down to a river) and crematoriums along a 210-kilometer stretch of the <a href="https://www.archdaily.com/tag/ganges">Ganges</a>, <a href="https://www.archdaily.com/tag/india">India</a>’s longest river. The project, titled “A River in Need,” is part of the larger <a href="http://nmcg.nic.in/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">National Mission of Clean Ganga (NMCG)</a>, an undertaking of the Indian Government’s Ministry of Water Resources which was formed in 2011 with twin objectives: to ensure effective abatement of the river’s pollution and to conserve and rejuvenate it.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5978/c575/b22e/38ed/b200/0012/newsletter/1.jpg?1501087083"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[A Tour Through the Many Doorways of India]]>
      </title>
      <link>https://www.archdaily.com/876650/a-tour-through-the-many-doorways-of-india</link>
      <pubDate>Sun, 30 Jul 2017 16:00:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/876650/a-tour-through-the-many-doorways-of-india</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/door">door</a>: despite being one of the <a href="http://www.archdaily.com/527803/rem-koolhaas-elements-uncovering-architecture-s-origins-assuring-its-future">most fundamental architectural elements</a>, the immense significance these portals hold in architecture and culture can hardly be questioned. Historically, empires erected gigantic gateways to welcome visitors and religious shrines installed doors with ornate embellishments to ward off evil just as contemporary governments have built arches to commemorate important events.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/597d/413e/b22e/38c0/1e00/003e/newsletter/BeFunky_Collage.jpg?1501380918"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Bauhaus Houses, Eritrea's Capital and Ahmedabad's Walled City Among 20 Cultural Sites Added to UNESCO's World Heritage List]]>
      </title>
      <link>https://www.archdaily.com/875568/bauhaus-houses-eritreas-capital-and-ahmadabads-walled-city-among-20-cultural-sites-added-to-unescos-world-heritage-list</link>
      <pubDate>Tue, 11 Jul 2017 14:00:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/875568/bauhaus-houses-eritreas-capital-and-ahmadabads-walled-city-among-20-cultural-sites-added-to-unescos-world-heritage-list</guid>
      <description>
        <![CDATA[<p><a href="http://whc.unesco.org/en/committee/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">UNESCO’s World Heritage Committee</a>, currently holding its <a href="http://whc.unesco.org/en/sessions/41com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">forty-first annual session</a> in the Polish city of Krakow, inscribed twenty new cultural sites on its <a href="https://www.archdaily.com/tag/world-heritage-list">World Heritage List</a>, including the <a href="http://whc.unesco.org/en/list/1551?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">historic city of Ahmedabad</a> in <a href="https://www.archdaily.com/tag/india">India</a>, archaeological sites in <a href="http://whc.unesco.org/en/list/1532?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Cambodia</a> and <a href="http://whc.unesco.org/en/list/1548?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Brazil</a>, and a <a href="http://whc.unesco.org/en/list/1545?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">“cultural landscape” in South Africa</a>. The Committee also added extensions to two sites already on the list: <a href="http://whc.unesco.org/en/list/495?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Strasbourg in France</a>, and <a href="http://whc.unesco.org/en/list/729?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the Bauhaus in Germany</a>. On the other hand, <a href="http://whc.unesco.org/en/news/1684?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the historic center of Vienna was inscribed on the List of World Heritage in Danger</a> as the Committee examined the state of conservation of one-hundred-and-fifty-four of its listed sites.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5964/d4d9/b22e/384f/6300/0185/newsletter/Jama_Masjid__Ahmedabad_01.jpg?1499780304"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[IKEA's SPACE10 Lab Reimagines Craftsmanship Through Digital Techniques]]>
      </title>
      <link>https://www.archdaily.com/875312/ikeas-space10-lab-reimagines-craftsmanship-through-digital-techniques</link>
      <pubDate>Sun, 09 Jul 2017 07:00:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/875312/ikeas-space10-lab-reimagines-craftsmanship-through-digital-techniques</guid>
      <description>
        <![CDATA[<p>Picking up on the debate surrounding <a href="https://www.archdaily.com/tag/digitization">digitization</a> in fabrication and its impact on <a href="https://www.archdaily.com/tag/traditional">traditional</a> crafts, Copenhagen-based <a href="https://space10.io/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">SPACE10</a>, the future-living laboratory created by <a href="http://www.ikea.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">IKEA</a>, recently invited three architects—Yuan Chieh Yang, <a href="http://www.benasburdulis.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Benas Burdulis</a>, and Emil Froege—to explore the potentials of CNC milling for traditional craft techniques. The architects came up with three divergent yet equally innovative solutions to address the fundamental issue that plagues digital production: an apparent lack of a "human touch." In a Post-Fordist world increasingly dominated by customization, this investigation holds obvious importance for a company which deals primarily in mass-produced ready-to-assemble products; however, with its advocation for the infusion of dying classical craft techniques into the digital manufacturing process, the experiment could be meaningful for many other reasons.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/595e/ae92/b22e/38d8/8b00/03ea/newsletter/21_laminated_wood_joint_prototype.jpg?1499377265"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[This Video Presents an Abstract Reflection on Our Modern Cities of Glass]]>
      </title>
      <link>https://www.archdaily.com/875055/this-video-presents-an-abstract-reflection-on-our-modern-cities-of-glass</link>
      <pubDate>Sat, 08 Jul 2017 09:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <category>
        <![CDATA[Films & Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/875055/this-video-presents-an-abstract-reflection-on-our-modern-cities-of-glass</guid>
      <description>
        <![CDATA[<p>In this visual essay, Greek filmmaker <a href="http://yiannisbiliris.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Yiannis Biliris</a> documents the all-pervasive pall of glass that covers the modern city. The three-and-a-half-minute-long film, produced by <a href="http://visualsuspect.co?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Visual Suspect</a> and shot entirely in <a href="https://www.archdaily.com/tag/hong-kong">Hong Kong</a>, captures the vivid reflections seen in the facades of the city’s buildings, as Biliris selectively pans and zooms his camera to instill a strong sense of urgency in the viewer’s mind.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/595f/e6e0/b22e/38e3/c200/00ae/newsletter/glass.jpg?1499457239"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[7 Alternative, Interdisciplinary Graduate Courses for Architects ]]>
      </title>
      <link>https://www.archdaily.com/875037/7-alternative-interdisciplinary-graduate-courses-for-architects</link>
      <pubDate>Wed, 05 Jul 2017 09:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/875037/7-alternative-interdisciplinary-graduate-courses-for-architects</guid>
      <description>
        <![CDATA[<p>As final juries draw to a close, graduating architecture students are left with a crucial decision to make. While some might take a plunge into the scary real world looking to gain professional experience, others might choose to further reinforce their architecture education and skill set. Of the latter, most enroll in an MArch program, or take well-trodden paths into urban design and planning, landscape architecture, historic preservation, or theory and criticism. But in an increasingly complex world faced with myriad problems, what about those graduate architects looking to bolster their education in other related disciplines that will give them a more unique perspective on design problems? Here, we shortlist seven alternative, <a href="https://www.archdaily.com/tag/interdisciplinary">interdisciplinary</a> graduate programs offered by architecture schools worldwide.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/595c/1262/b22e/38d1/f000/1557/newsletter/5827571398_a18be922b5_b.jpg?1499206239"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Is India's Plan to Build 100 Smart Cities Inherently Flawed?]]>
      </title>
      <link>https://www.archdaily.com/874576/is-indias-plan-to-build-100-smart-cities-inherently-flawed</link>
      <pubDate>Thu, 29 Jun 2017 09:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/874576/is-indias-plan-to-build-100-smart-cities-inherently-flawed</guid>
      <description>
        <![CDATA[<p>In 2015, India launched its "Smart City Mission" to build 100 smart cities throughout the country by 2020. But is the mission, as well as the very concept of an Indian Smart City, flawed?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5954/ed3a/b22e/38a4/6e00/020b/newsletter/mumbai-390543_1920.jpg?1498737971"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Demolition of Delhi's Hall of Nations Reveals India's Broken Attitude to Architectural Heritage]]>
      </title>
      <link>https://www.archdaily.com/874154/the-demolition-of-delhis-hall-of-nations-reveals-indias-broken-attitude-to-architectural-heritage</link>
      <pubDate>Fri, 23 Jun 2017 09:30:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/874154/the-demolition-of-delhis-hall-of-nations-reveals-indias-broken-attitude-to-architectural-heritage</guid>
      <description>
        <![CDATA[<p>On the morning of April 24th, <a href="https://www.archdaily.com/tag/delhi">Delhi</a>’s architecture community reacted in shock and disgust to the news that the city's <a href="https://www.archdaily.com/tag/hall-of-nations">Hall of Nations</a> and the four <a href="https://www.archdaily.com/tag/halls-of-industries">Halls of Industries</a> had been demolished. Bulldozers had worked through the previous night at the <a href="https://www.archdaily.com/tag/pragati-maidan">Pragati Maidan</a> exhibition grounds in central Delhi, where the Indian Trade Promotion Organisation (ITPO) razed the iconic structures to the ground, ignoring <a href="https://architexturez.net/doc/az-cf-182030?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">pleas from several Indian and international institutions.</a></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5949/f49a/b22e/38e9/2900/0055/newsletter/409859817_baf1a282de_b.jpg?1498018966"></enclosure>
    </item>
  </channel>
</rss>
