ArchDaily | Broadcasting Architecture Worldwide https://www.archdaily.com/ Thu, 30 Jul 2026 00:00:00 +0000 en-US hourly 1 https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg 026CB6 https://www.archdaily.com/1119492/color-and-the-search-for-belonging-by-charles-freger-at-armani-silos Sun, 05 Jul 2026 20:37:00 +0000 Stefanie Suárez https://www.archdaily.com/1119492/color-and-the-search-for-belonging-by-charles-freger-at-armani-silos “I decided to call it Silos because this building used to store food, which is, of course, essential for life. For me, just like food, clothing is also part of life” [1].

]]> https://www.archdaily.com/1114313/a-reflection-between-object-and-form-through-materials-at-pirelli-hangarbicocca Sat, 04 Jul 2026 19:59:00 +0000 Stefanie Suárez https://www.archdaily.com/1114313/a-reflection-between-object-and-form-through-materials-at-pirelli-hangarbicocca The exhibition dedicated to Mario Merz (Milan, 1925–2003) showcases, for the first time, the largest gathering of igloos brought together from various private collections and museums. This landmark display highlights Arte Povera’s profound exploration of the relationship between humanity and nature. This art movement, which emerged in Italy in the second half of the 1960s and was named by Germano Celant (art historian, critic, and artistic director of the Prada Foundation since 1993), is characterized by the use of humble, generally non-industrial materials that decay over time, naturally transforming the artwork in the process.

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