Euclid understood lines as ‘breadthless lengths,’ defined by two points and stretching on into infinity. But delineations can also be as small and simple as a flick of the wrist; the mind moving out of the hand into a gesture. Vassily Kandinsky believed lines to be ‘created by movement – specifically through the destruction of the intense self-contained repose of the point.’ Process is suggested; moments emerge from the continuity to form a rhythm. When the abstract becomes physical, delineations unite and exclude. Sociologist T.K. Oommen sees ‘the very story of human civilization’ in shifting and overlapping boundaries of all kinds. Whether blurred or accentuated, instantaneous or permanent, representational or manifest, intentional or happenstance, DELINEATIONS in the landscape are consequential. They have a story to tell.
