This project is a 5A Grade A office building held for lease (partly owner-occupied) to financial organizations as their headquarter. The above grade building floor area is 93700m2. The office building is 82000㎡ and the commercial building above ground is 8000m2. Underground commercial building area 3700㎡. Building height restriction is 220 m. Qianhai Financial Holdings Co., Ltd. and Century Securities Co., Ltd. are the joint owners. The project is located in Qianwan Zone T102-0317 parcel in Nanshan district in Shenzhen, at the junction between Tinghai Avenue and Qianwan 2 RD, close to Qianwan and Menghai metro stations. This project aims to become a financial icon in the Greater Bay Area and a classic financial tower in Qianhai. The total investment of the project will be about RMB 4.856 billion (including land price).

Today, the majority of people in the developed and developing world live either in cities that are the legacy of colonialism, capitalism, and other patriarchal structures, or in landscapes drawn and redrawn by the enterprises of colonial and corporate expansion. Given the magnitude of resources and capital needed to bring architectural design into fruition, the values and objectives of institutional stakeholders will inevitably continue to shape architecture. In other words, the built environment is never apolitical; it is persistently fashioned as a socioeconomic artifact.

MIRA and MASSIVart invite national and international artists to develop a proposal for a permanent public artwork to be located in the public plaza of MIRA’s latest real estate development in Mexico City: Neuchâtel’s Cuadrante Polanco.

The field of Design is defined by the areas where design process can be applied: architecture, urban space, clothing, furniture, consumer products, printed materials, digital interfaces, social structures, websites etc. But design encompasses much more than form and function. Design is not a being, but an event, it is not a thing but an impact.

Urban Chair is a design competition with the aim of developing innovative and interactive prototypes for seaters/benches/modules that can be placed in a park, street, plaza or any other kind of outdoor socio-urban zone. Urban furniture is the link between a public space and the people encapsulated within. Community seaters are the catalyst for public interaction as they create a setting for sitting, resting and other similar activities. They are responsible for drawing people together and starting the process of interaction and dialogue.

The Collaboration in Training and Innovation for Growing, Evolving and Networked Societies (CITI-GENS) programme at Queen’s University Belfast is a MSCA COFUND Doctoral Training Programme.

In this Urban Manifesto Series, we will chronicle important ideas to improve urban living. We will talk to politicians, developers, architects, policy makers and activists from around the world to develop an urban manifesto for a happier, healthier and liveable urban future. This series is co-hosted by Lucy Bullivant, Founder of Urbanista.org & Prathima Manohar, Founder of think-do-tank The Urban Vision. 

This panel discussion asks "How will designers come to terms with keeping the "public" in public space against the counter-intuitive need for social distancing?"

Star Studio Designs is a young organization with disruptive concepts. We encourage the out of league, unique paradigms. Star Studio Designs is presenting ‘Disruptive Design Awards’ (DDA) to give voice to young architects and creative people from all over the world and discovering new talent. All you need is a design that has the potential to Disrupt the Architecture world.

The global pandemic has put us all in difficult situations. Wherever we are, in the last weeks we have faced challenges that we had not expected. The new virus is not only a threat to our health, but it is also deeply impacting the way we work, learn and go about our lives.

After the crisis that has just gone through the world, several questions will have to be asked of decision-makers, in particular the conditions of confinement in very narrow dwellings and devoid of living spaces or confinements elsewhere.

The Arc. Eddy Eguavoen Foundation is a nonprofit organization that aims to build sustainable housing for communities in need across Nigeria. The foundation was officially announced on January 11th 2020, one year after the passing of Arc. Eddy Eguavoen, an accomplished Nigerian Architect.

Time moves slowly in architecture. While the technological, financial, transport, and commercial industries of the world evolve at an unprecedented, exponential rate, the evolution of cities themselves is not keeping pace. While everyday commodities, from phones to cars to banking systems, change before our eyes, we continue to live and work in buildings designed for a past era, and depend on urban infrastructures long past their capacities.

Videos

Mass Collective features six photographers in a virtual reality gallery. They will be showing photographic work documenting the British built environment. For each weekly gallery the photographers will present their work at opening night, which will be open for the public to attend in the virtual gallery space, and also streamed to Youtube in collaboration with architectural photography festival Zoomed In. The space will remain accessible night and day to be explored with your personal avatar according to the following schedule:

The Estonian Association of Architects (EAA) has joined forces with the Estonian Centre for Architecture (ECA) and Irish Architecture Foundation (IAF) to promote an international Open Call to select a curatorial team for Wood Works— a new exhibition programme taking place between Ireland and Estonia in 2020—2021.

Decameron by Giovanni Boccaccio, tells the story of a group of young people that escaped Florence during the black plague, taking refuge together in the countryside of Tuscany. For Boccaccio, the suspended time given by the plague and the condition of isolation provides the literary expedient for a moment of general rethinking. As the stories of the protagonists follow one another, the images, relational structures and values of society that would otherwise be lost are reconstructed. Similarly, the workshop is at the center of this global epidemic that we are experiencing within the same landscape.

These days architecture schools are trying to figure out how to conduct lectures and seminars, studios and crits online. But it is just as well a test of the very foundations of architectural education. Do we need architecture schools? Do we need them to change? Are they capable of change, to prepare to deal with this crisis and the next to come?

How do we define “home”? Although our ideas about home are constantly being rethought, the careful examination of “home” has recently come to our attention for architects and nonarchitects alike. Almost everyone has had to confront their perspective of “home” as they have adapted workplaces, social gatherings, fitness routines, and everyday life. We now not only internalize a home, but look at how our homes digitally connect to the rest of the world.