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    <title>Author: Osman Can Yerebakan | ArchDaily</title>
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        <![CDATA[The Adjaye Associates–Designed Basquiat Exhibition Looks Beyond the Myth of the Icon]]>
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      <link>https://www.archdaily.com/983014/the-adjaye-associates-nil-designed-basquiat-exhibition-looks-beyond-the-myth-of-the-icon</link>
      <pubDate>Thu, 02 Jun 2022 03:30:00 +0000</pubDate>
      <dc:creator>Osman Can Yerebakan</dc:creator>
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        <![CDATA[<p class="size-regular">Immense fame, especially when left behind by a deceased artist, may lead to a hierarchal understanding of their legacy—leading one aspect to overshadow other crucial dimensions of their life and oeuvre. Brooklyn-born Jean-Michel Basquiat’s meteoric recognition as an artist and a cultural influence throughout the 1980s led to his energetic mind-map-like paintings being acquired widely by museums and private collections alike, in addition to being mass-marketed in a variety of products, such as fast-fashion clothing and New York-related souvenir items. <em><u>Basquiat: </u></em><a href="https://kingpleasure.basquiat.com/%23exhibition?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">King Pleasure</a>, a new exhibition organized by Jean-Michel’s sisters, Lisane Basquiat and Jeanine Heriveaux, breaks down the myth surrounding the late artist’s legendary rise from the gritty streets of 1980s <a href="https://www.archdaily.com/tag/new-york">New York</a> to a rarely-achieved artistic success.</p>]]>
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        <![CDATA[Manhattan’s Japan Society Explores Artist Kazuko Miyamoto’s Relationship with her Studio Architecture]]>
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      <link>https://www.archdaily.com/982219/manhattans-japan-society-explores-artist-kazuko-miyamotos-relationship-with-her-studio-architecture</link>
      <pubDate>Thu, 19 May 2022 03:30:00 +0000</pubDate>
      <dc:creator>Osman Can Yerebakan</dc:creator>
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        <![CDATA[<p class="size-regular">Recreating the <a href="https://www.archdaily.com/tag/artist">artist</a> studio in an exhibition has always been a challenge for curators and exhibition designers––bringing in the right amount of “mess,” intricately revealing the workings of artistry, and maintaining the visual coherence are all boxes to be checked while letting the audience behind the curtain. <em><a href="https://www.japansociety.org/arts-and-culture/exhibitions/kazuko-miyamoto?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kazuko Miyamoto</a>: </em><a href="https://www.japansociety.org/arts-and-culture/exhibitions/kazuko-miyamoto?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">To perform a line</a>, Japan Society’s survey of the artist’s five-decade career in sculpture, drawing, and performance solves this challenge in ways that are both practical and poetic.</p>]]>
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        <![CDATA[What Will Post-Pandemic Performance Venues Look Like?]]>
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      <link>https://www.archdaily.com/976581/what-will-post-pandemic-performance-venues-look-like</link>
      <pubDate>Thu, 10 Feb 2022 03:30:00 +0000</pubDate>
      <dc:creator>Osman Can Yerebakan</dc:creator>
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        <![CDATA[<p class="size-regular">Metropolitans take pride in their storied cultural venues, the chroniclers of intellectual acumen and architectural achievement. While these icons revel in their ornate design, immersive grandiosity, and dramatic acoustics, the pandemic has introduced numerous challenges to the rules of assembly.</p>]]>
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        <![CDATA[The Transformation of Silo City Signals a New Future for Buffalo]]>
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      <link>https://www.archdaily.com/965933/the-transformation-of-silo-city-signals-a-new-future-for-buffalo</link>
      <pubDate>Thu, 29 Jul 2021 03:30:00 +0000</pubDate>
      <dc:creator>Osman Can Yerebakan</dc:creator>
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        <![CDATA[<p>This <a href="https://www.metropolismag.com/architecture/preservation/silo-city-buffalo-adaptive-reuse/pic/120007/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">week's reprint</a> from <a href="https://www.archdaily.com/tag/metropolis">Metropolis</a> explores the ongoing renovation and transformation of an iconic site in <a href="https://www.archdaily.com/tag/buffalo">Buffalo</a>, <a href="https://www.archdaily.com/tag/silo">Silo</a> City, in order to create ambitious residential and public projects.</p>]]>
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        <![CDATA[Has the Pandemic Changed the Experience of Encountering Art in Public?]]>
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      <link>https://www.archdaily.com/956185/has-the-pandemic-changed-the-experience-of-encountering-art-in-public</link>
      <pubDate>Wed, 03 Feb 2021 03:30:00 +0000</pubDate>
      <dc:creator>Osman Can Yerebakan</dc:creator>
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        <![CDATA[<p>Public art is an innate cultural privilege for New Yorkers. Top-notch art can be found across the city’s boroughs everywhere from parks, squares, alleys, and rooftops—sometimes to the jaded disdain of passerby. While permanent staples, such as Robert Indiana’s <em>Love</em> on 6th Avenue or George Segal’s <em>Gay Liberation </em>at the Stonewall National Monument are ingrained in the urban texture, others are more ephemeral. Public art has the power to swiftly take over Instagram feeds but also has a history of sparking polarizing interpretations at <a href="https://en.wikipedia.org/wiki/Tilted_Arc?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">town hall hearings</a>.</p>]]>
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        <![CDATA[An Online Exhibition Connects the Dots Between Performance and Architecture]]>
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      <link>https://www.archdaily.com/942357/an-online-exhibition-connects-the-dots-between-performance-and-architecture</link>
      <pubDate>Fri, 26 Jun 2020 03:30:00 +0000</pubDate>
      <dc:creator>Osman Can Yerebakan</dc:creator>
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        <![CDATA[<p>Six months after the release of the namesake book during the latest installment of the biennial, PERFORMA has launched Bodybuilding, which features thirty-five architecture studios who engage with performativity.</p>]]>
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