<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Author: Helena Tourinho | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Fri, 1 May 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Balancing Function and Aesthetics: Incorporating Natural Light and Ventilation in Facades]]>
      </title>
      <link>https://www.archdaily.com/1008994/balancing-function-and-aesthetics-incorporating-natural-light-and-ventilation-in-facades</link>
      <pubDate>Thu, 14 Mar 2024 07:30:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1008994/balancing-function-and-aesthetics-incorporating-natural-light-and-ventilation-in-facades</guid>
      <description>
        <![CDATA[<p>Environmental comfort is one of the aspects that contribute to the good performance of architecture. In project descriptions, the incidence of natural lighting and ventilation is often highlighted as advantageous characteristics that add to the aesthetics and functioning of the program. In a way, environmental comfort is part of the building's function, not necessarily linked to the activities that take place inside the construction but plays a role in its development.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/651f/6132/6fa7/bc5e/a716/2c9a/newsletter/equilibrando-funcao-e-estetica-incorporando-luz-natural-e-ventilacao-em-arquitetura_13.jpg?1696555325"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From Housing to Commerce: The Revitalization of Old Houses and Mansions]]>
      </title>
      <link>https://www.archdaily.com/1013494/from-housing-to-commerce-the-revitalization-of-old-houses-and-mansions</link>
      <pubDate>Mon, 26 Feb 2024 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1013494/from-housing-to-commerce-the-revitalization-of-old-houses-and-mansions</guid>
      <description>
        <![CDATA[<p>Throughout the city's history, buildings have changed their use and function, which is inevitable, as each era presents unique issues and requirements. Factors such as housing types, population density in specific areas, and the emergence of new businesses and services reshape the cityscape, often outpacing the adaptability of existing structures. Therefore, revitalizing or <a href="https://www.archdaily.com.br/br/1002372/reabilitacao-arquitetonica-e-identidade-local-entrevista-com-anc-arquitectos" target="_blank" rel="noopener">rehabilitating</a> buildings is logical but also necessary to meet the demands of a changing landscape.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/64a6/ccd0/5921/184e/9685/441f/newsletter/de-moradia-a-loja-e-vice-versa-a-reabilitacao-de-casas-e-casaroes_13.jpg?1688653029"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Understanding the Rococo Style]]>
      </title>
      <link>https://www.archdaily.com/1013322/understanding-the-rococo-style</link>
      <pubDate>Tue, 20 Feb 2024 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1013322/understanding-the-rococo-style</guid>
      <description>
        <![CDATA[<p>Any historiography of architecture is inherently implicated and incomplete by definition: implicated because it demonstrates the interpretation and curation of examples by the one who writes it, and incomplete because, in this selection, divergent examples often fall outside the "official" timeline. However, the ability to trace forms, their application, and repetition over historical periods separated by centuries is always a good indication of genealogy. This lineage situates examples and broadens repertoire.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/654e/2e5e/f96c/7642/2a33/a245/newsletter/ornamento-e-beleza-no-rococo_6.jpg?1699622504"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Modern Straw: From Building System to Decoration]]>
      </title>
      <link>https://www.archdaily.com/1013375/modern-straw-from-building-system-to-decoration</link>
      <pubDate>Fri, 16 Feb 2024 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1013375/modern-straw-from-building-system-to-decoration</guid>
      <description>
        <![CDATA[<p>The use and demand for natural materials in architecture and interior design have facilitated the revival of updated traditional construction systems for the contemporary context. What was once considered rustic is now being explored in more modern settings; therefore, the application of the material is also subject to new forms of fixation, coloring, and orientation (horizontal or vertical). While wood is the dominant material in traditional systems and environmentally sustainable materials, another material that has been used for centuries, equally sustainable and biodegradable, and has received less attention is <a href="https://www.archdaily.com.br/br/1008717/e-possivel-construir-com-palha" target="_blank" rel="noopener">straw</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65b6/a8de/87f3/9301/7cc6/63b7/newsletter/a-palha-atualizada-de-sistema-construtivo-a-decoracao_20.jpg?1706469604"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Concrete Pigmentation in Architecture: Beyond Neutral Bases]]>
      </title>
      <link>https://www.archdaily.com/1012948/concrete-pigmentation-in-architecture-beyond-neutral-bases</link>
      <pubDate>Wed, 07 Feb 2024 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1012948/concrete-pigmentation-in-architecture-beyond-neutral-bases</guid>
      <description>
        <![CDATA[<p>Is it possible to assert the existence of a timeless material in architecture from an aesthetic standpoint? Undoubtedly, wood and concrete emerge as strong contenders, not only due to their representation of the solidity, volume, and mass of buildings but also because they provide a broad range of aesthetic possibilities in projects. Concrete, in particular, exhibits greater malleability in comparison to wood. While wood already offers flexible solutions, such as through CLT systems, concrete is derived from a blend of liquid, powder, and an aggregate&mdash;a paste that can be poured into a mold, spread over a surface and shaped into various forms.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65bc/f4c3/5bbe/9d0c/6bb5/e627/newsletter/pigmentacao-de-concreto-em-arquitetura-alem-de-bases-neutras_1.jpg?1706882252"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Right to the Slab: Social Life and Alternative Ways of Conceiving Space]]>
      </title>
      <link>https://www.archdaily.com/1012583/the-right-to-the-slab-social-life-and-alternative-ways-of-conceiving-space</link>
      <pubDate>Tue, 06 Feb 2024 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1012583/the-right-to-the-slab-social-life-and-alternative-ways-of-conceiving-space</guid>
      <description>
        <![CDATA[<p>As architectural theory undergoes a process of review and updating, there is a rejection of prevailing binary distinctions found both in common perception and in architectural education. Traditional dichotomies such as center versus periphery, the 'formal' versus 'informal' city, and design as a rigid technique versus construction as improvisation have been persistent architectural themes, with a history of ongoing debates. Despite the dominance of global northern perspectives on what constitutes good architecture or how it should be approached, reality consistently reveals itself to be more intricate, diverse, and multidimensional.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/657c/5b51/a700/7801/7c77/e7d6/newsletter/a-mutabilidade-das-lajes-e-o-desafio-as-concepcoes-tradicionais-de-espaco_6.jpg?1702648665"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Subdued Maximalism: Exploring the Works of Studio Guilherme Torres]]>
      </title>
      <link>https://www.archdaily.com/1012584/subdued-maximalism-exploring-the-works-of-studio-guilherme-torres</link>
      <pubDate>Wed, 31 Jan 2024 08:30:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1012584/subdued-maximalism-exploring-the-works-of-studio-guilherme-torres</guid>
      <description>
        <![CDATA[<p>The unique language employed by each architect serves as the foundation for analyzing their work. Over time, this distinctive style becomes more evident, allowing for the identification of past influences and references. Simultaneously, it showcases a continuous evolution of this language, manifesting as a formal progression that aligns with the contemporary context. The projects by <a href="https://www.archdaily.com/office/studio-guilherme-torres/page/1" target="_blank" rel="noopener">Studio Guilherme Torres</a> serve as exemplary instances of this developmental journey, spanning from its inception to the present day.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65aa/7963/e32f/dc7a/0919/b2ef/newsletter/minimalismo-divertido-conhecendo-a-obra-do-studio-guilherme-torres_13.jpg?1705671026"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Basic Strategies for Acoustic Comfort in Residential Architecture]]>
      </title>
      <link>https://www.archdaily.com/1012275/basic-strategies-for-acoustic-comfort-in-residential-architecture</link>
      <pubDate>Tue, 30 Jan 2024 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1012275/basic-strategies-for-acoustic-comfort-in-residential-architecture</guid>
      <description>
        <![CDATA[<p>Within a city, various factors are taken into account when it comes to housing, such as location, proximity to services, mobility, access to natural light, view, and noise levels. These considerations are particularly crucial in densely populated areas, with a stronger relevance to apartments in high-rise buildings. In contrast, when designing a house, specific factors are inherently addressed. It is assumed that a single-family residence is situated away from busy city centers, leading to longer commutes for services. The availability of natural light is influenced by the location of the building on the land, and noise is minimized because residential areas are usually away from bustling urban environments.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/65a1/42c3/9936/3f4e/91f7/cd8b/newsletter/estrategias-basicas-de-conforto-acustico-em-edificios-de-habitacao_20.jpg?1705067211"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Patterns and Motifs Made With Ceramic Blocks]]>
      </title>
      <link>https://www.archdaily.com/1012156/patterns-and-motifs-made-with-ceramic-blocks</link>
      <pubDate>Fri, 19 Jan 2024 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1012156/patterns-and-motifs-made-with-ceramic-blocks</guid>
      <description>
        <![CDATA[<p>A considerable part of architectural innovation involves the use of materials. Technical development and new formal languages utilize them to "announce" the "next" architectural era. Of course, materials are essential for construction and significant for the consolidation of languages. Glass, steel, concrete, or brick convey <em>messages</em> about buildings. However, like any language, the meaning of words can vary according to the prevailing social organization; there is a dispute over the meaning of certain expressions, or there is pressure for the abolition&mdash;or at least the dissociation&mdash;of certain senses associated with some words. It would not be any different in architecture.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6584/ffa5/a700/7801/7e56/0c31/newsletter/tijolo-com-tijolo-num-desenho-magico-tirando-proveito-do-tijolo-ceramico_2.jpg?1703215022"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[What Is the Difference Between Hand-Rammed Earth and Rammed Earth With a Mold?]]>
      </title>
      <link>https://www.archdaily.com/1011722/what-is-the-difference-between-hand-rammed-earth-and-rammed-earth-with-a-mold</link>
      <pubDate>Wed, 10 Jan 2024 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1011722/what-is-the-difference-between-hand-rammed-earth-and-rammed-earth-with-a-mold</guid>
      <description>
        <![CDATA[<p>The historical journey of construction also tells the story of humanity. The enduring examples from the past reveal insights into their specific contexts, and the remnants that have survived the elements and decay narrate the development of human technology. In the early days of construction, the common (and often the only) practice available to humans was to use locally available raw materials. For many, this meant building with clay.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6516/dadc/8c25/a30d/36ce/c1b1/newsletter/qual-a-diferenca-entre-a-taipa-de-mao-e-a-taipa-de-pilao_1.jpg?1695996646"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Paradox of Symmetry and Grace in the Repetition of Architectural Elements]]>
      </title>
      <link>https://www.archdaily.com/1011352/the-paradox-of-symmetry-and-grace-in-the-repetition-of-architectural-elements</link>
      <pubDate>Mon, 08 Jan 2024 06:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1011352/the-paradox-of-symmetry-and-grace-in-the-repetition-of-architectural-elements</guid>
      <description>
        <![CDATA[<p>The flow of architectural values throughout the centuries demonstrates the prevalence of some parameters over others in each historical period. In terms of composition, one of the most fundamental considerations revolves around issues of symmetry and balance. Indeed, a design does not necessarily have to be symmetrical to convey the notion of compositional balance. Its elements do not have to be repeated side by side for the whole to convey a sense of completeness, stability, and... paradoxically, symmetry. Many contemporary projects achieve a balanced compositional whole without repeating their elements side by side.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6573/38aa/96f8/0c2b/2f82/6ab8/newsletter/o-paradoxo-da-simetria-e-a-graca-na-repeticao_19.jpg?1702049969"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Multiple Facets of the Architect: Exploring the Works of Álvaro Siza Vieira]]>
      </title>
      <link>https://www.archdaily.com/1011353/the-multiple-facets-of-the-architect-exploring-the-works-of-alvaro-siza-vieira</link>
      <pubDate>Thu, 04 Jan 2024 06:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1011353/the-multiple-facets-of-the-architect-exploring-the-works-of-alvaro-siza-vieira</guid>
      <description>
        <![CDATA[<p>When it comes to contemporary Portuguese architecture, the initial association often leans towards tradition. The historical significance of the program, the importance of typologies for the locals, and the construction methods all play a role. These associations are not unfounded, but they are not limiting either. In this context, <a href="https://www.archdaily.com/tag/portugal">Portugal</a> boasts a prominent figure who exemplifies this balance: <a href="https://www.archdaily.com/office/alvaro-siza-vieira" target="_blank" rel="noopener">Álvaro Siza Vieira</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6569/e606/ad68/bf07/bdfe/185e/newsletter/o-arquiteto-multiplo-conhecendo-a-obra-de-alvaro-siza-vieira_14.jpg?1701438988"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Not Every Kitchen Needs to Be Integrated: Advantages of Closed Kitchens]]>
      </title>
      <link>https://www.archdaily.com/1010931/not-every-kitchen-needs-to-be-integrated-advantages-of-closed-kitchens</link>
      <pubDate>Wed, 27 Dec 2023 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1010931/not-every-kitchen-needs-to-be-integrated-advantages-of-closed-kitchens</guid>
      <description>
        <![CDATA[<p>A needs program precedes every project. In certain typologies, specific activities are inherently linked to them. A meeting room in a corporate office, a collection in a museum, and bedrooms in a residence: the latter has a relatively well-defined basic needs program: bedrooms, living room, bathrooms, and kitchen. The size and arrangement of these elements in the space depend on various factors, but a house typically includes some combination of these essential components.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6557/611c/08e4/444f/4ddf/60a0/newsletter/cozinhas-que-nao-deixam-nada-a-perder-para-ambientes-integrados_15.jpg?1700225316"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Exploring Timber and Glass in 11 Contemporary Architectural Designs]]>
      </title>
      <link>https://www.archdaily.com/1010596/exploring-timber-and-glass-in-11-contemporary-architectural-designs</link>
      <pubDate>Wed, 20 Dec 2023 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1010596/exploring-timber-and-glass-in-11-contemporary-architectural-designs</guid>
      <description>
        <![CDATA[<p>Some materials change the course of architecture from the moment they begin to be employed. The initial materials used in construction certainly did so: clay, stone, and wood. The ability to build is the origin of the discipline. With technological development, techniques were also refined, and in the 19th century, industrialization spread the use of other materials, transforming and expanding the realm of construction: iron and glass.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6560/9dd7/ad68/bf61/51b2/bb75/newsletter/o-uso-de-madeira-e-vidro-em-11-projetos-internacionais-de-arquitetura-contemporanea_10.jpg?1700830686"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Baroque Architecture in Brazil: Adaptation and Influences]]>
      </title>
      <link>https://www.archdaily.com/1010385/baroque-architecture-in-brazil-adaptation-and-influences</link>
      <pubDate>Wed, 13 Dec 2023 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1010385/baroque-architecture-in-brazil-adaptation-and-influences</guid>
      <description>
        <![CDATA[<p>In the study of architectural history, one noticeable pattern is the apparent oscillation between different <a href="https://www.archdaily.com/900027/the-characteristics-of-12-architectural-styles-from-antiquity-to-the-present-day" target="_blank" rel="noopener">styles</a> and languages. When a more restrained trend dominates, the subsequent one often reverts to more ornate motifs, and vice versa. It's crucial to acknowledge that this perceived 'flow' is only an impression; historical reality is invariably more intricate than records suggest, and the dominance of one style over another is an interpretation made by historians looking back from a future perspective. The Baroque style is a notable example of this phenomenon.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6528/3356/64e5/0c4c/f750/b27c/newsletter/a-arquitetura-barroca-brasileira-adaptacao-e-influencias_11.jpg?1697133410"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Dissolving Boundaries Between Art and Architecture: Exploring the Works of Diogo Aguiar Studio]]>
      </title>
      <link>https://www.archdaily.com/1010009/dissolving-boundaries-between-art-and-architecture-exploring-the-works-of-diogo-aguiar-studio</link>
      <pubDate>Thu, 30 Nov 2023 06:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1010009/dissolving-boundaries-between-art-and-architecture-exploring-the-works-of-diogo-aguiar-studio</guid>
      <description>
        <![CDATA[<p>There are numerous intersections between art and architecture, including aesthetic enjoyment, formal element composition, the relationship with the environment, and abstraction. The unique combinations of these aspects distinguish each architecture office or artist in their practice and language. <a href="https://www.archdaily.com/office/diogo-aguiar-studio" target="_blank" rel="noopener">Diogo Aguiar Studio</a> is an architecture office that actively explores these intersections, pushing the boundaries that traditionally separate art from architecture.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6544/f12f/08e4/4431/b00c/e987/newsletter/dissolver-os-contornos-entre-arte-e-arquitetura-conhecendo-a-obra-de-diogo-aguiar-studio_2.jpg?1699017017"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Versatility of Drywall in Architecture: Pros and Cons]]>
      </title>
      <link>https://www.archdaily.com/1009381/the-versatility-of-drywall-in-architecture-pros-and-cons</link>
      <pubDate>Tue, 21 Nov 2023 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1009381/the-versatility-of-drywall-in-architecture-pros-and-cons</guid>
      <description>
        <![CDATA[<p>Amidst the immense possibility of constructive solutions, all have advantages and disadvantages, gains and limitations. Whether for economic reasons, deadlines, material availability, or spatial performance, each type of material responds to the project in a certain way and gives it a specific visual and environmental aspect. In general, multiple construction systems are required, enabling the offsetting of any shortcomings in one material through the performance of another. This approach ensures a balanced and effective implementation of diverse materials to address specific project requirements. <a href="https://www.archdaily.com/tag/drywall">Drywall</a> panels, or drywall, are on this threshold between rejection and preference.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/652d/ebc5/0e26/f362/a11d/91ba/newsletter/a-versatilidade-do-dry-wall-na-arquitetura_14.jpg?1697508313"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Modern Mirage: Paul Clemence's Installation Transforms the Architecture of Pampulha]]>
      </title>
      <link>https://www.archdaily.com/1009380/modern-mirage-paul-clemences-installation-dissolves-pampulhas-architecture</link>
      <pubDate>Wed, 08 Nov 2023 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1009380/modern-mirage-paul-clemences-installation-dissolves-pampulhas-architecture</guid>
      <description>
        <![CDATA[<p>A mirage can refer to an optical phenomenon caused by the refraction of light on certain surfaces, creating the illusion of a liquefied appearance. It can also represent an illusion, where something appears to be different from what it actually is. <a href="https://www.archdaily.com/photographer/paul-clemence" target="_blank" rel="noopener">Paul Clemence</a> capitalizes on this dual interpretation in his photographic essay, <em>Modern Mirage</em>, which features <a href="https://www.archdaily.com.br/br/778481/olhares-sobre-a-casa-do-baile" target="_blank" rel="noopener">Casa do Baile</a> (now the Reference Center for <a href="https://www.archdaily.com/tag/architecture">Architecture</a>, Urbanism, and Design), the <a href="https://www.archdaily.com/tag/art">Art</a> Museum, and the Church of <a href="https://www.archdaily.com/tag/pampulha">Pampulha</a>. He captures these iconic structures as they are reflected in the water mirrors of the <a href="https://www.archdaily.com.br/br/799922/como-a-pampulha-se-tornou-patrimonio-cultural-da-humanidade" target="_blank" rel="noopener">modern complex</a> designed by Oscar Niemeyer in Belo Horizonte, MG.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/654a/1eaa/f96c/7638/53ee/4951/newsletter/miragem-moderna-instalacao-de-paul-clemence-dilui-a-arquitetura-da-pampulha_11.jpg?1699356349"></enclosure>
    </item>
  </channel>
</rss>
