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    <title>Author: Ethel Baraona Pohl | ArchDaily</title>
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        <![CDATA[Whom Does Architecture Serve Today?]]>
      </title>
      <link>https://www.archdaily.com/986197/whom-does-architecture-serve-today</link>
      <pubDate>Wed, 03 Aug 2022 03:30:00 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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        <![CDATA[<p>In 1969, ‘The Architects' Resistance’, a collective of students from Yale University, Columbia University, and the Massachusetts Institute of Technology (MIT), published a manifesto titled <a href="https://rozsixties.unl.edu/items/show/424?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">‘Architecture: whom does it serve?’</a></p>]]>
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      <title>
        <![CDATA[WarmWall]]>
      </title>
      <link>https://www.archdaily.com/214344/warmwall</link>
      <pubDate>Wed, 07 Mar 2012 08:00:55 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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        <![CDATA[<p>Designed by <a href="http://www.exsarchitects.com?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">ExS Architects</a> Concept: Elina Karanastasi Design team: Nikos Asimakis, Eri Badouva, Stathis Vlachiotis Consultant: Maria Mandalaki and Matthijs Moelee, Alexandros Vazakas</p>]]>
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      <title>
        <![CDATA[End Sequences | Seqüencies Extremes]]>
      </title>
      <link>https://www.archdaily.com/205180/end-sequences-sequencies-extremes</link>
      <pubDate>Fri, 03 Feb 2012 23:00:32 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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      <description>
        <![CDATA[<p>January 23th – February 18th 2012 COAC <a href="http://wp.archdaily.com/tag/barcelona/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Barcelona</a></p>]]>
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      <title>
        <![CDATA[Data Thanatology | Call For Submissions]]>
      </title>
      <link>https://www.archdaily.com/186696/data-thanatology-call-for-submissions</link>
      <pubDate>Thu, 24 Nov 2011 11:00:00 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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      <description>
        <![CDATA[<p>If you were asked to store your most valuable data… What kind information would you keep in <strong>130Kb</strong>? Your usernames and passwords, your delicious tabs, a PDF with all your tweets, a map as a biography? Do you think this data would be valuable if mapping the genomic code of knowledge at this moment? It would be useful for anyone but you?</p> ]]>
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      <title>
        <![CDATA[KERB 19 / Paradigms of Nature: Postnatural Futures]]>
      </title>
      <link>https://www.archdaily.com/177905/kerb-19-paradigms-of-nature-postnatural-futures</link>
      <pubDate>Thu, 20 Oct 2011 15:29:27 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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      <description>
        <![CDATA[<p>“So no, I don’t accept that the future is over-sold : it’s productised an as a result it’s over constrained by our current ways of thinking and immediate practices …”</p> ]]>
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      <title>
        <![CDATA[WATERMARKS: Acqua Alta, Resiliency, and Precise Meanders]]>
      </title>
      <link>https://www.archdaily.com/168688/watermarks-acqua-alta-resiliency-and-precise-meanders</link>
      <pubDate>Wed, 14 Sep 2011 17:30:24 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/168688/watermarks-acqua-alta-resiliency-and-precise-meanders</guid>
      <description>
        <![CDATA[<p>Architect <strong><a href="http://www.jenniferbonner.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Jennifer Bonner</a></strong>‘s installation at the Woodbury Hollywood Gallery.</p>]]>
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      <title>
        <![CDATA[Dispersed Memorial]]>
      </title>
      <link>https://www.archdaily.com/167489/dispersed-memorial</link>
      <pubDate>Fri, 09 Sep 2011 06:00:54 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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      <description>
        <![CDATA[<p>Through technology, light pixels and paper cards, Dispersed Memorial creates a country-wide collective remembrance of 9/11.</p> ]]>
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      <title>
        <![CDATA[San Rocco 01 / Islands]]>
      </title>
      <link>https://www.archdaily.com/130047/san-rocco-01-islands</link>
      <pubDate>Sat, 23 Apr 2011 12:30:25 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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      <description>
        <![CDATA[<p>“… if someone who has a valid point of view wants to give it an audience, he has no choice but to start a magazine.” - Eno Dailor On <a href="http://books.google.com/books?dq=pamphlet+architecture&amp;f=false&amp;id=1zziSF_jKVYC&amp;lpg=PP1&amp;pg=PP1%23v%3Donepage&amp;q=&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Pamphlet Architecture 1-10</a> </p>]]>
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      <title>
        <![CDATA[Energyscapes]]>
      </title>
      <link>https://www.archdaily.com/118503/energyscapes</link>
      <pubDate>Sat, 12 Mar 2011 00:00:00 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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      <description>
        <![CDATA[<p>“From the point of view of Physycs, right now we don’t know what energy really is. We have no evidence that energy comes in small quantities, like drops. What we do know is that all matter is energy in repose and that energy is manifested in lots of forms that are interrelated by numerous mechanisms of conservation.”</p> ]]>
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      <title>
        <![CDATA[Greenwashing Manual / Valentina Karga]]>
      </title>
      <link>https://www.archdaily.com/104389/greenwashing-manual-valentina-karga</link>
      <pubDate>Tue, 18 Jan 2011 07:30:38 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/104389/greenwashing-manual-valentina-karga</guid>
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        <![CDATA[<p><strong><a href="http://www.valentinakarga.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Valentina Karga</a></strong> has a Master in Architecture, Technical University of Thessaly, <a href="https://www.archdaily.com/country/greece">Greece</a>. She also was a Erasmus student in BUTE (Budapest University of Technology and Economics). Her last projects are the “Greenwashing manual” and the “Greenwasher, Sustainable active chamber”, which are her experimental thesis on how architectural research and design could adapt to the new reality of the implementation of sustainability.</p>]]>
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      <title>
        <![CDATA[Bracket [on farming]]]>
      </title>
      <link>https://www.archdaily.com/98280/bracket-on-farming</link>
      <pubDate>Sat, 25 Dec 2010 00:00:16 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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      <description>
        <![CDATA[<p>“t is the territory that becomes the privileged protagonist of the post-industrial economy, acting as a place for working out the weak and diffuse energies of a powder-fine productivity.”</p> ]]>
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      <title>
        <![CDATA[BIX Light and Media Façade at MoMA]]>
      </title>
      <link>https://www.archdaily.com/89408/bix-light-and-media-facade-at-moma</link>
      <pubDate>Tue, 16 Nov 2010 14:00:49 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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      <description>
        <![CDATA[<p>With the <strong>BIX Light and Media Façade</strong> on the Kunsthaus Graz, realities:united 2003 made its international name; now a prototype of the installation by the Berlin artists and architects has been added to <a href="http://www.moma.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">MoMA</a>’s collection.</p>]]>
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      <title>
        <![CDATA[Abitare 506]]>
      </title>
      <link>https://www.archdaily.com/88510/abitare-506</link>
      <pubDate>Sat, 13 Nov 2010 14:00:13 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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      <description>
        <![CDATA[<p>“From the criticism of ideology it is necessary to pass on to the analysis of the techniques of programing and of the ways in which these techniques actually affect the vital relationships of production.”</p> ]]>
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      <title>
        <![CDATA[How Architects Work in the Current Times]]>
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      <link>https://www.archdaily.com/85403/how-architects-work-in-the-current-times</link>
      <pubDate>Thu, 28 Oct 2010 14:21:08 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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      <description>
        <![CDATA[<p>“What defines the Internet is its social architecture. It’s the living environment that counts, the live interaction, not just the storage and retrieval procedure.” -Geert Lovink, 2005</p> ]]>
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        <![CDATA[FreshLatino at Storefront for Art and Architecture]]>
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      <link>https://www.archdaily.com/83616/freshlatino-at-storefront-for-art-and-architecture</link>
      <pubDate>Sun, 24 Oct 2010 00:00:57 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/83616/freshlatino-at-storefront-for-art-and-architecture</guid>
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        <![CDATA[<p>Curated by <a href="http://www.ariadnacantis.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Ariadna Cantis</a>, curator of the FreshLatino exhibition at the Instituto Cervantes, in collaboration with Eva Franch.</p>]]>
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        <![CDATA[Exhibition: 'Interiores']]>
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      <link>https://www.archdaily.com/81601/exhibition-interiores</link>
      <pubDate>Thu, 14 Oct 2010 14:00:04 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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      <description>
        <![CDATA[<p><strong><a href="http://wp.archdaily.com/tag/pedro-gadanho/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Pedro Gadanho</a></strong> is the author of the projects shown in the exhibition that he is curating within the scope of the <a href="http://wp.archdaily.com/tag/lisbon/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Lisbon</a> Architecture Triennial 2010, under the heading Falemos de Casas [Let’s Talk about Houses]. The photographs and videos on show confront us with the working process of four visual artists, and a photographer who specializes in architecture.</p>]]>
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        <![CDATA[Croatian Pavilion at the Venice Biennale]]>
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      <link>https://www.archdaily.com/74469/croatian-pavilion-at-the-venice-biennale</link>
      <pubDate>Wed, 25 Aug 2010 11:00:25 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/74469/croatian-pavilion-at-the-venice-biennale</guid>
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        <![CDATA[<p>Based on the idea of <strong>Mirage</strong>, described at the <a href="http://en.wikipedia.org/wiki/Mirage?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">wikipedia</a> as a naturally occurring optical phenomenon in which light rays are bent to produce a displaced image of distant objects or the sky, the team that designed the Croatian <a href="http://wp.archdaily.com/tag/pavilion/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Pavilion</a> for the <a href="http://wp.archdaily.com/tag/venice/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Venice</a> <a href="https://www.archdaily.com/tag/biennale">Biennale</a> decided to create a floating <a href="http://wp.archdaily.com/tag/pavilion/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">pavilion</a> to present arts and architecture of <a href="https://www.archdaily.com/tag/croatia">Croatia</a> at the Venice Biennale.</p>]]>
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        <![CDATA[Strelka presentation at the Venice Biennale]]>
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      <link>https://www.archdaily.com/74330/strelka-presentation-at-the-venice-biennale</link>
      <pubDate>Mon, 23 Aug 2010 14:14:35 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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      <description>
        <![CDATA[<p>As we told you in May, <strong><a href="http://www.oma.eu/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">OMA + AMO</a></strong><strong> </strong> will collaborate with <strong><a href="http://www.archdaily.com/60607/strelka-institute-oma-amo/www.strelkainstitute.com/">Strelka</a></strong>, a postgraduate school for media, architecture and design in <a href="http://www.archdaily.com/tag/moscow/">Moscow</a>.</p>]]>
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