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    <title>Author: Enrique Tovar | ArchDaily</title>
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      <title>
        <![CDATA[World Building of The Year and Interior of The Year revealed at World Architecture Festival 2025]]>
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      <link>https://www.archdaily.com/1036083/world-building-of-the-year-and-interior-of-the-year-revealed-at-world-architecture-festival-2025</link>
      <pubDate>Fri, 14 Nov 2025 19:00:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/978353/the-holy-redeemer-church-and-community-centre-of-las-chumberas-fernando-menis?ad_medium=gallery" target="_blank" rel="noopener">The Holy Redeemer Church and Community Centre of Las Chumberas by Fernando Menis</a> in La Laguna, <a href="https://www.archdaily.com/tag/spain">Spain</a> has been declared the World Building of the Year at the 2025 <a href="https://www.worldarchitecturefestival.com/WorldArchitectureFestival2025/en/page/home?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">World Architecture Festival (WAF).</a></p>]]>
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      <title>
        <![CDATA[World Architecture Festival 2025: Day Two Winners Announced]]>
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      <link>https://www.archdaily.com/1036039/world-architecture-festival-2025-day-two-winners-announced</link>
      <pubDate>Fri, 14 Nov 2025 04:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>The second round of award winners of the 2025 <a href="https://www.worldarchitecturefestival.com/WorldArchitectureFestival2025/en/page/home?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">World Architecture Festival (WAF)</a> has been announced, following Day Two of the <a href="https://www.youtube.com/@worldarchitecturefestival246/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">world's largest international live-judged architectural event</a>, held at the <a href="https://www.archdaily.com/tag/miami-beach-convention-center">Miami Beach Convention Center</a> in Florida.</p>]]>
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        <![CDATA[World Architecture Festival 2025: Day One Winners Announced]]>
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      <link>https://www.archdaily.com/1035985/world-architecture-festival-2025-day-one-winners-announced</link>
      <pubDate>Thu, 13 Nov 2025 04:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>The first award winners of the 2025 <a href="https://www.worldarchitecturefestival.com/WorldArchitectureFestival2025/en/page/home?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">World Architecture Festival (WAF)</a> have been announced, following Day One of the world's largest international <a href="https://www.youtube.com/@worldarchitecturefestival246/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">live-judged architectural event</a>, held at the <a href="https://www.archdaily.com/tag/miami-beach-convention-center">Miami Beach Convention Center</a> in Florida.</p>]]>
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        <![CDATA[How Will BIM 2.0, AI Assistance, and Integrated Workflows Shape the Architect’s Design Experience?]]>
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      <link>https://www.archdaily.com/1035178/how-will-bim-ai-assistance-and-integrated-workflows-shape-the-architects-design-experience</link>
      <pubDate>Fri, 24 Oct 2025 02:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>When architects are still students, a moment often marks a turning point: their first encounter with software. It's not just about learning a tool but discovering a space where ideas transcend physical models, taking shape in a digital environment and beginning a relationship many will carry throughout their careers. What happens next? <a href="https://www.archdaily.com/tag/software">Software keeps evolving</a>, and with it, the design experience. In recent years, this evolution has accelerated—<a href="https://www.archdaily.com/1034327/the-plan-and-the-prompt-how-ai-is-rewiring-design-and-practice?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">machine learning, AI, prompts</a>, and integrated workflows have moved from the periphery to the core of design practice, becoming part of the shared language between software and users. As these tools take hold, a key question emerges: How will this reshape our experience of <a href="https://www.archdaily.com/1034955/from-design-fiction-to-design-futures-the-changing-role-of-architecture-in-cultural-production?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">designing architecture in the future?</a></p>]]>
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        <![CDATA[12 Pavilions at EXPO 2025 Osaka Highlight Immersive Spatial Experiences]]>
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      <link>https://www.archdaily.com/1034374/12-pavilions-at-expo-2025-osaka-highlight-immersive-spatial-experiences</link>
      <pubDate>Tue, 30 Sep 2025 06:45:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>Since its inauguration this spring,<a href="https://www.archdaily.com/tag/expo-2025-osaka?page=3"> Expo 2025 Osaka</a> has captured global attention from multiple perspectives, demonstrating how architecture can function as a laboratory for exploring solutions to pressing challenges. After 55 years, Osaka<a href="https://www.archdaily.com/1030730/designing-the-future-again-what-the-55-year-return-of-the-world-expo-to-osaka-reveals"> is once again hosting the World Expo</a>, with each installation organized around the sub-themes Saving Lives, Empowering Lives, and Connecting Lives. These pavilions take forms that express the identity and values of their region through distinctive architectural languages, forming the central axis of their design. Building on this foundation, some installations serve as<a href="https://www.archdaily.com/1029109/expo-osaka-2025-opens-in-japan-as-a-laboratory-for-future-society"> laboratories for the future society</a>, utilizing technology to enhance experiences both inside and outside the spaces, transforming the visit through light, sound, visuals, and movement as part of the technological innovation showcased at the event.</p>]]>
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        <![CDATA[Framing Interiors and Landscapes in Aluminum and Glass to Master the View]]>
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      <link>https://www.archdaily.com/1034016/framing-interiors-and-landscapes-in-aluminum-and-glass-to-master-the-view</link>
      <pubDate>Wed, 24 Sep 2025 01:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/1031017/the-windows-of-venice-how-history-inspired-modernity?ad_campaign=normal-tag">Windows have long held an ambivalent role in architecture</a>, as they both define and enclose interiors while simultaneously creating a link to the outdoors. This dual function goes beyond simply meeting construction needs <a href="https://www.archdaily.com/910699/why-norman-foster-scoops-daylight-into-his-buildings?ad_source=search&amp;ad_medium=search_result_articles">or providing daylight</a>, directly influencing how occupants experience and engage with the views. The 20th century saw the introduction of materials such as steel, aluminum, and glass, which enabled <a href="https://www.archdaily.com/992145/different-types-of-windows-and-how-to-use-them?ad_source=search&amp;ad_medium=search_result_articles">different types of windows</a> with thinner frames and expansive panes, enhancing transparency and reinforcing the visual connection with the surrounding setting.</p>]]>
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        <![CDATA[The Architect as a Scientist: New Materials Emerging Between Science and Design]]>
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      <link>https://www.archdaily.com/1034101/the-architect-as-a-scientist-new-materials-emerging-between-science-and-design</link>
      <pubDate>Tue, 23 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034101/the-architect-as-a-scientist-new-materials-emerging-between-science-and-design</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/960128/what-is-architecture-according-to-our-readers?ad_source=search&amp;ad_medium=search_result_articles">What is architecture?</a> For some, its traditional role is to bring together imagination, technical knowledge, and problem-solving, allowing architects to design and construct while balancing ideas with the means to realize them. From the stone and <a href="https://www.archdaily.com/930967/archdailys-best-articles-about-wood?ad_source=search&amp;ad_medium=search_result_articles">wood</a> of early buildings to the steel and <a href="https://www.archdaily.com/tag/concrete">concrete</a> of the 20th century, each era demanded not only an understanding of form but also of the <a href="https://www.archdaily.com/1030705/thinking-globally-building-locally-glocalization-and-the-ethical-use-of-materials?ad_source=search&amp;ad_medium=search_result_articles">properties and potential of the materials in use</a>. This grasp of materials has always been a core part of the creative process, though its scope was limited by the know-how and technologies available.</p>]]>
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        <![CDATA[How Are New Design Innovations Shaping Interiors in Spain?]]>
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      <link>https://www.archdaily.com/1033256/how-are-new-design-innovations-shaping-interiors-in-spain</link>
      <pubDate>Mon, 22 Sep 2025 01:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033256/how-are-new-design-innovations-shaping-interiors-in-spain</guid>
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        <![CDATA[<p>Innovation is at the core of architecture, expressed through new approaches to design, material experimentation, and, of course, ways of living. As a result, the conception of buildings and indoor spaces is constantly evolving. This evolution is especially evident in <a href="https://www.archdaily.com/country/spain">regions with a rich cultural heritage, such as Spain</a>, where innovation reinterprets traditional ways of relating to space. This attentiveness to memory and daily life <a href="https://www.archdaily.com/969694/brick-houses-in-spain-modern-masonry-design-for-home-interiors-and-exteriors?ad_source=search&amp;ad_medium=search_result_articles">extends into interiors</a>, where each intervention has the potential to actively reshape how people experience a space and open <a href="https://www.archdaily.com/1023388/the-impact-of-co-living-in-spain-5-projects-with-multigenerational-shared-spaces?ad_source=search&amp;ad_medium=search_result_articles">new possibilities for living and interaction</a>.</p>]]>
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        <![CDATA[How Can Public Space Be Designed for the Neurodiverse Community?]]>
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      <link>https://www.archdaily.com/1033863/how-can-public-space-be-designed-for-the-neurodiverse-community</link>
      <pubDate>Tue, 09 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033863/how-can-public-space-be-designed-for-the-neurodiverse-community</guid>
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        <![CDATA[<p>The noise of overlapping conversations, the flashing lights of a billboard, hurried footsteps on the sidewalk, and the constant hammering of a nearby construction site: public spaces are sometimes experienced as environments <a href="https://www.archdaily.com/1029098/environmental-noise-improving-urban-soundscapes-for-well-being?ad_source=search&amp;ad_medium=search_result_articles">where stimuli accumulate and often overwhelm us</a>. Each person perceives and responds to these sensory inputs differently, and <a href="https://www.archdaily.com/1027772/architecture-for-neurodiversity-designing-for-control-choice-and-the-senses?ad_source=search&amp;ad_medium=search_result_articles">recognizing neurodiversity</a> means understanding that some individuals require more time to adapt, slower-paced journeys, or more gradual interactions with their surroundings. These encounters raise fundamental questions about <a href="https://www.archdaily.com/search/projects/categories/public-space?ad_medium=filters">contemporary public space</a>: how can it accommodate the diversity of ways people perceive and inhabit it? How can we envision it as a space that embraces all ways of experiencing it?</p>]]>
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        <![CDATA[Insights from La Feria De Diseño Medellín: Well-Being, Innovation, and Global Design Perspectives]]>
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      <link>https://www.archdaily.com/1033492/insights-from-la-feria-de-diseno-medellin-well-being-innovation-and-global-design-perspectives</link>
      <pubDate>Mon, 08 Sep 2025 06:45:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>Asking questions is the first step toward challenging what we take for granted and opening up new possibilities for planning and building. These questions, valuable in themselves, gain new strength when shared and examined through different perspectives. As they intersect with the experiences of professionals and brands, they weave together viewpoints that enrich the discussion. <a href="https://www.archdaily.com/tag/events">Design fairs and events around the world</a> have become spaces where these conversations gain momentum, fostering connections and encouraging collaborative dynamics. In this landscape, <a href="https://www.archdaily.com/1032922/colombia-pavilion-at-expo-osaka-2025-presents-a-dynamic-ice-cube-playing-with-form-and-light?ad_source=search&amp;ad_medium=search_result_articles">Colombia has emerged as a hub</a>, serving as a platform that promotes architecture and design <a href="https://www.archdaily.com/tag/latin-america">across Latin America</a> and the Caribbean while bringing the region's voice to the global stage.</p>]]>
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        <![CDATA[An Expansive Modular Sofa System: Reimagining Comfort Beyond Sitting On]]>
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      <link>https://www.archdaily.com/1031877/an-expansive-modular-sofa-system-reimagining-comfort-beyond-sitting-on</link>
      <pubDate>Thu, 04 Sep 2025 06:45:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>Does architecture alone define how we inhabit a space? It's becoming increasingly clear that it does not. The objects within a space—particularly furniture and other design pieces—not only serve functional purposes but actively <a href="https://www.archdaily.com/1029304/wellbeing-and-slow-spaces-can-architecture-distort-the-way-we-experience-time?ad_source=search&amp;ad_medium=search_result_articles">shape the spatial and human experience</a>. As schools, homes, and <a href="https://www.archdaily.com/1018284/investing-in-wellbeing-how-healthy-workspaces-drive-productivity-and-profit?ad_campaign=normal-tag">offices evolve to accommodate new ways of working</a>, living, and socializing, furniture accompanies these transitions, prompting conversations that extend beyond functionality and engage the corporeal dimension implied in its use.</p>]]>
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        <![CDATA[Reimagining Lisbon’s Azulejos: Regenerative Biomaterial Tiles from the Tagus River]]>
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      <link>https://www.archdaily.com/1033393/reimagining-lisbons-azulejos-regenerative-biomaterial-tiles-from-the-tagus-river</link>
      <pubDate>Tue, 26 Aug 2025 06:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>All materials come from somewhere, embedded in <a href="https://www.archdaily.com/1032047/from-extraction-to-regeneration-architectures-role-in-rural-developments-in-latin-america?ad_source=search&amp;ad_medium=search_result_articles">a chain of extraction</a>, supply, production, and disposal that, depending on its scale, leaves more or less significant marks on the environment. In architecture, we usually approach this trajectory through the lens of materials' circularity, considering how they can <a href="https://www.archdaily.com/1025567/what-if-every-brick-had-a-future-rethinking-demolition-and-material-reuse-in-the-circular-economy?ad_source=search&amp;ad_medium=search_result_articles">re-enter production cycles rather than become waste</a>. Yet, broadening our view to unexpected places reveals parallel systems where by-products from one industry become resources for another. This approach has found fertile ground in organic waste <a href="https://www.archdaily.com/987658/what-are-biomaterials-in-architecture?ad_source=search&amp;ad_medium=search_result_articles">transformed into biomaterials</a>, with one of the most recent examples being the work of <a href="https://www.instagram.com/fahrenheit.works/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Fahrenheit Works</a>. Through their installation, "From the Tagus to the Tile", they repurpose oyster shells initially discarded by food systems to create a reinterpretation of <a href="https://www.archdaily.com/997432/portuguese-tiles-brief-history-and-contemporary-applications?ad_source=search&amp;ad_medium=search_result_articles">Lisbon's iconic tiles</a>.</p>]]>
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        <![CDATA[Inclusive Playgrounds: Every Body Can Play Through Architecture]]>
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      <link>https://www.archdaily.com/1033205/inclusive-playgrounds-every-body-can-play-through-architecture</link>
      <pubDate>Tue, 19 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>Play extends beyond its recreational dimension, unfolding as a social <a href="https://www.archdaily.com/869081/18-cool-examples-of-architecture-for-kids?ad_source=search&amp;ad_medium=search_result_articles">act that encourages children to learn</a>, interact, be creative, and engage with their spatial context. As Johan Huizinga notes in <em>Homo Ludens</em>, it is a fundamental element of culture, where kids form bonds and explore ways of coexisting. When the <a href="https://www.archdaily.com/tag/architecture">architecture</a> of <a href="https://www.archdaily.com/tag/play">play</a> spaces excludes certain bodies or modes of participation, the collective experience becomes fragmented and loses part of its meaning. <a href="https://www.archdaily.com/tag/inclusive-architecture">Designing with inclusion in mind</a>, therefore, means recognizing that the actual value of play lies in its potential to be shared by everyone.</p>]]>
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        <![CDATA[Living Cycles in Regenerative Architecture: Lessons from the Goetheanum]]>
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      <link>https://www.archdaily.com/1032300/living-cycles-in-regenerative-architecture-lessons-from-the-goetheanum</link>
      <pubDate>Tue, 22 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>As climate uncertainty and ecosystem changes reshape design priorities, architecture plays an increasingly active role in these discussions, rather than merely observing. Within this perspective, the idea of making a "re" encourages a conscious step back to rethink, reconnect, and realign the relationship between buildings and their environments. This approach, central to <a href="https://www.archdaily.com/tag/regenerative-architecture">regenerative architecture</a>, extends beyond specific technologies or scales, encompassing everything from <a href="https://www.archdaily.com/1030272/third-nature-presents-a-regenerative-masterplan-for-greater-copenhagen?ad_source=search&amp;ad_medium=search_result_articles">master plans that aim to re-naturalize cities</a> to <a href="https://www.archdaily.com/1030289/canada-pavilion-presents-picoplanktonics-a-living-experiment-in-regenerative-architecture-at-the-2025-venice-biennale?ad_source=search&amp;ad_medium=search_result_articles">national pavilions that combine art and science</a>.</p>]]>
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        <![CDATA[Context-Responsive Architecture in Spain: 7 Projects Highlighting Material Strategies]]>
      </title>
      <link>https://www.archdaily.com/1031789/context-responsive-architecture-in-spain-7-projects-highlighting-material-strategies</link>
      <pubDate>Thu, 17 Jul 2025 01:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p><em>Andanzas y visiones españolas</em> is the book in which <a href="https://en.wikipedia.org/wiki/Miguel_de_Unamuno?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Miguel de Unamuno</a> collects his experiences during excursions through Spain's cities and countryside, accompanied by friends and colleagues. More than a precise geographical description, the text consists of narratives in which each region and every feature of the territory leaves a deep imprint on his thought. The literary discourse actively weaves the diversity of setting, climate, and <a href="https://www.archdaily.com/tag/contextualism">contextualism as foundational threads</a>, presenting the territory not only as a physical place but also as a space for reflection and contemplation. This <a href="https://www.archdaily.com/1021249/landscape-architects-rise-to-the-challenge-of-coastal-flooding?ad_source=search&amp;ad_medium=search_result_articles">attentive engagement with the landscape</a>—so diverse <a href="https://www.archdaily.com/tag/spanish-architecture">within Spanish architecture</a>—also resonates in the built environment, fostering in contemporary practice a sensitive adaptation to the country's varied climatic conditions, both through design strategies and material choices.</p>]]>
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        <![CDATA[Architecture in the Age of Platforms: What Role Does Software Play in Practice Today?]]>
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      <link>https://www.archdaily.com/1031629/architecture-in-the-age-of-platforms-what-role-does-software-play-in-practice-today</link>
      <pubDate>Tue, 01 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>How many software tools and platforms are involved today in developing a contemporary project? From designing a single-family house to a public library, relying on just one or two programs is no longer common. Instead, multiple tools combine, overlap, and interact <a href="https://www.archdaily.com/941296/visualizing-the-invisible-illustrating-structural-and-comfort-analyses?ad_source=search&amp;ad_medium=search_result_articles">throughout various stages, including analysis</a>, design, rendering, coordination, and construction. This widespread <a href="https://www.archdaily.com/1030348/the-tactile-twin-why-models-still-matter-in-a-virtual-world?ad_source=search&amp;ad_medium=search_result_articles">use of software in the virtual world</a> reflects not only the technical complexity of today's practice but also a more subtle yet equally significant shift: <a href="https://www.archdaily.com/tag/software">software</a> has become less a specific tool and more an environment that accompanies and even challenges the process.</p>]]>
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        <![CDATA[Built to (Not) Last: How Reversible Architecture Is Redefining the Way We Build]]>
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      <link>https://www.archdaily.com/1031388/built-to-not-last-how-reversible-architecture-is-redefining-the-way-we-build</link>
      <pubDate>Tue, 24 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031388/built-to-not-last-how-reversible-architecture-is-redefining-the-way-we-build</guid>
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        <![CDATA[<p>What if we imagined buildings as living systems, <a href="https://www.archdaily.com/tag/design-for-disassembly">designed for assembly and disassembly</a> with minimal impact? A form of open, modular, and adaptable architecture designed to evolve with its surroundings, <a href="https://www.archdaily.com/966924/the-nikolsky-rows-public-space-katarsis-ab?ad_medium=gallery">responding to seasonal changes</a> and on-demand needs instead of remaining static. At first glance, the idea seems paradoxical, as many buildings were constructed to last, designed to endure, resist the effects of time, <a href="https://www.archdaily.com/1008561/how-to-save-a-building-from-demolition-emerging-procedures-to-uncover-the-potential-of-existing-structures?ad_source=search&amp;ad_medium=search_result_articles">and avoid demolition</a>. Because of this, reversing or undoing could be seen as a setback. But what if that way of thinking no longer fits every scenario?</p>]]>
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        <![CDATA[AI and Architecture Software at AIA25: From Code to Concrete in the Digital Future]]>
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      <link>https://www.archdaily.com/1030942/ai-and-architecture-software-at-aia25-from-code-to-concrete-in-the-digital-future</link>
      <pubDate>Tue, 10 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>The future of architecture isn't just being drawn—it's being coded. Since mathematician John W. Tukey coined the term "<a href="https://www.archdaily.com/tag/software">software</a>" in 1958 in The American Mathematical Monthly, its influence has steadily expanded, from revolutionizing science and engineering to quietly transforming architecture. What was first embraced as an innovation for structural calculations and drafting has since revealed a much broader potential, becoming a creative driver in <a href="https://www.archdaily.com/tag/archdaily-new-practices">architectural narrative and practice</a>.</p>]]>
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