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    <title>Author: Beatriz Coeffé Boitano | ArchDaily</title>
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        <![CDATA[Monuments in Crisis: From the National Hero to the Stray Dog]]>
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      <link>https://www.archdaily.com/1124050/monuments-in-crisis-from-the-national-hero-to-the-stray-dog</link>
      <pubDate>Thu, 09 Jan 2020 16:00:00 +0000</pubDate>
      <dc:creator>Beatriz Coeffé Boitano</dc:creator>
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        <![CDATA[<p>For over 80 days of protest, our streets and buildings have been covered daily in slogans, posters, illustrations, and an endless array of visual material referencing the social demands of a country that claims to have awakened from a 30-year slumber. Meanwhile, public monuments throughout Chile are being tagged, altered, destroyed, or removed from their original sites, becoming a primary target for protesters—or, as the newspaper <em>El Mercurio</em><sup>1</sup> puts it, for “vandals.”</p>]]>
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        <![CDATA[Social media in the collective construction of urban memory: the case of #RobinHoodGardens]]>
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      <pubDate>Thu, 23 May 2019 17:00:00 +0000</pubDate>
      <dc:creator>Beatriz Coeffé Boitano</dc:creator>
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        <![CDATA[<p><em>In this article, Beatriz Coeffé Boitano presents a portion of her Master’s thesis in Arts and Cultural Management at King’s College London, titled “Brutalism Revival: media as active spaces of urban memory.” The piece reflects on the documentation and construction of a collective discourse around urban memory through social media platforms, focusing on the demolition of the brutalist Robin Hood Gardens complex by Alison and Peter Smithson.</em></p>]]>
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