For over 80 days of protest, our streets and buildings have been covered daily in slogans, posters, illustrations, and an endless array of visual material referencing the social demands of a country that claims to have awakened from a 30-year slumber. Meanwhile, public monuments throughout Chile are being tagged, altered, destroyed, or removed from their original sites, becoming a primary target for protesters—or, as the newspaper El Mercurio¹ puts it, for “vandals.”

In this article, Beatriz Coeffé Boitano presents a portion of her Master’s thesis in Arts and Cultural Management at King’s College London, titled “Brutalism Revival: media as active spaces of urban memory.” The piece reflects on the documentation and construction of a collective discourse around urban memory through social media platforms, focusing on the demolition of the brutalist Robin Hood Gardens complex by Alison and Peter Smithson.