The shortlist for the 2013 Royal Institute of British Architects (RIBA) Manser Medal, awarded to the best new house or major extension in the UK, has been revealed. Amongst the five competing projects, which have all won either National or Regional RIBA Awards, is Astley Castle, which has also been shortlisted for the 2013 RIBA Stirling Prize.
The Department of State's Bureau of Overseas Buildings Operations (OBO) has shortlisted three design teams for the new U.S. Embassy in Beirut, Lebanon for Stage 3 evaluation. The project is part of OBO’s Excellence in Diplomatic Facilities initiative in which seeks to provide safe and functional facilities that represent the best in American architecture.
The Queen’s College, Oxford is delighted to announce the launch of the Florey Design Competition. The College seeks a dedicated team to restore and add new facilities to James Stirling’s modernist masterpiece, The Florey building, which is Grade II listed.
Freecell Architecture has been announced as winner of the urban design-build competition, PXSTL. Organized by the Pulitzer Foundation for the Arts and the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, PXSTL challenged US artists, architects and designers to propose a small-scale intervention for a vacant lot in the St. Louis Grand Center cultural district that could possibly spark large-scale urban transformation.
Among 60 candidates and three shortlisted finalists, Freecell's winning proposal "Lots" was selected for its “innovative design and approach to the space as a gathering catalyst, hosting social and cultural activities to bring focus on activities of people unifying a community.” The project intends on activating audience engagement by hosting a series of concerts, dance performances, community celebrations, film screenings, and art exhibitions.
In the wake of two heinous designs for student housing dominating the conversation in the Carbuncle Cup, The Guardian's Olly Wainwright explores the causes of such poor standards in the field of student accommodation. He explains how the economics and planning regulations surrounding student housing in the UK make it a hugely profitable area of the construction industry, while also making it susceptible to low standards which would be seen as unacceptable in any other housing sector. By contrast, in another article he lists the world's best designed student accommodation. You can read the full article investigating poor standards here, and his top 10 list here.
The U.S. Department of State has selected Storefront for Art and Architecture and PRAXIS Journal to organize the US Pavilion at the 2014 Venice Architectural Biennale, “Fundamentals,” curated by Rem Koolhaas.
The US exhibition, titled, OfficeUS: Criticism by Remaking, will be curated by Eva Franch i Gilabert, Ana Miljački and Ashley Schafer.
The post-war city centre of Rotterdam is ruled by commerce. Only five percent of the city's inhabitants live in the centre, which is almost entirely occupied by highstreet fashion chains, fast food restaurants, and offices. After shop closing time, the shutters go down and the streets are deserted. The municipality would like to lure more inhabitants into the centre – but space for new residential buildings is scarce. So in recent years, a 1960s cinema and church had to make way for a huge new housing complex designed by Alsop Architects, and a residential tower by Wiel Arets was speedily attached to Marcel Breuer's department store, De Bijenkorf. It was not until the municipality suggested forcing new housing high-rises into the green courtyards of the Lijnbaanhoven residential complex, designed in 1954 by Hugh Maaskant, that there were protests and the project had to be cancelled. For the time being, that is.
One densification project, however, tried not to destroy or debase the post-war building originally occupying its site. In many respects, the Karel Doorman residential high-rise could even be called the saviour of the old Ter Meulen department store. It might be rather uncommon for a valiant hero to crouch down on the shoulders of the little old lady he intends to rescue – but that's more or less what happened here.
In an article for Fast Company, Chris Congdon explains the key to designing workplaces that cater to the needs of introverts, extroverts and everyone in between. According to Congdon, most office workers need a mixture: places to be around others, encouraging collaboration, and places to work alone and focus on individual tasks. The solution? A "pallette of places" which give workers an ample choice of where to work. Read the full article here and learn more about how do design successful workplaces here.
Pritzker Prize winning architect Renzo Piano has been named a senator for life by Italian President Giorgio Napolitano, giving him the right to vote in the Parliament’s Upper House. Napolitano also appointed three others to the position, including Claudio Abbado (an accomplished conductor), Elena Cattaneo (a biologist specializing in stem cell research), and Carlo Rubbia (a Nobel Prize winning particle physicist).
In a statement, the president said that he is sure that all four "will make a special contribution to their extremely significant fields," noting that the positions were allocated "in absolute independence of any party political considerations" in wake of the Senate’s current tension surrounding former President Silvio Berlusconi.
https://www.archdaily.com/423913/renzo-piano-named-italian-senatorAD Editorial Team
Earlier this summer we reviewed plans for a new Foster + Partners-designed Apple Store in the heart of San Francisco which received a considerable amount of backlash for its accused ubiquitous design that disregarded the city's historic Ruth Asawa Fountain. Since, Apple has decided to respond to the complaints and Foster + Partners have just released images of the revised design that preserves the fountain.
As revealed in an article on Gigaom, NASA has recently added an extra $500,000 into a collaboration with Tethers Unlimited, a company researching ways to 3D print and assemble structures whilst in orbit. Using this technology, their SpiderFab robots reduce the size of the rockets needed to launch materials into space, and also allow for much larger structures to be created than in any previous technique - opening up new possibilities for construction in space. You can read the full article here.
The big story today is about a new development in London's financial district dubbed The Walkie Talkie due to its unusual shape.
The combination of its shape (which is curved), its placement, and its height has apparently created a tremendously intense reflection and beam of light that creates extraordinary heat on a nearby block, and one Jaguar owner says his car literally suffered melting damage from having been parked in that spot.
https://www.archdaily.com/423560/reflection-from-the-walkie-talkie-making-cars-meltJoe Weisenthal, Business Insider
Developers in London are so afraid of encountering opposition from the Prince of Wales that they seek his approval before applying for planning permission - so says Richard Rogers, as revealed by this article in BD. Prince Charles, who is not shy about promoting his traditional tastes, has a sometimes difficult relationship with the architecture community, and Rogers previously accused him of "an abuse of power" when he was ousted from his Chelsea Barracks Project. You can read the full article here.
Auburn University's Rural Studio, an undergraduate program that focuses on designing well-built, low-cost housing for the poor across three counties of Alabama, will be celebrating its 20th anniversary this 2013-14 academic year. Since 1993, Rural Studio has been recycling, reusing, remaking and using local materials while maintaining the belief that both rich and poor deserve good design. In honor of 20 successful years of helping Alabama's rural poor, Rural Studio will, for the first time, design eight 20K Houses in one year- and they need your help.
WXY Architecture + Urban Design and dlandstudio architecture & landscape have been commissioned to lead a feasibility study and planning for The QueensWay, a 3.5-mile section of abandoned railway tracks in Queens, New York, that will be converted into a High Line-inspired park and recreational pathways. As we reported earlier this year, the elevated railway line has been inactive since 1962 and, if transformed into a public parkway, has the capablitiy of serving more than 250,000 residents that live alongside it.
For our latest round of Ask Arup, ArchDaily reader Biserat Yesflgn requested tips for visualization software 3ds Max (formerly known as 3D Studio Max). We spoke to New York-based Arup visualization specialist Anthony Cortez to find out how he uses the program, what skills prospective visualization artists need, and how the field is evolving.
This article in the Atlantic Cities summarizes the work of John Joe Schlichtman, an urbanist who has set out to analyze the "elephant sitting in the academic corner" when it comes to contemporary urban theory: that many (middle-class) urbanists who criticize gentrification are themselves some of the worst culprits. Schlichtman wants to encourage urbanists "to locate themselves within their own literature" - you can read the full article here.
"Architecture is more than creating a place to live," stated the late Dutch architect, Piet Blom, "you create a society." Till his death in 1999, Blom designed homes and urban schemes as if to reject the stern, coldness of post-war Modernism in light of a warmer, more human architecture. His drawings, diagrams and homes portray an affectionate commitment to reconcile elements of culture with the architecture around us. Characterized by his use of lively colors and equally expressive architectural geometries, project's such as the "Kasbah" and the cube houses in Rotterdam stand as testaments to his belief that architecture serves the people, not the other way around.
A true "People's Architect," Blom's work has endeared a growing number supporters, among these are residents who have lived in his houses and are hoping to garner donations to share these artifacts with the public. Ingeborg van der Aa, secretary of the Piet Blom Foundation, mentions that the initiative's mission is to promote recognition, new insight and appreciation with the hopes of encouraging a younger generation to be active creators of their society.
When commenting on the significance of the two prize-winning projects, jury member Micahel Sorkin stated: "If there are lessons to be drawn for urban design from Medellín and Porto, I think the broader lesson has to do with the disruption of the segregation of the disciplines in the design field. Historically we have understood that Landscape Architecture sits in one place, Architecture in another, and Urban Design and Planning [in another, with all three disciplines] in constant conflict about their territorial rights. One of the things that is revolutionary about the Medellín project is that distinguishing among the disciplines is no longer possible."
More about the prize-winning projects, courtesy of the GSD:
Did you know that there are more bicycles than residents in The Netherlands? You may be shocked to learn that up to 70% of all journeys are made by bike in cities like Amsterdam and The Hague. To accommodate such a huge number of bike-enthusiasts, bike parking facilities can be found everywhere - outside schools, office buildings and shops. Not to mention the fact that many Dutch cities even have special bike paths that are completely segregated from motorized traffic with signs that read "Bike Street: Cars are guests." Ever wondered why the Dutch are so bike crazy and how bicycles came to be such an important part of everyday life in The Netherlands? Click here to read all about it and look here for our story on Why Cycle Cities Are the Future!
In the following months, we at ArchDaily will be publishing Nikos Salingaros' book, Unified Architectural Theory, in a series of installments, making it digitally, freely available for students and architects around the world. In the following paragraphs, Salingaros explains why we've decided to impart on this initiative, and also introduces what his book is all about: answering "the old and very disturbing question as to why architects and common people have diametrically opposed preferences for buildings."
ArchDaily and I are initiating a new idea in publishing, one which reflects the revolutionary trends awaiting book publishing's future. At this moment, my book, Unified Architectural Theory, 2013, is available only in the USA. With the cooperation of ArchDaily and its sister sites in Portuguese and Spanish, it will soon be available, in a variety of languages, to anyone with internet access. Being published one chapter at a time, students and practitioners will be able to digest the material at their leisure, to print out the pages and assemble them as a "do-it-yourself" book for reference, or for use in a course. For the first time, students will have access to this material, in their own time, in their own language, and for free!
The book itself arose from a lecture course on architecture theory I taught last year. Students were presented with the latest scientific results showing how human beings respond to different types of architectural forms and spaces. At the end of the course, everyone was sufficiently knowledgeable in the new methods to be able to evaluate for themselves which buildings, urban spaces, and interior settings were better suited for human beings.
This approach is of course totally different from what is now known as “Architectural Theory.”
Imagine your city skyline as a chessboard battleground; which landmark would declare itself as the almighty king and who serve as its faithful pawn? Well, according to British designers Ian Flood and Chris Prosser, London’s Canary Wharf, Renzo Piano’s Shard and Norman Foster’s Gherkin would all deserve high ranks while the ubiquitous London terraced house fulfilled the role of the pawn.