Architects: Celis-Echeverría CDE Arquitectura Location: Plaza de San Diego, S/N, 28801 Alcalá de Henares, Madrid, España Partners Design Team: Ernesto Echeverría, Flavio Celis Architects In Charge: Ernesto Echeverría, Flavio Celis, Blanca Moreno Area: 11455.0 sqm Year: 2014 Photographs: Bernardo Corces
Dear readers, as the phenomenal architects we are confident you are, it is time to enter the search for the 2014 World Architecture Festival (WAF) awards. Annually recognizing the globe’s most impressive works, WAF is the largest architecture festival (and live awards) on the planet.
If shortlisted, you will be invited to defend your project this October at the Marina Bay Sands resort in Singapore in front of a “super jury,” chaired by Richard Rogers, that includes architects Rocco Yim, Julie Eizenberg, Enric Ruiz Geli, Peter Rich and more.
UPDATE: The Guardian reports that the plans to demolish the Red Road Flats during the Commonwealth Games have been scrapped due to concerns over public safety. The following news was originally published as "Glasgow to Demolish Iconic Modern Towers in Europe's Largest Demolition" on April 10th, 2014.
To mark the arrival of the Commonwealth Games in July, Glasgow is planning a twist on the usual opening ceremony: the customary fireworks are going to be replaced with explosives of an altogether different kind, as the demolition of all but one of the remaining Red Road Flats buildings will be broadcast live into the stadium.
The demolition of the five 30-story buildings will take 15 seconds and will be the largest ever attempted in Europe, according to the organizers. According to Games Organizer Eileen Gallagher, including the demolition as part of the opening ceremony shows that Glasgow is "a city that is proud of its history but doesn't stand still, a city that is constantly regenerating, renewing and re-inventing itself."
Originally published by the Architectural Review as "Discipline and Punish: the Architecture of Human Rights", this article by the founder of Architects Designers and Planners for Social Responsibility Raphael Sperry outlines how prison design in the US and elsewhere is violating fundamental human rights, and how some architects have come to be complicit in these designs.
We think of architectural regulations as being there to ensure that buildings are safe for the public. But what if a building’s harm is not caused by unexpected structural failure but by the building performing exactly as intended? Can a building designed to facilitate human rights violations amount to a violation in itself? And what is the responsibility of the architects involved? These are the questions at the centre of the current debate in America around the architectural profession’s involvement in prison design.
Read on for more on the ethics of prison design after the break
As reported by Kenya's Daily Nation newspaper, a group of Chinese investors has revealed plans for a new city in Kenya that will "match the splendour of Dubai". Though the investors are still resolving details with the Kenyan government, the city is planned for an area in Athi River, around 30km south-east of Nairobi, and is billed as a Chinese-controlled economic zone. At this early stage, the plans feature at least 20 skyscrapers. You can find more details of the proposal here.
Preparations have commenced to demolish Tod Williams Billie Tsien Architects’ American Folk Art Museum in New York. Despite international backlash from preservationists, architects and critics, the neighboring Museum of Modern Art will raze the 12-year-old structure in an effort to make way for an expansion designed by Diller Scofidio & Renfro. According to recent reports, scaffolding has arrived at the site and will soon be erected in front of the museum’s distinct, copper-bronze facade. More on the controversy, here.
In time with the release of the 42nd issue, Human, Thresholds Journal — MIT’s peer-reviewed journal of art, architecture and culture — has launched a new website. The new ThresholdsJournal.com has been redesigned with more content, spanning the past two decades of the journal’s publication. Other features include online purchasing of past issues, enhanced search capabilities for past contributors, and social media interactivity. The new website will feature news on upcoming issues and related events, submission calls, as well as the broad range of voices that Thresholds has featured since 1992.
In this article, originally appearing on the Australian Design Review as "Tolerance and Customisation: a Question of Value", Michael Parsons argues that the complex forms made possible by digital fabrication may soon be victims of their own popularity, losing their intrinsic value as they become more common and the skill required to make them decreases.
The idea of tolerance in architecture has become a popular point of discussion due to the recent mainstreaming of digital fabrication. The improvements in digital fabrication methods are allowing for two major advancements: firstly, the idea of reducing the tolerance required in construction to a minimum (and ultimately zero) and secondly, mass customisation as a physical reality. Digital fabrication has made the broad-brushstroke approach to fabrication tolerance obsolete and now allows for unique elements and tolerance specific to each element. The accuracy that digital fabrication affords the designer, allows for the creation of more complex forms with greater ease and control. So far, this has had great and far reaching implications for design.
Read on to find out how this ease of form-making could diminish the success of complex forms.
AS.Architecture-Studio has announced the 2014 Young Architects in Africa. The award aims to highlight creative African projects and help a rising generation of young architects achieve worldwide recognition. Selected from nearly 200 projects, these three practices have been named as finalists: Architects of Justice (South Africa), Urko SANCHEZ (Kenya), and Andre CHRISTENSEN & Mieke DROOMER (South Africa).
UPDATE: Foster + Partners have been granted planning permission for The Chirstie. The new Centre is due to open in 2016.
Norman Foster has applied for planning permission for a new Maggie’s Cancer Centre in his hometown of Manchester. Planned to be built at The Christie, one of Europe’s leading cancer centres and the largest single-site centre in Europe, the new Centre intends to “provide free practical, emotional and social support for anyone living with cancer as well as their family and friends.”
“I believe in the power of architecture to lift the spirits and help in the process of therapy,” Foster explains. “Within the Centre, there is a variety of spaces – visitors can gather around a big kitchen table, find a peaceful place to think or they can work with their hands in the greenhouse. Throughout, there is a focus on natural light and contact with the gardens. The timber frame, with its planted lattice helps to dissolve the architecture into the surrounding greenery.”
Zaha Hadid Architects has designed a 40-story luxury hotel for Macau’s premier leisure and entertainment destination known as “City of Dreams.” Perceived as a single “sculptural element” united by an exposed exoskeleton mesh structure, the “simple volume” was extruded from its rectangular site as two towers connected at the podium and roof levels, with two organically-shaped bridges punctuating the tower’s center external void. This central void is then celebrated by a 40-meter tall, “grandiose atrium” that greets visitors as they enter the hotel.
Take a digital tour through the building and into the atrium via a newly released video, after the break...
In this interview with Daniel Libeskind, originally featured on Metropolis as Q&A: Daniel Libeskind on Italy, Product Design, and the State of Architecture Today, Paul Clemence talks to Libeskind about his perspective on Italian culture, its influence on his career, and his most recent foray into product design.
When you talk to Daniel Libeskind, no single question has a simple answer. From his days as a young musical prodigy (he played the accordion) to his directorship at Cranbrook Academy, not to mention his voracious passion for literature, the fascinating episodes of his life all come together, informing his approach to design and architecture. His career path is an unusual one. And while that is true for many architects, his is particularly interesting, where each twist and turn, no matter how ostensibly disconnected, seem to have always prepared him for his next step. Take his two highest profile jobs, the Jewish Museum in Berlin and the master plan for Ground Zero. The two are intrinsically linked—the museum’s official opening to the public in 2001 was originally scheduled on September 11. The project had taken 13 years of political maneuvering to realize. Similarly, Libeskind's World Trade Center site master plan was marred by a decade of delays and alterations, which threatened to blot out his original design intentions. One monumental task after the other, eerily similar in challenging circumstances, both offering the architect a rare opportunity to helm projects richly entrenched in emotion, symbolism, and historical significance.
Now as his career moves beyond these two important projects, the architect's connection to Italy is beginning to play a pivotal role in his work. He moved there after his time at Cranbrook, when he was looking for new career challenges. Libeskind has been back in America since he was commissioned the Ground Zero project, but he recently opened up a studio in Milan, where he, his wife, and son oversee the firm's forays in product design.
I caught up with Libeskind at his Lower Manhattan office overlooking Ground Zero to talk about Italy and his involvement in upcoming design fairs there, Milan Design Week and the Venice Architecture Biennale.
Koichi Takada Architects (KTA) has released details on Australia’s biggest urban renewal project: Green Square. Shaped by the pedestrian and traffic flows that surround the building, the mixed-use, multi-residential complex is expected to serve as the gateway of Sydney’s Green Square Town Centre by its completion in 2016.
Spanish architect Rafael de La-Hoz has designed a mirrored, 60-meter monument to commemorate the 30 anniversary of the Tianjin Economic-Technological Development Area (TEDA). The design, titled “A Cut between heaven and earth”, was “driven by an effort to analyze the process of abstraction and reinterpretation of the site.”
In the 70s, towers were seen as the ideal solution for low-cost social housing. In the following decades, however, many of these towers became occupied by single people and the elderly rather than the young, low income families they were initially designed for. Today, though there may be many potential solutions, the most drastic solution is often pursued: knock them down and start again.
A great example is the Rabot towers in Ghent, Belgium. In the past, these three towers accommodated about 840 residents, but the quality and safety standards in the towers are no longer suitable for living. For example, one of the buildings has only one entrance hall and lift for 190 apartments over 17 floors. Since a total renovation and refurbishment of the towers would have been too costly, in 2009 the city and a social housing company decided to demolish the three towers and replace them with 400 new apartments in a low-density masterplan. The demolition of the first tower is now in progress. With the removal of the facade panels we get to see behind the building's public face, revealing the many living room interiors, where the bright walls are framed by the tight rhythm of the window frames, almost like an abstract artwork.
See more images of this "abstract artwork" after the break...
This week marked the 53rd edition of the Salone Internazionale del Mobile in Milan. Hundreds of exhibitors showcased an endless display of the latest international design products and home-furnishings. Among them included a variety of designed items envisioned by some of our favorite architects. Continue after the break to preview some of the most talked about architect-designed products featured this week at the Milan Design Week 2014.
Remember Innovation Imperative's modular alternative to the “cuboid office?” Shortly after featuring it on ArchDaily interest for the innovative building system grew exponentially; you can now purchase your very own tetra shed® for $25,000 (price subject to decrease, contingent on demand). Each unit is customizable, expandable, fully insulated, and easily tailored to suit your climatic needs. Measuring at about 10 square meters, the units can be transformed into a garden office, spare bedroom, or even combined and stacked to create studio homes and boutique hotels. Continue after the break to learn more about the capabilities of the tetra shed®.
Three teams have been chosen to advance in the third and final round of a competition to masterplan the new International Financial Center (IFC) in "New Moscow." Once complete, the 460 hectare mixed-use development will add offices, housing and hotels, as well as commercial and social infrastructure to the area of Rublyovo-Arkhangelskoye. The finalists are...
In Eastern Europe the assimilation of modernism proved a rather divergent process, correlated with tumultuous and contradictory socio-political events. The urban space suffered successive destructuring, caused by massive industrial insertions with direct impact at urban and demographic level.
Thus the Romanian Pavilion's exhibition for the 2014 Venice Biennale, Site Under Construction will bring industrial architecture as generator of modernity into discussion. It suggests creating an initiatory journey from inter-war and socialist industrialization to post-industrial urban voids. Glory and void, past and present are mirrored and laid out to be contemplated, to raise awareness and be re-approached. Once industrial sites were closed down, the remaining locations became modern urban ruins, devoid of content, bare of utility, leaving behind an outer landscape, shattering and desolate.
In light of the release of a second, revised edition of City of Darkness -- the authoritative text on Kowloon Walled City, which you can help Kickstart here -- authors Greg Girard and Ian Lambot have shared an excerpt from City of Darkness Revisited.
The early phases of the Walled City were characterised by predictable building typologies and the buildings were constructed on the principle of squatters’ rights, with random construction on spots of available land by whoever got there first. Alleyways and passages evolved – unplanned – into the established ‘map’ of the City, which would remain until it came down. A basic electric supply existed, increasingly burdened by illegal connections that frequently overloaded the system, and the few standpipes supplied the only water. As the need to accommodate the ever growing residential and commercial populations forced it to in the 1960s, the building typology of the Walled City made the leap from two- to three-storey residential structures to taller, six- to seven-storey ones. This represented an important threshold, because at these greater heights the buildings unavoidably became more complex and required greater labour to realise, reinforced concrete, more investment, and so on. They also required a different way of living. Water had to be transported up to the higher floors by hand. Likewise the propane gas canisters that furnished fuel to cook or heat water.
In Archaeology of the Periphery, a publication emerging out of the Moscow Urban Forum, a variety of specialists tackle the issue of a strategy for the development of Moscow's metropolitan area. As one of the best examples of urban concentric development, teams of engineers, architects, planners, economists and sociologists, studied the Russian metropolis with a pointed focus on the periphery—specifically the territory between the Third Ring Road and the Moscow Ring Road. Using an "archaeological" approach, the study reveals entrenched and hidden planning structures in order to increase the awareness and attractiveness of the periphery. Archaeology of the Periphery argues that examination of the city's fringe requires different methods of analysis than would be applied to traditional city centers.
"As the centre sets a certain quality of life and serves as a benchmark for the entire city, the high "gravitation" of the centre makes the signs of urban life invisible on the outskirts. Different optics are required in order to work with the non-central urban space. The tactic of "taking out" the centre and "sharpening the focus" on the peripheral territory will reveal what has been obscured and help identify the processes that take place, study potential, support or control the current forces at play.
The term "periphery," which is based on the opposition to a semantic centre is used in a wide range of scientific fields. The myriad of approaches underlines the ambiguity of the phenomenon and at the same time provides a base for an multidisciplinary research. This research was performed by experts in sociology (S), politics (P), architecture and urban planning (A), culture (C), economics (E) and big data (D). Methodology — SPACED — allows a broader view of the actual and potential intersections, going."
First an Emerging Voices recipient, now a laureate of the Royal Architectural Institute of Canada’s (RAIC) Emerging Architectural Practice Award; Toronto’s Williamson Chong Architects has proved themselves to be one of Northern America’s most promising firms. Founded just three short years ago, the seven-person practice has been chosen to be the RAIC’s second Emerging Practice Award recipient for “consistently producing innovating projects that contain quality detailing and craftsmanship.”
Grimshaw, Nordic Office of Architecture (Oslo) and Haptic Architects (London) have released details on what is expected to be the world’s busiest airport terminal: Istanbul Grand Airport. Planned for the Black Sea coast, just 35 kilometers outside the city, the six-runway development, masterplanned by Arup, will serve as a modern gateway to Istanbul and Turkey.
The first of the project’s four phases is slated for completion in 2018 and will serve 90 million passengers per year. Once all phases are complete, the airport’s capacity will expand to over 150 million annual passengers, making it the world’s largest airport terminal under a single roof.
“The Istanbul Grand Airport will be a modern, highly functional airport, with a unique sense of space,” described Nordic. “The airport is inspired by what makes Istanbul great: a large-scale, heaving metropolis with millennia of history, stunning architecture, both new and old, and a richness in color, patterns and quality of light.”
Zaha Hadid, Norman Foster and Richard Rogers are among seven international practices listed to compete for a 5,000 hectare expansion that hopes to “alleviate severe congestion” at the Mexico City airport. With each team led by Mexican firms, the shortlisted architects, which also include SOM, Gensler, Pascall+Watson and Teodoro González de León with Taller de Arquitectura X, have been asked to envision a 70-gate, phased expansion capable of hosting 40-million passengers per year. A schematic masterplan has been provided by Arup. Completion of the first phases is tentatively planned for 2018.
But you can browse the last one: 417
