Nine projects have been announced as winners of Docomomo US’ 2017 Modernism in America Awards, honoring projects within the United States that highlight and advocate for the restoration of postwar architecture and landscapes.
Now in its fourth year, the Modernism in America Awards were founded to celebrate "the people and projects working to preserve, restore and rehabilitate our modern heritage sensitively and productively. The program seeks to advance those preservation efforts; to increase appreciation for the period and to raise awareness of the on-going threats against modern architecture and design."
Foster + Partners has revealed new renderings of their designs for Bloomberg’s new London headquarters as the project races toward anticipated completion this autumn. The first building worldwide to be wholly owned and constructed by Bloomberg, the design of the London HQ has been guided by principles of collaboration, innovation and productivity, resulting in a structure that enhance both the workplace environment and the public realm.
In these three episodes of GSAPP Conversations, a podcast series designed to offer a window onto the expanding field of contemporary architectural practice, three globally-operating emerging practices are pressed and interviewed by students and staff from the New York-based school.
Courtesy of The United States Department of Housing and Urban Development (in public domain)
Immortalized through photographs, drawings, and stories, buildings that have been demolished or completely renovated exist in the realm known as “lost architecture.” Either for economic or aesthetic reasons, the old gets torn down for the new, often to the disdain of community members and architects. But demolished buildings tell a story about the ever-changing politics of preservation—and often, they tell it far better than buildings that were actually preserved ever could. As the architectural landscape continues to change around us, it is important to recognize our past, even if its traces have been eliminated from the physical world.
Italian-American architect Paolo Soleri (21 June 1919 – 9 April 2013) made his name as a countercultural icon and urban visionary, best known for his theory of "arcology"—a combination of architecture and ecology—and for Arcosanti, the prototype town in the Arizona desert which embodied his ideals and became his life's work, which he founded in 1970 and continued to work on right up until his death in 2013.
Earlier this month, the Norman Foster Foundation opened its doors in central Madrid. Inhabiting in an old residential palace, and having undergone extensive renovation works since, the Foundation have also constructed their own contemporary courtyard pavilion. Housing a treasure trove of artefacts from Lord Foster's personal collection, the structure—which is shaped like the wing of an aircraft—also exhibits a newly restored 1927 Avions Voisin C7 originally owned by Le Corbusier.
From the Los Angeles River Downtown Design Dialogue (City of Los Angeles, Bureau of Engineering). Used by Permission from WSP
The City of Los Angeles has revealed preliminary designs for seven different downtown segments of the Los Angeles River revitalization master plan, envisioned by Gruen Associates, WSP, CH2M, Chee Salette, Mia Lehrer + Associates, AECOM, and Tetra Tech. The project, known as the LA River Downtown Design Dialogue, asked designers to create potential schemes for development of the Downtown Corridor that “focus on interventions to improve connectivity and access to the river” and “imagine how to achieve function while embracing bold, world-class design,” while integrating in river adjacent projects currently in development, such as BIG’s 670 Mesquite.
Detailed visions of the concept designs from the seven shortlisted teams in the running for the new Ross Pavilion (named for William Henry Ross, the former chairman of the Distillers Company) have been released. Following the announcement of the competition earlier this year—in which the likes of Adjaye Associates, Bjarke Ingels Group, Sou Fujimoto Architects and Reiulf Ramstad Arkitekter were placed in the running alongside local practices, such as Page\Park—the sensitivity and level of restraint behind the majority of the proposals demonstrates the public and national significance of the site, which sits at the heart of the Scottish capital of Edinburgh.
Foster + Partners and Juan Cabanelas have unveiled updated designs for the refurbishment and extension of the Ourense FFCC Station in Galicia, Spain. The firm was originally selected as the winners of an international competition for the design in 2011 with an expansive new structure spanning the tracks. The new scheme will instead utilize the existing station building, expanding with a series of columned canopies arranged to create a new urban square and easily-accessible multi-modal hub.
The 2017 Serpentine Pavilion, designed by Diébédo Francis Kéré (Kéré Architecture), was unveiled today in London. Conceived as a micro cosmos—"a community structure within Kensington Gardens"—the pavilion has been designed to consciously fuse cultural references from Kéré's home town of Gando in Burkino Faso, with "experimental construction techniques." The architect hopes that the pavilion, as a social condenser, "will become a beacon of light, a symbol of storytelling and togetherness."
https://www.archdaily.com/874091/diebedo-francis-kere-serpentine-pavilion-opens-london-will-come-alive-when-it-rainsAD Editorial Team
One Wall Street, before and after. Images: left, Via Wikimedia in public domain; right, Courtesy of Hollwich Kushner
The New York Timesrecently reported that over 40% of the buildings on the island of Manhattan wouldn’t be granted construction permits in 2017. Most of the culprits date back to the early 20th century when attitudes towards density, ceiling heights, column placement, and general living standards were different. This begs the question: what would modern iterations of New York’s signature structures look like today? Billed by the practice as “an obsessive-compulsive study of the city we love” HWKN’s New(er) York is a peculiar experiment that tackles this hypothetical.
Stone is elemental to our built world. It is one of the oldest (if not the oldest) materials used in man-made habitats. The sense of timelessness in stone is attributed to its long and varied history alongside architecture. From ancient monoliths to cities to houses, the diversity of stone means that it can be used to convey a variety of expressions. Carved, polished, sedimented, stacked, preserved - the list can go on and on. The feeling stone conveys in contemporary projects usually brings with it a sense of place – a raw materiality when paired with timber or other natural materials. With that in mind, check out these 6 details of projects that stand out for their use of stone:
Powerhouse Company have won a competition to create a new mixed-use hub in Eindhoven, Netherlands. For the competition, Powerhouse teamed up with landscape architects ZUS and developer Amvest to design a trio of skyscrapers forming the winning proposal for a new urban plaza, called “District E”. The 70,000 square meter proposal will be located next to Eindhoven Station.
New York City’s fast-tracked Penn Station transformation project is moving forward, as Governor Andrew Cuomo has announced the closing of the $1.6 billion deal to redevelop a large section of the James A. Farley Post Office into the new “Moynihan Train Hall.”
The project will consist of a new 255,000-square-foot terminal for the Long Island Railroad and Amtrak, increasing Penn Station’s total concourse floor space by more than 50 percent, while an additional 700,000 square feet will be developed for commercial, retail and dining spaces to create a new mixed-use civic space for West Manhattan.
Located within the Yujiapu Pilot Free Trade Zone, the TianjinJuilliard School will become a center for performance, practice and research, and will welcome in the public with a series of communal spaces and interactive exhibitions focused on the creative process and performance of music. Upon completion, the campus will serve as an international hub for artists to learn and meet, as well as become the first performing arts institution in the country to offer a US-accredited master’s degree.
Foster + Partners has been selected as the winners of an international competition to design a new office tower for Sydney’s Circular Quay, steps away from the city’s harbor and iconic Opera House. Located between George and Pitt streets, the tower will serve as a centerpiece of the urban district’s reinvigorated masterplan, featuring a scheme characterized by its array of pedestrian pathways that cross through the site at multiple levels. Injecting life into the area, the laneways will be lined with retail shops, cafes and bars, helping Sydney maintain its identity as a unique cultural destination.
Had the worst jury ever? Failed your exams? Worry not! Before you fall on your bed and cry yourself to sleep—after posting a cute, frantic-looking selfie on Instagram, of course (hashtag so dead)—take a look at this list of nine celebrated architects, all of whom share a common trait. You might think that a shiny architecture degree is a requirement to be a successful architect; why else would you put yourself through so many years of architecture school? Well, while the title of "architect" may be protected in many countries, that doesn't mean you can't design amazing architecture—as demonstrated by these nine architects, who threw convention to the wind and took the road less traveled to architectural fame.
The Naomi Milhave Foundation have released OMA‘s first renders and drawings for their upcoming MPavilion which is set to take shape this fall in Melbourne, Austrailia. The counterpart to the Serpentine Gallery Pavilion in London, the MPavilion is now in its fourth year. Comprising static and dynamic elements, OMA’s proposal allows for multiple configurations that can generate unexpected programming, echoing the ideals of the typology of the amphitheater. Following the idea of the traditional amphitheater, OMA’s design will be “itself built to perform” as a space for public debate, design workshops, music and arts events.
Communicating ideas through imagery are central to the design process. In client presentations, site visits, or public exhibitions, we are required to represent important aspects clearly to the receiver, who is often not an architect. Furthermore, producing detailed architectural drawings can allow us to identify and modify certain aspects of the design.
Diagrams and charts, because of their non-spatial characteristics, are often neglected until the last moments of the design process, however, they can be a useful tool for analysis and organization. Taking the time to think and articulate these elements yield positive results, from understanding and organizing a design process to providing an unexpected change of idea.
In an effort to enhance the graphics and diagrams in architectural representation, check out this series of case studies to help you boost the visual, analytical, organizational power of your work.
As part of the second Bamboo Biennale held in October 2016, the city of Solo in Central Java received a public Bamboo Bridge courtesy of Indonesian Architects Without Borders (ASF-ID). Connecting the Pasar Gede market and colonial Dutch Vastenburg Fort, the 18-meter bamboo structure offers a revitalization of river life in the historic Indonesian city. Spanning across the Kali Pepe river, residents of Java can traverse the pedestrian bridge on its track that varies in width from 1.8 to 2.3 meters.
The international Prix Versailles Committee has announced the recipients of its annual awards celebrating built commercial architecture. The awards were held at the UNESCO World Headquarters, with recipients hailing from 6 regions around the world. Chaired by the Mayor of Versailles François de Mazières, the international jury included architects Manuelle Gautrand, Toyo Ito, Wang Shu, and acclaimed chef Guy Laroche.
The 12 World Titles are awarded in 4 top categories: stores, shopping malls, hotels and restaurants. The winners were selected from a diverse range of 70 regional winners already present in the ceremony.
A team of architects from Florence, Italy have won CAMBOO’s bamboo design competition showcasing the material for its strong and sustainable construction qualities. Held in Phnom Penh, Cambodia, the CAMBOO festival sought to find an innovative design for a landmark pavilion as a centerpiece during the event. Architects Roberto Bologna, Fernando Barth, Chiara Moretti and Denny Pagliai beat out 125 entries with their winning “Hyperbamboo” pavilion, which was chosen for its “intelligent and well thought out use of bamboo as a construction material.”
Charles Thornton, one of the world’s preeminent structural engineers, once said that the greatest challenge facing the profession of structural engineering is that “I don’t think we have enough self-esteem and enough confidence in ourselves to believe that what we do is so important... Architects are trained to present, to communicate, to sell, to promote themselves, to promote their industry, and to take credit for what they do.”
As a structural engineer with over a decade of experience, I agree with Mr. Thornton—to an extent.
First Prize: The Music Telescope / Lucia Filippini, Elisa Dellarossa & Tuana Yıldız. Image Courtesy of Bee Breeders
Bee Breeders have selected the winners of the Mango Vinyl Hub Competition, challenging entries to marry architecture, music, industry, and design in the repurposing of a decrepit tin foil factory in Cesis, Latvia. With a focus on the revival of the vinyl record industry, “successful projects temper the impulse of retrojecting nostalgic hallmark or tradition, through revitalization of purpose of an artifact and history of a bygone era.”
Here are the winning visions of the Mango Vinyl Hub:
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.jpg?1498061665 "© Foster + Partners")
.jpg?1498061654 "© Foster + Partners")
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_Malcolm_Reading_Consultants_and_Bjarke_Ingels_Group_(BIG).jpg?1497963815 "Bjarke Ingels Group (BIG) with JM Architects, WSP Parsons Brinckerho , GROSS.MAX., Charcoalblue, Speirs + Major, JLL, Alan Baxter and People Friendly. Image © Malcolm Reading Consultants / Bjarke Ingels Group (BIG)")
_Malcolm_Reading_Consultants_and_Adjaye_Associates.jpg?1497963803 "Adjaye Associates with Morgan McDonnell, BuroHappold Engineering, Plan A Consultants, JLL, Turley, Arup, Sandy Brown, Charcoalblue, AOC Archaeology, Studio LR, FMDC, Interserve and Thomas & Adamson. Image © Malcolm Reading Consultants / Adjaye Associates")
_Malcolm_Reading_Consultans_and_Page_Park_Architects.jpg?1497963875 "Page \ Park Architects, West 8 Landscape Architects and BuroHappold Engineering with Charcoalblue and Muir Smith Evans. Image © Malcolm Reading Consultants / Page \ Park Architects")
_Malcolm_Reading_Consultants_and_lanagan_Lawrence.jpg?1497964129 "Flanagan Lawrence with Gillespies, Expedition Engineering, JLL, Arup and Alan Baxter. Image © Malcolm Reading Consultants / Flanagan Lawrence")
_Malcolm_Reading_Consultants__William_Matthews_Associates_and_Sou_Fujimoto.jpg?1497964107)
.jpg?1497967188 "Serpentine Pavilion 2017, designed by Francis Kéré. Serpentine Gallery, London (23 June – 8 October 2017) © Kéré Architecture. Image © Iwan Baan")
