How to create animated GIFs using ARCHICAD
This year, we not only commemorate the 50 years of Frank Lloyd Wright’s death, but also the 50 years of the opening of one of his masterpieces: The Guggenheim Museum.
Last week we featured a Round Up of houses from the United States. So for you to start comparing different architecture at different places, we bring you our first Round Up of previously featured houses from Latin America.
NBBJ just revealed their latest design for UCLA’s Pauley Pavilion, slated to begin February 2010 and be completed just in time for the 2012-2013 basketball season. Upon UCLA’s decision to renovate the existing Pavilion due to its strong sentimental value, NBBJ’s design includes new lobby and concourse space, as well as new facilities for the athletes and additional seating for fans.
Project description and more images after the break.
Architects: MAD Location: Dubai, United Arab Emirates Director in Charge: Ma Yansong, Dang Qun Site Area: 4,392 sqm Constructed Area: 50,000 sqm Program: Office Headquarters Client: Al Rostamini Group Ltd Images: MAD
This is the second fourth time an architect receives this award, previously given to Oscar Niemeyer in 1989, Santiago Calatrava in 1999 and Franciscco Javier Sáenz de Oíza in 1993.
This villa is located in plot ORDOS project.
Architects: Slade Architecture Location: Ordos, Inner Mongolia, China Design year: 2008 Construction year: 2009-2010 Curator: Ai Weiwei, Beijing, China Client: Jiang Yuan Water Engineering Ltd, Inner Mongolia, China Constructed Area: 1,000 sqm aprox
Just in time to commemorate the 50 years of the death of Frank Lloyd Wright, LEGO released two of his master pieces on their architecture series: the Guggenheim Museum (who opened 50 years ago) and the Falling Water House.
An educational view on Architecture, 80s style (thanks Emilio!).
Our cities manifest very often a total absence of any visual project and present themselves to citizens and visitors as places full of incoherent signs, all to be deciphered, discovered and interpreted. “Più Design Può” points out the importance of visual communication as a formidable instrument in the determination of society’s participative processes.
Architects: Rojkind Arquitectos + BIG Location: Mexico City, Mexico Client: Patronato Tamayo Constructed Area: 3,500 sqm BIG Architects Partners in Charge: Bjarke Ingels & Andreas Klok Pedersen Project Team: Pauline Lavie, Maxime Enrico, Pål Arnulf Trodahl Rojkind Arquitectos Partner in Charge: Michel Rojkind Project Team: Agustín Pereyra, Monica Orozco, Ma. Fernanda Gómez, Tere Levy, Isaac Smeke, Juan José Barrios, Roberto Gil Will, Beatriz Díaz, Joe Tarr Structural Engineer: Romo y asociados Landscape Design: Entorno taller de paisaje Graphic Design: Ernesto Moncada Images: Glessner Group – Germán Glessner
Adam Kalkin’s Push Button House 1 demonstrates how industrial products can repurposed as architectural elements, or as entire homes. The Push Button House was originally displayed at Art Basel Miami in 2005, and uses a standard shipping container as the structure of a home.
Kalkin’s concept uses hydraulic power to lift and lower the sides of the shipping container, vastly expanding the usable living space. His design incorporates bedrooms, a bathroom, kitchenette, and living area. Though not actually viable for use as a home, Kalkin’s Push Button House is one of many shipping container concepts that utilize an object that might otherwise lie dormant.
Seen at SwipeLife. More images after the break.
ORDOS 100 is a development in Inner Mongolia that you might have heard of. It consist of one hundred 1000sqm villas designed by 100 hip architects in 100 days, selected by Herzog & de Meuron over a master plan developed and curated by Ai Wei Wei (FAKE Design). So now we bring you our first Round Up of the first ORDOS project’s featured on ArchDaily.
During the AIA Convention 2009 we had the chance to talk to different AEC software companies, to learn how they are helping architects. We decided to keep the conversation on the same interview format we have been using, so you can hear it straight from the developers.
As an architect, I have been involved/consulted on historic preservation proyects. Most of them never materialized, even after spending a lot of time/money between interested parties (government, institutions, communities). It´s Not that it was a waste of time, but after seeing what some communities are doing with almost no official support/money and just driven by their passion, it´s pretty much clear that it can be done in another way.
Let me show you an example: a group of architecture students from Universidad de Talca, in the south of Chile, decided to spend their summer working with a community in Lebu, an old city that was very active at the beginning of the last century thanks to coal mines nearby. Beautiful wooden buildings were erected during the bonanza, but once the coal mines started to shut down, the city lost its economic base and entered into recession until today. All of this beautiful buildings were endangered because of lack of maintenance, and as of today some of them have even been demolished.
So, these students decided to teach the community how to use Google SketchUp as a way to help them preserve their historic buildings. Being a free tool, all they had to go was to get a space and some computers. The local authorities helped them by providing a space for the workshops, and lots of people got interested on this program. They gathered old plans from the city hall and some historic archives, and each one of the 24 assistants to the workshop started to learn how to model in 3D using one of these historic buildings as a case study.
Romses Architects has designed “Harvest Green Project-02′ as a part of Vancouver ‘The 2030 Challenge’. Harvest Green Project is rooted in a concept that challenges the status quo of how energy and food is produced, delivered and sustained in our city, neighbourhoods, and individual single-family homes.
Taking cues from the citys eco-density charter, and in particular, it’s new laneway housing initiatives, the Harvest Green Project proposes to overlay a new ‘green energy and food web’ across the numerous residential neighborhoods and laneways within the city as these communities address future increased densification. The city’s laneways will be transformed into green energy and food conduits, or ‘green streets’, where energy and food is ‘harvested’ via proposed micro laneway live-work homes.
Seen at designboom. More images after the break.
Guedes was part of the legendary Team 10, often referred to as “Team X”, a group of architects and other invited participants who assembled starting in July 1953 at the 9th Congress of CIAM and created a schism within CIAM by challenging its doctrinare approach to urbanism.
Zaha Hadid Architects and french company Lacoste collaborated to design this exclusive footwear. Limited to 850 pairs, the boots will be released next July in three exclusive stores from Paris, London and Milan.
“Featuring a digitized version of Lacoste’s famous croc logo and a pliable, coiled strap system, the styles bring Hadid’s signature look to footwear for men (an ankle boot) and women (a calf boot).”
One more image after the break.
Snøhetta create a unified vision for Gambia’s higher level educational institutions with the new University of Gambia. The new university will relocate and unite three of Gambia’s existing formal institutions and one university in a single campus for 15,000 students. In addition to designing with the educational experience in mind, Snøhetta also want the project to set new environmental standards.
Part of this plan involves a solar park for generating energy, a waste management centre and locally done water harvesting. Because the masterplan for the university was previously undeveloped, there was no infrastructure, allowing the architects to re-invent the established western conventions. Snøhetta worked to develop a campus based on Gambian traditions in architecture and culture.
Seen at designboom. More images after the break.
Architects: Sadar Vuga Arhitekti (lead architect); KSS, London (consultant in sports architecture); MYSI, Tel Aviv (shopping centre concept); OFIS arhitekti, Ljubljana (architect shopping centre) Location: Ljubljana, Slovenia Landscape Architects: AKKA, Ljubljana Construction Engineering: Gradis; Atelier One, London Mechanical Engineering: Lenassi; Jelen & Zaveršnik Electrical Engineering: Elprojekt; UTRIS Fire Engineering: EKOsystem Client: Ljubljana City Municipality, Grep Project year: 2007 Site Area: 182,000 sqm Constructed Area: 460,720 sqm Photographs: Sadar Vuga
The Pavilion will initially appear as part of Tent London’s exhibit at the London Design Festival 2009 before taking up residence at The Lightbox as an annual summer pavilion and gallery space. The structure is to be engineered and constructed by Facit and funded by the Lightbox Museum’s £100,000 Art Fund Prize 2008.
More images and architect’s description after the break.
The Shanghai 2010 World Expo will without a doubt be a huge event. Countries from all around the world will show what they have to offer in gigantic pavillions built specially for the occasion. So we bring your our first Round Up of previously featured Shanghai Pavillions on ArchDaily.
While in LA we had the chance to visit Standard, a small firm doing residential and retail projects. We visited their Tree House, featured earlier on AD, where i was able to see for myself the minimalism found in their works. A simple work, but with lots of well executed details and spaces designed to benefit from the views and the shadow of the tree.
The practice was founded in 1996 by Jeffrey Allsbrook (M Arch USC, studies at the at the Städelschule in Frankurt, Germany and at the Berlage Institute in Amsterdam) and Silvia Kuhle (Architect Technische Universität Darmstadt, Germany, M Arch Columbia University).
Completed projects include residential, retail, educational, office and manufacturing spaces for a diverse clientele of artists, writers, filmmakers, clothing designers, educators and entrepreneurs in California, New York, Las Vegas, Paris and Mexico. While Standard continues to grow, its partners insist upon maintaining a practice that is rigorous and attentive. Direct accessibility and sustained dialogue between clients and the firm’s partners are viewed as essential to project success.
It was a very good talk, and i really liked their point of view on an central aspect of the profession: the clients.
The project, comissioned by Provast, includes an open air market, that due to new hygienic constraints of dutch laws has to be covered. It also includes 246 residences, that form an arc that covers the open market area.
This results on a 3,000sqm retail area, with a 1,600sqm catering area on the ground level and first floor, a 1,800sqm supermarket and an underground car park for 1,100 cars.
The interior face of the arc will be covered with LEDs for an ever changing interior. The front and backside are covered with a flexible suspended glass facade, allowing for maximum transparency and a minimum of structure.
This new icon for Rotterdam is expected to be completed in 2014. More images after the break.