Can architecture be built from food? Between the fire that warms, the smells that spread, and the bodies that gather around the table, the apparent banality of cooking and eating reveals itself as a choreographed dance of spatial appropriation and belonging. These gestures organize routines, produce bonds, and transform the built environment into lived place. The kitchen—domestic, communal, or urban—thus ceases to be merely a functional space and affirms itself as a territory of encounter.
Buildner is pleased to announce the results of its Architect's Chair Competition Edition 4, an annual international competition that invites architects and designers worldwide to submit designs for a signature chair. Following in the footsteps of iconic figures like Charles and Ray Eames, Ludwig Mies van der Rohe, Marcel Breuer, and Arne Jacobsen, participants are tasked with creating custom chairs that reflect their unique design philosophies and visions.
New renderings released by WEISS/MANFREDI reveal updated plans for the ongoing transformation of the La Brea Tar Pits in Los Angeles, a comprehensive redesign that integrates the museum, landscape, and active excavation areas into a continuous public and research-oriented campus. Alongside the design update, the Natural History Museums of Los Angeles County (NHM) has announced the creation of the Samuel Oschin Global Center for Ice Age Research, a new initiative supported by the Samuel Oschin Family Foundation, which advances the site's long-term redevelopment. The transformation project is led by WEISS/MANFREDI as design lead for the museum and park, with Gruen Associates serving as executive architect and landscape architect, and Kossmanndejong (KDJ) responsible for exhibition design. Fundraising efforts are ongoing, with the project positioned for completion ahead of the 2028 Olympic Games in Los Angeles.
The recently inaugurated exhibition matière en résonance ("resonant matter") brings together a wide range of models and a curated selection of photographs to present sauerbruch hutton's ongoing exploration of timber. The exhibition starts from the premise that while the age of concrete defined the twentieth century, the early twenty-first century has seen a worldwide resurgence of timber, a much older building material. Timber is presented as offering "a different version of modernity" and as the subject of renewed interest that reawakens long-standing collective imaginaries. Over more than two decades, the Berlin-based architecture practice has explored the possibilities of timber construction, from façade elements to load-bearing structures and modular systems. The exhibition reflects the results of this sustained investigation, reinforcing both technical innovation and the embodied qualities of timber across a diverse range of European contexts. The exhibition will be on view from 3 to 28 February 2026 at the Galerie d'Architecture de Paris.
Many of the spatial ideas we now associate with contemporary architecture, collective use, and bodily experience did not originate in buildings alone. In Latin America, these ideas were often explored first through art, at a moment when artists were actively questioning how space could be occupied, shared, and experienced beyond traditional forms.
During the mid-20th century, the region underwent rapid urbanization and profound social change. Architecture was increasingly expected to respond to public life, collectivity, and new ways of inhabiting space. At the same time, art offered a more flexible ground for experimentation, one less constrained by function, regulation, or permanence. As a result, many spatial questions were tested through artistic practices before becoming part of architectural thinking.
Designing an interior is, in many ways, an exercise in orchestration. Just as a conductor coordinates instruments, timbres, rhythms, and intensities to compose a coherent piece, the architect brings together materials, color, light, texture, and proportion to define the spatial quality and atmosphere of an environment. None of these decisions operates in isolation: the choice of a surface influences how light is reflected; a given material can shape how a room ages over time; color, in turn, directly affects the perception of scale.
Wood-based materials such as decorative particleboards, MDF boards or laminates can therefore be understood as more than simple finishes. Industrially produced, they combine decor selection, surface texture, and technical substrate, defining both their appearance and the way a space responds to use, light, and time. Factors such as dimensional stability, ease of maintenance, and resistance to wear become integral to design decisions, particularly in interiors subject to intensive use.
Cities around the world share a common goal: to become healthier and greener, supported by civic infrastructure that restores ecosystems and strengthens public life. The question is how to reach this. Global climate targets, local building codes, and municipal standards increasingly guide designers and planners toward better choices. Still, many cities struggle to translate these frameworks into everyday, street-level comfort and long-term ecological protection. What happens if the city is no longer treated as a traditional city, but as a national park?
National parks operate through systems of protection that treat land as a network of ecological relationships rather than a collection of isolated sites. They establish a shared baseline for what must be preserved, maintained, and made accessible over time. When this logic is applied to the urban environment, success can inspire pride and a sense of shared responsibility among designers, policymakers, and residents, fostering a collective commitment to health, habitat, and civic infrastructure.
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