Between the Andes, the coast, and the Amazon, Ecuador's architecture has evolved as a reflection of its layered geography, a place where climate, topography, and culture unite. Throughout the territory, architecture has been an act of adaptation: from vernacular traditions rooted in collective labor and local materials to the colonial and modernist influences that reshaped its cities. This diversity has produced distinct constructive systems, from bamboo and cane structures along the coast to earth and stone constructions in the Andes, forming an archive of adaptive design that continues to influence contemporary practice.
Yet in the past decade, Ecuadorian architecture has undergone a quiet but deep transformation. New academic programs and international references have encouraged a growing awareness of climate and social justice. Emerging architects are redefining practice through workshops, collective studios, and on-site experimentation that blurs the line between design and activism. No longer focused on architecture as an object, a new generation of architects is approaching design as a process. One focused on collaboration, sustainability, and cultural identity. Their questions have shifted the design language from what to build to with whom.
Frank Gehry, one of the most influential and widely recognized architects of the past six decades, has died at his home in Santa Monica at the age of 96. His chief of staff, Meaghan Lloyd, confirmed that the cause was a brief respiratory illness. Gehry's death marks the passing of a designer whose work transformed not only architectural culture but the global imagination of what a building could be.
For the past couple of years, the project curators at ArchDaily have been revisiting architectural works they believe deserve a deeper look. Through an Instagram post called "Project Review", the curators describe what they consider to be the work's main attribute(s). Delving into the project's stories and the elements that make them truly inspiring, they underline what might otherwise be overlooked initiatives and study them closely, with attention to locality and context. The result is an array of diverse works, often from rural or suburban areas that have a public function or historic significance.
While a couple of houses are listed, the majority of the reviews veer towards cultural centers, libraries, workspaces, or commercial settings. Another thing to note is the fact that many of these works ended up coming in from Asia, with a few key projects from rural China. The picks are quite diverse in materiality and design language; however, they all suggest innovative architectural solutions and captivating narratives.