The essential meaning of the project comes from a desire to empathize that there is no modernity without a good tradition. The studio’s approach was to create an imagery where architecture takes root in a site, and the site makes the architecture real. The house evolving from around the trees itself, places the built as no longer an independent object, but a medium to connect rough concrete and sandstone with soft trees, engaging a space capable of reacquainting the resident with an elusive intensity of feeling. The House of 49 Trees appears to be carved out of the trees, openly sharing the materials of its making- raw painted concrete and a vertex of red sandstone with steel slats meticulously organized to delineate itself, as if the façade has been pushed out of its form to create an additional layer. The unique trapezoidal shape of the land, with two street facing sides, called for a design that is at ease with seeing and being seen from all sides, as well as from the inside to the outside. Spatial design strategies envisaged around this trapezoid into large rooms with wedge shaped annexes that formed in the bathrooms adding an interesting design element to an otherwise mundane space.
View moreView full description