Diwan-i-Khas was the hall of special audience during the Mughal times. If we look at the image references that are available through miniature paintings of that era, we can infer from the typology for building design and construction. The structure presents itself as pavilion set against a wall. Often some tensile fabric system would serve as extensions to the pavilion. Le Corbusier’s Assembly Building in Chandigarh also creates a similar gesture towards the large plaza. The sickle shaped roof supported by concrete shear walls acts like the tensile extensions of the Mughal pavilions. Even though the program called out for a living room on the terrace for conducting business meetings and entertaining guests, the activities are very similar to what could have taken place in the Diwan-i-Khas. This pavilion opens out to a landscaped terrace in front. Hence the apt references for the design are the two pavilions from the 1960’s and the 1640’s. The form of the structure draws inspiration from the tensile fabric extensions as well as the oversized gutters of the Assembly Building.
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