After more than two decades of planning and development, the design for London’s Tottenham Court Road tube station by Hawkins\Brown has been revealed. Part of the Crossrail project and described as a “dream project” for the firm, the £375m upgrade will see a complete overhaul of the station’s interior and accessibility points.
In this video from Crane.tv, Roger Hawkins explains Hawkins\Brown’s collaborative design approach, identifying the project as an “opportunity to rework the space…as a plaza, as a public space, but fundamentally [as] an access site.” Hawkins\Brown has since been commissioned to upgrade the Liverpool Street and Bond Street tube stations.
The latest in a series of videos from Louisiana Channel sees Danish architect Bjarke Ingels of BIG dispensing wisdom for a new generation of architects. Speaking with characteristic zeal, Ingels advises young architects “to care, because if you don’t care, it doesn’t matter.” “We’re not here to build for other architects,” Ingels says, describing architecture as “fundamentally the art and science of accommodating life.”
Urging architects to understand the “dreams and desires and priorities” of the people for whom they are designing, Ingels discusses everything from Nietzsche’s hammer to the notion of the anthropocene, citing his time working for Rem Koolhaas and OMA as an “eye-opening” experience leading him to recognize that “architecture [isn't] like an autonomous art form happening just within its own terms, but [is] actually in direct dialogue with things going on in society.” Reflecting a playfulness idiosyncratic to Ingels and the work of BIG, the architect encourages “professional serial monogamy,” recommending that students “fall in love with the work of an architect and dive really deep into that.”
In this installment of the Louisiana Channel, world-renowned architect Steven Holl discusses his philosophy on organic architecture and its ability to generate a specific experience. “I believe architecture is an art, that it changes peoples’ lives, and I think that’s what architecture has the potential to do,” Holl remarks.
Contemplating the relationship of people and place, Holl likens architecture’s capacity to inspire an experience to that of music, claiming the phenomenon evoked by a space needs no conceptual explanation, just as music inspires the listener without any back-story. His work, which is carefully crafted from the inside out and is unique to each site, reflects his attitude that “the soul has more need for the ideal than the real.”
In the latest video from Crane.tv, architectural journalist and planner Peter Murray ruminates on the benefits of integrating cycling into the urban fabric of the world’s biggest cities. “For the last half century, we’ve bowed down to the god of the motor car and have destroyed cities across the UK,” says Murray, Chairman of New London Architecture and the London Society. Murray and his team at New London Architecture are charged with analyzing and advocating for the improvement of London’s Built environment, acting as advisors to Mayor Boris Johnson on an array of projects including the overhaul of cycling infrastructure in the city.
Murray discusses his foray into cycling around the world, most recently from Portland, Oregon, to Portland Place in London, via New York City. Through his adventures in cycling across the United States and Europe, Murray has gained insight into best practices with an eye towards implementation in London. Inspired by Dutch cycling infrastructure, “Mini Hollands” are London’s latest project, spearheaded by the NLA and executed under a major redevelopment of London’s bicycle infrastructure, designed to create entire communities where bicycles rule the roads and vehicles are a thing of the past.
In this video from Zumtobel Group, Jan Wurm of Arup Deutschland GmbH and Lukas Verlage, CEO of Colt International GmbH, discuss the unique technological developments in “Solarleaf,” which recently won first prize in the Zumtobel Group Award’s Applied Innovations category. In addition to functioning as an effective shading system, this façade system uses solar panels to produce energy from algae to provide a new source of sustainable energy.
How does contemporary architecture differ around the world and what causes these differences? In this video of a discussion between Rem Koolhaas and Nest C.E.O Tony Fadell at Vanity Fair’s New Establishment Summit, Koolhaas gives some interesting insights into his experience with decision-makers around the world. Watch the video above and read Vanity Fair’s full article here to learn more about this seldom-considered factor in building design.
In this video, Raul Pantaleo, co-founder of Italian practice Studio Tamassociati, discusses the award-winning Port Sudan Paediatric Centre, which recently won first prize in the Zumtobel Group Award’s Buildings category. The remote clinic was commissioned by the NGO “Emergency” and is one of the few facilities to provide free care for children in the region.
Santiago-based architect Alejandro Aravena of Elemental discusses the sustainable reconstruction of Constitución in Chile following a devastating earthquake in 2010. Given just 100 days to design a resilient masterplan, capable of protecting the city against future natural disasters, Elemental implemented a natural solution: planting a forest that would protect the city from future floods. The design has since receive international recognition, most recently being awarded first prize in the Zumtobel Group Award’s Urban Development & Initiatives category.
In this video from the Louisiana Museum of Modern Art‘s Lousiana Channel, three acclaimed writers – Sjón, James McBride and Daniel Kehlmann – talk about their experience of Olafur Eliasson’s Indoor Riverbed at the Danish museum. Sjón describes how he felt when he saw 180 tons of rock from his home country of Iceland filling the room, saying “It was like a moment in a dream, when you enter a room and something is not right, but familiar.”
The writers reflect on the role of art itself, as Sjón states ”If art is to give answers at all, it should be confusing answers.” Watch the full video to learn more about how the installation impacts its viewers and successfully blurs the lines between art and nature.
The highly anticipated 3D film series Cathedrals of Culture has now opened around the world. Directed by Wim Wenders and a team of five other acclaimed directors (Robert Redford, Michael Glawogger, Michael Madsen, Margreth Olin and Karim Aïnouz), the collection – according to The Guardian’s Oliver Wainwright - “feels more like a series of vapid promotional videos.” Arguing that in most of the films (with the exception of Michael Madsen’s) the narrative is lost in favour of cinematic shots, “Cathedrals of Culture presents a limited and internalised view of what architecture is, a fault perhaps driven by the obsession with the 3D camera. [...] It has a self-satisfied, sometimes cultish, air that makes you feel like you’re taking part in some collective brainwashing exercise.” Wainwright concludes that Living Architectures is the best place to go. See some of their films featured in ArchDaily’s 40 Architecture Docs to Watch in 2014.
In their sixth Beyond the Building video, “Design That Heals,” MASS Design Group explores how architects can improve the lives and health of people everywhere. The video reveals how the work of MASS operates on various scales from everything to designing better furniture to influencing national policies. Their approach to humanitarian architecture begins by empowering the local community to take ownership of new projects, and in turn, bring about significant improvements in the quality of life in places that have previously been overlooked.
For example, talking about MASS Design Group‘s Butaro Hospital, Rwanda‘s Minister for Health Dr. Agnes Binagwaho says: “There’s this idea of equity to put a hospital, state of the art, in the middle of nowhere. It was not nowhere for everybody, because there are 300,000 people living there.” Watch the video above and get involved in the conversation on how architecture can go #beyondthebuilding.
The walls of Oakland’s City Hall transcended their usual purpose during the city’s 2014 Art+Soul festival, becoming the stage for a beautifully choreographed dance by aerial dance company Bandaloop. Filmed with a GoPro, “Waltz on The Walls of City Hall” captures Bandaloop dancers Amelia Rudolph and Roel Seeber as they take dancing to new heights (literally).
Founded in 1991, the Bandaloop dance company is known for their vertical choreography and they have performed on skyscrapers, in atriums and in locations as diverse as Seattle’s Space Needle and the wall of the Ed Sullivan Theater in New York. Watch the video above as the dancers gracefully twirl, jump and glide on the side of the 320-foot City Hall building. Visit the Bandaloop website for more information on the dance team.
“Architecture is much more than art. And it is by far more than just building buildings” says award winning Burkina Faso architect Diébédo Francis Kéré. In the latest video from Louisiana Channel, Berlin-based Francis Kéré deliberates on the purpose of architecture in a changing society and the influence exerted by his home nation, Burkina Faso. For Kéré, context and medium are key: ”I try to use local material: mostly clay and wood, to create buildings that are modern,” he says. Kéré’s clay modernism represents a new Burkina Faso, using natural and renewable materials as shown in School Library Gando. ”If we build with clay we will have a better future, because we will use the resources we have,” he adds.
“My people are proud, and that can deliver a lot of energy,” says Kéré, optimistic for the future of architecture in Burkina Faso. Watch the video above to find out more about Kéré’s approach to his European-based African practice, and read on after the break for ArchDaily’s own Interview with Kéré from July.