In the latest video from Crane.tv, architectural journalist and planner Peter Murray ruminates on the benefits of integrating cycling into the urban fabric of the world’s biggest cities. “For the last half century, we’ve bowed down to the god of the motor car and have destroyed cities across the UK,” says Murray, Chairman of New London Architecture and the London Society. Murray and his team at New London Architecture are charged with analyzing and advocating for the improvement of London’s Built environment, acting as advisors to Mayor Boris Johnson on an array of projects including the overhaul of cycling infrastructure in the city.
Murray discusses his foray into cycling around the world, most recently from Portland, Oregon, to Portland Place in London, via New York City. Through his adventures in cycling across the United States and Europe, Murray has gained insight into best practices with an eye towards implementation in London. Inspired by Dutch cycling infrastructure, “Mini Hollands” are London’s latest project, spearheaded by the NLA and executed under a major redevelopment of London’s bicycle infrastructure, designed to create entire communities where bicycles rule the roads and vehicles are a thing of the past.
In this video from Zumtobel Group, Jan Wurm of Arup Deutschland GmbH and Lukas Verlage, CEO of Colt International GmbH, discuss the unique technological developments in “Solarleaf,” which recently won first prize in the Zumtobel Group Award’s Applied Innovations category. In addition to functioning as an effective shading system, this façade system uses solar panels to produce energy from algae to provide a new source of sustainable energy.
How does contemporary architecture differ around the world and what causes these differences? In this video of a discussion between Rem Koolhaas and Nest C.E.O Tony Fadell at Vanity Fair’s New Establishment Summit, Koolhaas gives some interesting insights into his experience with decision-makers around the world. Watch the video above and read Vanity Fair’s full article here to learn more about this seldom-considered factor in building design.
In this video, Raul Pantaleo, co-founder of Italian practice Studio Tamassociati, discusses the award-winning Port Sudan Paediatric Centre, which recently won first prize in the Zumtobel Group Award’s Buildings category. The remote clinic was commissioned by the NGO “Emergency” and is one of the few facilities to provide free care for children in the region.
Santiago-based architect Alejandro Aravena of Elemental discusses the sustainable reconstruction of Constitución in Chile following a devastating earthquake in 2010. Given just 100 days to design a resilient masterplan, capable of protecting the city against future natural disasters, Elemental implemented a natural solution: planting a forest that would protect the city from future floods. The design has since receive international recognition, most recently being awarded first prize in the Zumtobel Group Award’s Urban Development & Initiatives category.
In this video from the Louisiana Museum of Modern Art‘s Lousiana Channel, three acclaimed writers – Sjón, James McBride and Daniel Kehlmann – talk about their experience of Olafur Eliasson’s Indoor Riverbed at the Danish museum. Sjón describes how he felt when he saw 180 tons of rock from his home country of Iceland filling the room, saying “It was like a moment in a dream, when you enter a room and something is not right, but familiar.”
The writers reflect on the role of art itself, as Sjón states ”If art is to give answers at all, it should be confusing answers.” Watch the full video to learn more about how the installation impacts its viewers and successfully blurs the lines between art and nature.
The highly anticipated 3D film series Cathedrals of Culture has now opened around the world. Directed by Wim Wenders and a team of five other acclaimed directors (Robert Redford, Michael Glawogger, Michael Madsen, Margreth Olin and Karim Aïnouz), the collection – according to The Guardian’s Oliver Wainwright - “feels more like a series of vapid promotional videos.” Arguing that in most of the films (with the exception of Michael Madsen’s) the narrative is lost in favour of cinematic shots, “Cathedrals of Culture presents a limited and internalised view of what architecture is, a fault perhaps driven by the obsession with the 3D camera. [...] It has a self-satisfied, sometimes cultish, air that makes you feel like you’re taking part in some collective brainwashing exercise.” Wainwright concludes that Living Architectures is the best place to go. See some of their films featured in ArchDaily’s 40 Architecture Docs to Watch in 2014.
In their sixth Beyond the Building video, “Design That Heals,” MASS Design Group explores how architects can improve the lives and health of people everywhere. The video reveals how the work of MASS operates on various scales from everything to designing better furniture to influencing national policies. Their approach to humanitarian architecture begins by empowering the local community to take ownership of new projects, and in turn, bring about significant improvements in the quality of life in places that have previously been overlooked.
For example, talking about MASS Design Group‘s Butaro Hospital, Rwanda‘s Minister for Health Dr. Agnes Binagwaho says: “There’s this idea of equity to put a hospital, state of the art, in the middle of nowhere. It was not nowhere for everybody, because there are 300,000 people living there.” Watch the video above and get involved in the conversation on how architecture can go #beyondthebuilding.
The walls of Oakland’s City Hall transcended their usual purpose during the city’s 2014 Art+Soul festival, becoming the stage for a beautifully choreographed dance by aerial dance company Bandaloop. Filmed with a GoPro, “Waltz on The Walls of City Hall” captures Bandaloop dancers Amelia Rudolph and Roel Seeber as they take dancing to new heights (literally).
Founded in 1991, the Bandaloop dance company is known for their vertical choreography and they have performed on skyscrapers, in atriums and in locations as diverse as Seattle’s Space Needle and the wall of the Ed Sullivan Theater in New York. Watch the video above as the dancers gracefully twirl, jump and glide on the side of the 320-foot City Hall building. Visit the Bandaloop website for more information on the dance team.
“Architecture is much more than art. And it is by far more than just building buildings” says award winning Burkina Faso architect Diébédo Francis Kéré. In the latest video from Louisiana Channel, Berlin-based Francis Kéré deliberates on the purpose of architecture in a changing society and the influence exerted by his home nation, Burkina Faso. For Kéré, context and medium are key: ”I try to use local material: mostly clay and wood, to create buildings that are modern,” he says. Kéré’s clay modernism represents a new Burkina Faso, using natural and renewable materials as shown in School Library Gando. ”If we build with clay we will have a better future, because we will use the resources we have,” he adds.
“My people are proud, and that can deliver a lot of energy,” says Kéré, optimistic for the future of architecture in Burkina Faso. Watch the video above to find out more about Kéré’s approach to his European-based African practice, and read on after the break for ArchDaily’s own Interview with Kéré from July.
MAD Architects‘ “Silhouette Shanshui” – which lies somewhere between an installation and a model – is currently on display at the 14th Venice Biennale. The inspiration for the project is the firm’s Nanjing Zendai Himalayas Center, a master plan with an overall area of 560,000 sqm that challenges how modern development is typically thought of in China. According to Ma Yansong, the founder of MAD Architects, the city-scale urban project is already underway with 13 towers under construction.
Have you ever wondered what a thought might look like traveling through your brain? In a recent installation in Moscow‘s Nikola-Lenivets park, media design firm Radugadesign animated the inner workings of the human brain with an innovative video projection. Universal Mind, a sculptural installation by artist Nikolay Polissky, serves as the immobile backdrop for the elaborate video mapping project. Over the course of nearly eight minutes, Polissky’s brain-like sculpture explodes into a maelstrom of light and sound, with carefully curated streams of energetic colour interspersed with dark scenes of manufactured glimmering starlight.
The New Media Night Festival orchestrated the installation on July 5th with over five thousand in attendance across the three-day festival. Nikola-Lenivets park is home to 28 different public sculptural installations.
Imagine yourself standing at a glowing threshold between reality and make believe, watching as mythical creatures dash across trees and into other dimensions. Imagine a world where the glimmer of fairies is reflected on a forest floor illuminated by trees of all colours; a world where a sea of stars transforms into an imaginary wolf, standing sentinel over its fairy tale universe. This enchanted world exists, thanks to the creatives at Moment Factory. In their Foresta Lumina video mapping project, they create a narrative installation set in the mysterious backwoods of Quebec, Canada. Find out how they add a little fantasy to ordinary reality after the break.