The new exhibition space Rooms for Glass (Le Stanze del Vetro) in Italy, designed by Selldorf Architects, will open this summer in August 2012. The first exhibit to inaugurate the space will be Carlo Scarpa. Venini 1932–1947, a collection of over 300 glassworks by architect Carlo Scarpa. The exhibit will run until November 29, 2012, after which Rooms for Glass will continue showcasing the art of Venetian glassmaking in the 20th century with other exhibits.
Read on for more after the break.
Denton Corker Marshall recently won an international design competition to design the new Australian pavilion in Venice’s Giardini della Biennale, the heart of the prestigious Venice Biennale events. The new pavilion will be the first of the 21st century contributions to the Giardini, which is undergoing revitalisation by the Venice Biennale. It will replace Australia’s current pavilion, designed as a temporary structure by Philip Cox in 1988. Within a footprint of approximately 320m2, the two-level pavilion will provide a new flexible and adaptable exhibition space to showcase Australian visual arts and architecture to international audiences at annual biennales. More images and architects’ description after the break.
Representing the future development of Venice, the LINK Solar Power Skyscraper aims to provide the geographic area of the laguna of Venice with a new landmark: a link between architecture and urbanism, between the ancient city of Venice and the industrial area named Marghera. A link between function and emotion. Designed by LED Architecture Studio, the project is an architecture-infrastructure, a crucial urban development responding to the present and future needs of this locality. More images and architects’ description after the break.
This video reveals the first statement by director David Chipperfield and president Paolo Baratta regarding the 13th International Venice Biennale. With “Common Ground” as the underlying theme, Chipperfield encourages participants not to promote themselves, as if in a theater, but rather promote a dialogue that will begin the “chemical process” that will ultimately lead to finding connections between “things, people and influences”. Chipperfield highlights that the Venice Biennale is about “what is not private, but what is common.”
The architecture exhibition will open to the public August 29th, 2012.
David Chipperfield announces “Common Ground” as the theme for the 13th International Venice Biennale
Today, the President of the Biennale di Venezia, Paolo Baratta, and the 13th International Architecture Exhibition Director, David Chipperfield, met at Ca’Giustinian with the representatives of the 41 countries participating in the exhibition, including representatives of Kosovo, Kuwait and Peru for the first time. David Chipperfield announced the theme of this year’s Biennale is to be Common Ground. Continue reading for more information.
David Chipperfield states, “I want this Biennale to celebrate a vital, interconnected architectural culture, and pose questions about the intellectual and physical territories that it shares. In the methods of selection of participants, my Biennale will encourage the collaboration and dialogue that I believe is at the heart of architecture, and the title will also serve as a metaphor for architecture’s field of activity.”
Continue reading for more.
‘Migrating Landscapes’ has been selected to represent Canada at the 2012 Venice Biennale in Architecture. The project will examine how Canadians express their diverse cultural memories in the way they live and build. ‘Migrating Landscapes’ will be presented by 5468796 Architecture Inc. and Jae-Sung Chon, both of Winnipeg, who joined together to create a new entity: Migrating Landscapes Organizer (MLO). More project description after the break.
British architect, David Chipperfield, will curate the 2012 Venice Architecture Biennale. Chipperfield will have only eight months to decide on a theme and prepare to curate the world’s largest architecture exhibition. He will become the first British architect to curate the event.
The newly appointed dean of architecture at the RCA, Alex de Rijke stated, “Someone of his intellectual calibre will rise to the challenge,” he said. “He’s not going to use it as an opportunity to promote his own architecture. He is going to frame an issue, treat it as research and ask people to contribute.”
Architects: C+S Associati / Carlo Cappai, Maria Alessandra Segantini
Location: Venice, Italy
Client: Magistrato alle Acque di Venezia tramite il suo concessionario Consorzio Venezia
General Design, Structures and Installations: Thetis S.p.A.
Site Supervision: Giovanni Zarotti, Thetis S.p.A.
Project Year: 2011
Photographs: Pietro Savorelli
Bottega di Archiettura Metropolitana aka BAM! recently won a Bjarke Ingalls-judged urban design competition for proposing to deal with the Venice, Italy’s rising water problem… with giant concrete bowl islands!
Sure, the scheme neither addresses how the existing city should retrofit itself nor does it work out some key technical concerns–how does one move from one bowl to another? what happens when the bowls fill with water?–but with renderings so incredibly beautiful why besmirch oneself with such trivialities?
Read more at FastCo. Design
Venice is commonly regarded as one of the wonders of the world, attracting over 17 million tourists each year. However, the city of Venice faces ongoing problems that threaten its ability to stay above water. The city’s flooding issues are notorious around the world. Every year water surges through its legendary labyrinth of streets wreaking havoc on architectural gems such as the Palazzo San Marco. With its architecture under threat, and dwindling population as many young people flock to the mainland, it is appropriate to think of Venice as a dying relic.