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Curators Reveal Theme for Inaugural Baltic Pavilion at 2016 Venice Biennale

04:30 - 25 February, 2016
Curators Reveal Theme for Inaugural Baltic Pavilion at 2016 Venice Biennale, Lasnamae – Tallinn, 2016. Image © David Grandorge
Lasnamae – Tallinn, 2016. Image © David Grandorge

The Baltic Pavilion at the 2016 Venice Biennale, representing Estonia, Latvia and Lithuania, will explore the "transformative efforts at play" that are currently "reprogramming an inert region beyond the delineations of separate nation states." It "intends to explore the built environment of the Baltic States as a shared space of ideas." Located in Enrichetto Capuzzo's Palasport Arsenale Giobatta Gianquinto, a Brutalist architecture sports hall located next to the Arsenale, the exhibition will also be accompanied by a series of related events that will be presented in the form of a cross-section through Baltic space unfolding as "a non-linear stratigraphy."

Alejandro Aravena Reveals More Details About the 2016 Venice Biennale, "Reporting From the Front"

08:20 - 22 February, 2016
Alejandro Aravena Reveals More Details About the 2016 Venice Biennale, "Reporting From the Front", Courtesy of La Biennale
Courtesy of La Biennale

The 2016 Venice Architecture Biennale, directed this year by Alejandro Aravena, have revealed more information about the central exhibition and associated projects which will be on display at a press conference today in Venice. According to La Biennale, 'Reporting from the Front' will form one single show spanning the venues of the Arsenale and the Central Pavilion in the Giardini, featuring work from 88 participants from 37 countries. Of these, 50 will be presenting work for the first time and 33 are architects under the age of 40. "Reporting from the Front" will share work from Architects tackling issues relating to segregation, inequality, suburbia, sanitation, natural disasters, the housing shortage, migration, crime, traffic , waste, pollution, and community participation.

Nine Projects to be Highlighted in 'In Therapy', the Nordic Contribution to the 2016 Venice Biennale

04:00 - 19 February, 2016
Nine Projects to be Highlighted in 'In Therapy', the Nordic Contribution to the 2016 Venice Biennale, RRA's National Tourist Route in Trollstigen is among nine selected projects which will be displayed in-depth. Image via RRA
RRA's National Tourist Route in Trollstigen is among nine selected projects which will be displayed in-depth. Image via RRA

The Swedish Centre for Architecture and Design (ArkDes) have revealed that In Therapy: Nordic Countries Face to Face—the exhibition for the Nordic Pavilion at the 2016 Venice Biennale, curated by David Basulto—will partly comprise "a contemporary survey of Nordic architecture." 300 projects, drawn from over 500 submissions to a recent open call, will be complemented by an in-depth study of nine projects completed post-2008 by practices including Tham & Videgård, Reiulf Ramstad Architects, and Lahdelma & Mahlamäki.

"Just as Sverre Fehn’s pavilion is a crystallisation of Nordic architecture—embodying a precise and fluid articulation of structure, light, and nature—the nine we have chosen to focus in on as particularly representative of the contemporary scene have a similar gravitas and complexity – but with their own distinct identities" says Basulto, who has made the selection alongside James Taylor-Foster, Assistant Curator.

Tree Hotel / Tham & Videgård (Harads, Sweden). Image © Lindman Photography Finnish Nature Centre /Lahdelma & Mahlamäki Architects (Haltia, Finland). Image © Mika Huisman Puukuokka Housing Block / OOPEAA Office for Peripheral Architecture (Jyväskylä, Finland). Image © Mikko Auerniitty Råå Daycare Center / Dorte Mandrup (Kustgaten, Sweden). Image © Adam Mørk +12

AD Classics: Palazzo Santa Sofia / The Ca d’Oro

05:00 - 15 February, 2016
AD Classics: Palazzo Santa Sofia / The Ca d’Oro, The Ca d'Oro from the Grand Canal. Image © Wolfgang Moroder
The Ca d'Oro from the Grand Canal. Image © Wolfgang Moroder

Sitting on the northern bank of Venice's Grand Canal is a great house whose ornately carved marble facade only hints at its original splendor. The Palazzo Santa Sofia—or the Ca D’Oro (House of Gold), as it is also known—is one of the most notable examples of late Venetian Gothic architecture, which combined the existing threads of Gothic, Moorish, and Byzantine architecture into a unique aesthetic that symbolized the Venetian Republic’s cosmopolitan mercantile empire. Built to serve as the grand residence of wealthy Venetian businessman and politician Marin Contarini, the palazzo has seen a number of owners and renovations over its lifetime before ultimately coming to serve as a museum for medieval painting and sculpture.[1]

© Jean-Pierre Dalbera Image of the Ca d'Oro via shutterstock.com. Image via Shutterstock user InavanHateren Courtesy of Wikimedia user Madpack Courtesy of Wikimedia user Godromil +10

Boris Brorman Jensen and Kristoffer Lindhardt Weiss to Curate Danish Pavilion at 2016 Venice Biennale

04:00 - 3 February, 2016
Boris Brorman Jensen and Kristoffer Lindhardt Weiss to Curate Danish Pavilion at 2016 Venice Biennale, Curators of the Danish Pavilion at the 2016 Venice Biennale. Image © Stamers Kontor
Curators of the Danish Pavilion at the 2016 Venice Biennale. Image © Stamers Kontor

Boris Brorman Jensen and philosopher Kristoffer Lindhardt Weiss have been appointed to curate the Danish contribution to the 2016 Venice Biennale. Their exhibition will centre on the theme of 'humanism', a "central leitmotif in Danish architecture," which "promotes a sense of community and expresses civic pride." Although it is top of the agenda, they state that "there is not much agreement on how, when and by what means this 'humanistic architecture' should be realised."

Residential Building Refurbishment / Studio Macola

02:00 - 23 December, 2015
Residential Building Refurbishment / Studio Macola, © Marco Zanta
© Marco Zanta

© Marco Zanta © Marco Zanta © Marco Zanta © Marco Zanta +35

  • Architects

  • Location

    Murano, 30141 Venice, Italy
  • Area

    3950.0 sqm
  • Project Year

    2015
  • Photographs

New LEGO® Collection Lets You Recreate Skylines

12:00 - 11 December, 2015
New York City. Image © LEGO®
New York City. Image © LEGO®

Venice, Berlin and New York City are the first to be featured in LEGO®'s new Architecture Skyline Collection. Unlike its single-building series, these new kits will allow you to recreate famous skylines by constructing up to 5 of each city's most iconic buildings. 

New York City's skyline will be represented by the One World Trade Center, Empire State Building, Chrysler Building, Statue of Liberty, and Flatiron Building. Venice will feature the Rialto Bridge, St. Mark’s Basilica, St. Mark’s Campanile, St. Theodore and the Winged Lion of St. Mark, and the Bridge of Sighs. And Berlin's skyline will include the Reichstag, Victory Column, Deutsche Bahn Tower, Berlin TV Tower, and Brandenburg Gate.

BORDERS 2016 Festival

07:17 - 3 December, 2015
BORDERS 2016 Festival

BORDERS festival, curated by Luca Curci and Andrea Chinellato, will be presented in Venice at Palazzo Ca’ Zanardi, Venice Art House, and other prestigious venues and historical buildings, in the months between May and November 2016, in the same period of the 15th Venice Architecture Biennale. BORDERS consists of 3 main events, BODIES + CITIES SKIN, FRAGMENTED IDENTITIES, FUTURE LANDSCAPES, the Experimental Festival Exhibitions and the Venice Architecture Academy.
For more information about BORDERS FESTIVAL contact us: lucacurci@lucacurci.com

David Adjaye’s Temporary Museum Hosts "All the World's Future's" at Venice's 56th International Art Exhibition

07:00 - 15 May, 2015
David Adjaye’s Temporary Museum Hosts "All the World's Future's" at Venice's 56th International Art Exhibition, Courtesy of Adjaye Associates
Courtesy of Adjaye Associates

A temporary pavilion designed by London-based firm Adjaye Associates is housing a selection of works for the 56th International Art Exhibition, "All the World's Futures," in Venice. Curated by Okwui Enwezor, the exhibition explores the numerous ways in which art can be experienced in "an unfolding of typologies." Adjaye Associate's temporary museum seeks to parallel Enwezor's curatorial vision, and is nestled within a 316-meter-long, 16th-century ship-building warehouse in the Arsenale district.

Courtesy of Adjaye Associates Courtesy of Adjaye Associates Courtesy of Adjaye Associates Courtesy of Adjaye Associates +8

Denton Corker Marshall Completes New Australian Pavilion in Venice

16:00 - 12 April, 2015
Denton Corker Marshall Completes New Australian Pavilion in Venice, © John Gollings
© John Gollings

Australia’s new pavilion for the Venice Biennale has been officially completed by the Australia Council for the Arts. Designed by Australian practice Denton Corker Marshall, the granite-clad building is the first pavilion to be built in Venice in the 21st century, and replaces Philip Cox’s 1988 structure. The pavilion is to welcome its first visitors from May 9, as part of the 56th International Art Exhibition, with the work of artist Fiona Hall comprising its inaugural exhibition.

Learn more about the pavilion and view selected images after the break.

© John Gollings © John Gollings © John Gollings © John Gollings +8

FAT And Crimson's 'A Clockwork Jerusalem' To Be Exhibited In London

04:00 - 10 April, 2015
FAT And Crimson's 'A Clockwork Jerusalem' To Be Exhibited In London, Electric Pastoral. Image © FAT Architecture / Sam Jacob
Electric Pastoral. Image © FAT Architecture / Sam Jacob

A Clockwork Jerusalem, the exhibition showcased in the British Pavilion at last year's Venice Biennale, will make it's UK debut at London's Architectural Association (AA) next month. Commissioned by the British Council and curated by Sam Jacob, co-founder of FAT, and , partner at Dutch practice Crimson Architectural Historians, the exhibition shines a light on the large scale projects of the 1950’s, 60’s and 70’s by exploring the "mature flowering of British Modernism at the moment it was at its most socially, politically and architecturally ambitious - but also the moment that witnessed its collapse."

The Architecture Of Death

04:00 - 8 April, 2015

At the 2014 Venice Biennale, away from the concentrated activity of the Arsenale and Giardini, was Death in Venice: one of the few independent projects to take root that year. The exhibition was curated by Alison Killing and Ania Molenda, who worked alongside LUST graphic designers. It saw the hospitals, cemeteries, crematoria and hospices of London interactively mapped creating, as Gian Luca Amadei put it, an overview of the capital's "micro-networks of death." Yet it also revealed a larger message: that architecture related to death and dying appears to no longer be important to the development of architecture as a discipline.

© A. Molenda © A. Molenda © A. Molenda © A. Molenda +10

Architecture Documentaries To Watch In 2015

09:00 - 8 March, 2015
Architecture Documentaries To Watch In 2015, Microtopia (2013) / Jesper Wachtmeister
Microtopia (2013) / Jesper Wachtmeister

Following our top 40 Architecture Docs to Watch in 2014 and our favourite 30 Architecture Docs to Watch in 2013, 2015 is no exception! Our latest round up continues to feature a fantastic range of films and documentaries telling the tales of unsung architectural heroes and unheard urban narratives from around the world. This entirely fresh selection looks past the panoply of stars to bring you more of the best architectural documentaries which will provoke, intrigue and beguile.

From a film which explores one man's dream to build a cathedral (#4) and a simultaneous history of and vision of Rotterdam's future (#7), to a tour of the world's last surviving squatter town in Copenhagen (#14) and A Short History of Abandoned Sets in Morocco (#16), we present - in no particular order - thirty freshly picked documentaries for you to watch in 2015.

Elements of Venice

01:00 - 13 February, 2015
Elements of Venice, Courtesy of Lars Müller Publishers
Courtesy of Lars Müller Publishers

The following is an excerpt from Giulia Foscari's Elements of Venice, a book that applies the dissection strategy Rem Koolhaas explored in "Elements of Architecture” at this year's Venice Biennale. The book aims to demystify the notion that Venice has remained unchanged throughout its history and addresses contemporary issues along with strictly historical considerations. Read on for a preview of Elements of Venice, including Rem Koolhaas' introduction to the book. 

Denton Corker Marshall's Australian Pavilion to Debut at the 56th Venice Biennale

00:00 - 29 January, 2015
Denton Corker Marshall's Australian Pavilion to Debut at the 56th Venice Biennale, © Denton Corker Marshall
© Denton Corker Marshall

The first building to be constructed in Venice in the past two decades, Denton Corker Marshall's Australian Pavilion will welcome its first visitors on May 9, as part of the 56th Venice Biennale. 

The 2014 Venice Biennale, Socially Ranked

00:00 - 28 November, 2014
The 2014 Venice Biennale, Socially Ranked, Monolith Controversies / Chilean Pavilion (Venice 2014). Image © Nico Saieh
Monolith Controversies / Chilean Pavilion (Venice 2014). Image © Nico Saieh

At a time when everyone is constantly interacting with the digital social universe, it's becoming increasingly easier to gather informal data on how well received, recommended, liked (or disliked) an event or exhibition is. Compiled as a series of diagrams for DomusMaria Novozhilova examines the 'social ranking' of the 2014 Venice Biennale by dissecting the three core exhibitions (Fundamentals, Monditalia and Absorbing Modernity) and revealing the apparent 'winners and losers' as far as social engagement is concerned. Noting that "it is only by starting from the end and working backwards, like a salmon swimming against the current, that we can see more exhaustively how things went,", Novozhilova's visualisations reveal a number of fascinating results. See all the diagrams here.

Reflections on the 2014 Venice Biennale

01:00 - 18 November, 2014
Reflections on the 2014 Venice Biennale, Fundamentals (Central Pavilion): Ceiling. Image © David Levene
Fundamentals (Central Pavilion): Ceiling. Image © David Levene

Fundamentals, the title of the 2014 Venice Biennale, will close its doors in a matter of days (on the 23rd November). From the moment Rem Koolhaas revealed the title for this year’s Biennale in January 2013, asking national curators to respond directly to the theme of ‘Absorbing Modernity 1914-2014’, there was an inkling that this Biennale would be in some way special. Having rejected offers to direct the Biennale in the past, the fact that Koolhaas chose to act not only as curator but also thematic co-ordinator of the complete international effort, was significant. This announcement led Peter Eisenman (one of Koolhaas' earliest tutors and advocates) to state in one interview that “[Rem is] stating his end: the end of [his] career, the end of [his] hegemony, the end of [his] mythology, the end of everything, the end of architecture.”

Venice Biennale Hosts Third Annual "Archives and Exhibitions" Livestream Conference

00:00 - 7 November, 2014
Venice Biennale Hosts Third Annual "Archives and Exhibitions" Livestream Conference , Courtesy of La Biennale di Venezia
Courtesy of La Biennale di Venezia

With just over two weeks left in the 14th Venice Biennale of Architecture, Paolo Baratta, President of La Biennale, is hosting a one day conference on the intersection between archives, exhibitions and digital integration. Focusing on the themes of the "dissipation of memory" and the "vulnerability of digital data" in an age of ever-changing technological platforms, the conference is the third in a series of archive-themed events hosted at the Giardini in the Biennale Library, and will feature a screening of Digital Amnesia, a documentary on the lifespan of archival technology, along with a round table discussion with leading archivists and curators from around the world. Panelists include the Mirko Zardini, Director and Chief Curator from the Canadian Centre for Architecture, archive superintendents from three Italian provinces, professors from three Italian universities, and Debora Rossi, the chief archivist for the Venice Biennale.