Designed by Studiomobile, the ‘Networking Nature’ installation is on display until November 25th as part of the Venice Architecture Biennale 2012, within the exhibition, “Traces of Century and Future Steps”. Their project is a living machine where it is impossible to see the dividing line between naturalized architecture and artificial organism. It deals with the issue of desalination of seawater and its integration into a Smart Water Network. More images and architects’ description after the break.
The Austrian Pavilion for the 2012 Venice Biennale is a collaboration of Wolfgang Tschapeller, Rens Veltman and Martin Perktold, a team that consists of interdisciplinary fields of study, thought and action from architecture and art. The contribution, entitled “Hands have no tears to flow. Reports from / without Architecture” invites visitors to comprehend architecture as a social and cultural phenomenon and to experience it from different perspectives and views. It explores this year’s theme, Common Ground, with a discourse on the sociopolitical function of architecture. The exhibit will be on view at the Biennale until November 25th.
The Luxembourg Pavilion for the 2012 Venice Biennale, entitled Futura Bold? Post-City: Considering the Luxembourg case, is a speculative exploration of the future issues that cities of the 21st century will be facing. Using Luxembourg as a case study, Post-City seeks an attitude toward the forces of the urban environment instead of concluding with an urban proposal. Post-City poses pertinent questions that arise from Luxembourg’s urban conditions today. Posed as a platform for discussion, the pavilion will be on view at the Ca’ del Duca as part of the 2012 Venice Biennale until November 25th. Join us after the break for more on this project.
We’ve already introduced you to the Danish Pavilion exhibition Possible Greenland, on display at the 2012 Venice Biennale, featuring possibilities that lay in store for Greenland in light of geographic changes caused by the increased rate of ice and snow melt. Henning Larsen Architects has now shared with us their portion of the exhibit, Greenland Migrating, a project developed in collaboration with David Garcia Studio and KITAA Architects. Curating the exhibit are Danish-Greenlandic Professor in geology Minik Rosing and Copenhagen-based NORD Architects. Join us after the break for a closer look at the project.
The village of Kigutu in Burundi, Africa is on its way to rebuilding a rural, off-the-grid medical site designed by Louise Braverman, Architect in collaboration with Village Health Works. The 40-acre master site plan is a feature of sustainable design that includes several new buildings, all of which embody East African cultural elements. To feature the progress of the five-year plan, Louise Braverman will also be presenting “Kigutu in Formation” at the 2012 Venice Biennale as part of Traces of Centuries and Future Steps event at Palazzo Bembo between August 29th and November 25th. Join us after the break for more on Village Health Works Master Plan and the upcoming exhibit.
For over a century, the Venice Biennale (La Biennale di Venezia) has been one of the most prestigious cultural institutions in the world. The avant-garde institution has remained at the forefront in the research and promotion of new artistic trends, while leading international events in the field of contemporary arts that are amongst the most important of their kind. Over the past thirty years, the Biennale has given growing importance to the Architecture Exhibition, which is still a young component of the Biennale considering that its first exhibition was held in 1975. Today, the Venice Biennale captures a multitude of interest from around the globe and attracts over 370,000 international visitors. Before the festivities of the 13th Venice Architecture Biennale begin tomorrow, read up on the origin of this highly acclaimed international exhibition. A timeline history of the Venice Architecture Biennale:
Invited by David Chipperfield, director of the 2012 Venice Architecture Biennale, FAT has contributed an exhibition to the Arsenale titled The Museum of Copying. Responding to the curator’s theme of “Common Ground”, The Museum of Copying explores the idea of the copy in architecture as an important, positive and often surreal phenomenon. The exhibit will be centered around FAT’s installation, “The Villa Rotunda Redux” – a five meter high facsimile of Palladio’s Villa Rotunda that explores the Villa as both a subject and object of architectural copying. Sam Jacob, a director of FAT said: “There is a history of copies of the Villa Rotunda that have been important staging posts for architectural culture. We hope to extend this history and explore how copying something is, strangely, a way of inventing new forms of architecture. It also seems sweet to return a bastardised form of the Villa to its original home in the Venito.” Alongside this, the London-based practice will also present San Rocco’s “The Book of Copies”, an investigative look into four architectural doppelgängers (remember this fake Austrian village in China?) , and Ines Weizman’s “Repeat Yourself”. Continue after the break to learn more.
Architects: Duch Pizá Architects
Location: Venice, Veneto, Italy
Collaborators: E.Parareda, G.Riverón, T.Garau
Project Year: 2008
Photographs: Jaime Sicilia
Each year, approximately two million Mexican residents take part in the religious phenomenon Ruta del Peregrino (Pilgrim’s Route) – a 117 kilometer pilgrimage through the mountain range of Jalisco that is centered around and moved by the adoration to the Virgin of Talpa. This religious voyage has been taking place since the 17th century and represents the pilgrim’s act of faith carried to penitence. Although conditions are harsh, this sacrifice carried with austerity is an essential part of the promise or offering that become the ritual of purification. In an effort to provide the historical route with better conditions, nine architecture firms and design offices collaborated to build seven architectural landmarks that provide shelter, services and outlook points for the pilgrims. By establishing a strong relationship with both the extraordinary landscape and the religious rituals of Ruta del Peregrino, the architectural pieces have become the “imaginary landmarks” of a deeply rooted phenomenon. Continue reading to learn about how this project is contributing to the 2012 Venice Biennale.
For the first time ever, Design Onscreen – the Initiative for Architecture and Design on Film – will present the Design Onscreen Film Festival at the Venice Architecture Biennale, August 27 through the 29th at the Arsenale’s Teatro Piccolo. All sixteen screenings are free and open to the public and most will be followed by dynamic in-person discussions and audience Q&As, featuring top architects and design experts from around the globe, including Lord Norman Foster, Peter Eisenman, Rick Joy, Steven Holl, Vittorio Garatti, Deyan Sudjic (Director, Design Museum London), Barry Bergdoll (Chief Curator of Architecture and Design at the Museum of Modern Art); Moshen Mostafavi (Dean, Harvard Graduate School of Design), Mark Wigley (Dean, Columbia Univ. School of Architecture), and David Chipperfield (Curator and Director of the 13th Annual International Architecture Exhibition, Venice Biennale).
Continue after the break for trailers and more information.
Join the authors and editors of Lars Müller Publishers for a rare book signing opportunity with architects Wang Shu, Sou Fujimoto, and Steven Holl on August 28th at the 2012 Venice Architecture Biennale! This event will kick off the exhibition Lars Müller Publishers – Book Fever, which will feature sixty publications – new releases, bestsellers, milestones from the past, and rare treasures – for the public to explore. Founded thirty years ago, Lars Müller Publishers’ carefully edited and designed publications on architecture, design, and contemporary art has lead them to become a renowned international publisher. One milestone you may remember was their release of Peter Zumthor’s Works (1998), which was the first survey of the oeuvre of the architect now known worldwide that set new standards for the monograph as a book genre. Continue after the break for more details on the book signing and exhibition.
By invitation of Director David Chipperfield, MVRDV and The Why Factory will participate in the 2012 Venice Biennale. The main contribution consists of the collaborative project ‘Freeland’ forming part of the single exhibition in the Central Pavilion at the Giardini. Further contribution is made by Winy Maas and The Why Factory with ‘Porous City’ to the EU CITY Program, initiated by the European Forum for Architectural Policies (EFAP) representing Europe for the first time at the Venice Architecture Biennale. More details on the two exhibitions after the break.
The Danish Pavilion for the 2012 Venice Biennale will feature a collaboration between Greenlandic and Danish Architects called “Possible Greenland”. The exhibition will address the current development of the Arctic Region as Greenland undergoes a shift towards political independence and business development in the midst of dramatic climate changes. “Possible Greenland” attempts to look optimistically at the climate changes that are causing ice melts throughout Greenland. The shifting planes result in the exposure of vast mineral resources that can kickstart new industries and allow new urban cultures to emerge. The team of architects that designed “Possible Greenland” were led by internationally renowned Professor in geology at the University of Copenhagen, Minik Rosing and the young Danish architect firm NORD Architects of Copenhagen. Explore the possibilities with us after the break.
Representing Brazil at the 2012 Venice Biennale will be StudioMK27 and Lúcio Costa‘s 1964 installation “Riposatevi”. The exhibit takes an intimate look at the lives of multi-generational households in modern Brazilian architecture. Curated by Lauro Cavalcanti, the Brazilian pavilion will investigate the intersections between traditional and contemporary artistic tendencies and will feature the movie installation, “Peep”, by Lea Van Steen and Marcio Kogan, with photography by Cleisson Vidal. The event will take place between August 29th and November 25th in the Giardini and Arsenale buildings in Venice.
More after the break.
Recent award recipient of the Golden Lion for Lifetime Achievement and Portuguese master architect, Álvaro Siza, will be honored with an exhibition exclusively dedicated to his most personal aspects as one of the leading players in the international design scene at the 2012 Venice Biennale. The collateral event, “Álvaro Siza. Viagem sem Programa”, will feature an exclusive collection of 53 works, personally selected by the architect himself for this event, that were developed from travel notes and sketches. The exhibit will be organized in sequential order as a narration of Siza’s work in architecture and concept of life. It will be seen as “a succession of prospects, dreams, memories and the faces of unknown persons and friends encounters in that extraordinary “Journey without a plan”, which is life itself.” Continue after the break to learn more.
With their early work inspired by Russian Suprematism, Zaha Hadid Architects’ pays homage to the historical lineages of collective research that has led to the major works of today’s contemporary architecture at the 2012 Venice Biennale with the installation ‘Arum’. The pleated metal structure is derived from the work of German architect Frei Otto, who paved the way for material-structural form-finding processes. This installation is a response to David Chipperfield’s belief that the theme of ‘Common Ground’ is meant to “reassert the existence of an architectural culture, made up not just of singular talents but a rich continuity of diverse ideas united in a common history.”
The Poland Pavilion at the 2012 Venice Biennale will feature a design exploration into the interaction between sound and architecture in creating our environment. The project, by Katarzyna Krakowiak, is a sound sculpture that presents architecture as a primary system of listening. The sculpture collaborates with neighboring pavilions and echos the sounds that reach the Polish Pavilion, highlighting its acoustic qualities. The exhibit will be on view from August 29th through November 29th.