Nearly a month since the official (and somewhat mundane) opening of New York’s One World Trade Center, New York Times architecture critic Michael Kimmelman has published a scathing review of the SOM-designed tower, claiming it to be a “flawed” emblem of the city’s “upside-down priorities.”
“Replacing the twin towers with another giant office building was somehow supposed to show New York’s indomitable spirit: the defiant city transfigured from the ashes. To the contrary, 1 World Trade implies (wrongly) a metropolis bereft of fresh ideas. It looks as if it could be anywhere, which New York isn’t.” You can read Kimmelman’s complete review, here.
With criticism forcing progress on MAD’s “mountainous” Lucas Museum to come to a standstill, Frank Gehry has released a statement on the Chicago Tribune urging critics to “take the proper time to review” the museum before dismissing it.
“Chicago is a great city for architecture and has historically supported innovative, forward-looking work. There is a natural impulse to deride a project in the early stages of design, particularly one that has a new shape or expression. This is not a new concept,” says Gehry, citing that both the Guggenheim Museum Bilbao and Los Angeles Walt Disney Concert Hall were shrouded in criticism before becoming “great assets to their mutual cities.”
Architect and MIT Lecturer Cristina Parreño has created this new prototype for a self-supporting glass facade, entitled “The Wall.” The design is the first in Parreño’s “Tectonics of Transparency,” a series of planned prototypes that will “explore the relationship between formal design, spatial perception, structural efficiency and systems of fabrication.”
More details about Parreño’s prototype after the break
Parallel Projections has announced the winners of the Reanimate the Ruins competition, an international challenge to redesign and memorialize Detroit’s historic Packard Motor Plant. The competition called for designers to simultaneously honor Detroit’s history, while envisioning a future of technological, social, and aesthetic healing.
This year’s jury has selected three winners and six honorable mentions. Read more after the break to explore the award-winning proposals.
“The River,” SANAA’s first US commission since winning the 2010 Pritzker Prize, is currently underway in Connecticut. Designed by the Japanese practice in collaboration with OLIN, the meandering and almost transparent building will be built on a 75-acre preserve as a multi-use platform for events and initiatives put on by the community of New Canaan and non-profit Grace Farms Foundation.
“We are thrilled that Grace Farms will begin welcoming the public in autumn 2015,” Sharon Prince, president of the Grace Farms Foundation stated.
OMA is set to realize their first commercial residential project in the US: Park Grove. Planned to rise alongside the Biscayne Bay in Miami’s Coconut Grove, in close proximity to BIG’s “Grove” residences at Grand Bay, the three-tower luxury residential project will be the last building allotted for the “walkable” Floridan neighborhood.
Demand for design services in the US has slowed. According to the latest Architecture Billings Index (ABI) reported by the American Institute of Architects (AIA), the October ABI score was 53.7, down from a mark of 55.2 in September, and the new projects inquiry index fell to 62.7. Despite this, the demand is still considered “healthy” with the South showing the strongest regional conditions.
“Though it has been slow in emerging, we’re finally seeing some momentum develop in design activity for nonprofits and municipal governments, and as such we’re seeing a new round of activity in the institutional sector,” said AIA Chief Economist Kermit Baker, Hon. AIA, PhD. “It will be interesting to see if and how the results of the mid-term Congressional and gubernatorial elections impact this developing momentum.”
A breakdown of regional highlights, after the break.
If New Yorkers thought that construction during Michael Bloomberg’s tenure as Mayor was frantic, then what’s coming next might be quite a shock: courtesy of CityRealty, these images show the New York skyline in 2018, when many of the city’s current projects will be complete. Produced from building models by TJ Quan and Ondel Hylton as a marketing ploy for Jean Nouvel‘s 53 West 53rd street which recently (finally) began construction, the images include all of Nouvel’s illustrious future neighbors: the “Billionaire’s Row” including 111 West 57th Street, 220 Central Park South, 225 West 57th Street (Nordstrom Tower) and One57; new Midtown developments such as 432 Park Avenue, 520 Park Avenue, 425 Park Avenue, One Vanderbilt, 610 Lexington, 15 Penn Plaza, and the Hudson Yards towers; and even the latest financial district towers, 1WTC, 30 Park Place, 125 Greenwich, and 225 Cherry Street.
Weddle Gilmore black rock studio, West 8 and Colwell Shelor Landscape Architecture have been selected to transform 19 acres surrounding Arizona’s Mesa City Hall into a unique civic space that will “capture and enhance the urbanizing momentum of Mesa’s downtown core.” Unanimously selected by the City of Mesa, over finalists Woods Bagot + Surface Design and Otak + Mayer Reed, the winning scheme plans to activate the public space with a series of flexible plazas and garden spaces centered around a distinct cooper shade structure.
More about the design and competition, after the break.
Architects: Renzo Piano Building Workshop, Payette
Location: Harvard University, 32 Quincy Street, Cambridge, MA 02138, USA
Design Team: M.Carroll and E.Trezzani (partners in charge) with J.Lee, E.Baglietto (partner), S.Ishida (partner), R.Aeck, F.Becchi, B.Cook, M.Orlandi, J.Pejkovic, A.Stern and J.Cook, M.Fleming, J.M.Palacio, S. Joubert; M. Ottonello (CAD operator); F.Cappellini, F.Terranova, I.Corsaro (models)
Area: 204000.0 ft2
Photographs: Nic Lehoux, Michel Denancé, Aerial by Lesvants.com