Architects: Thomas Phifer and Partners
Location: The Corning Museum of Glass, 1 Museum Way, Corning, NY 14830, USA
Area: 100000.0 ft2
Photographs: Courtesy of Corning Museum of Glass
The US Architecture Billings Index (ABI) has returned to a healthy state, recovering from its first negative score in ten months. Showing a “nominal increase” in design activity, the American Institute of Architects (AIA) reported February’s ABI at a score of 50.4, up from a mark of 49.9 in January. The new projects inquiry index was 56.6, down from a reading of 58.7 the previous month.
A breakdown of regional highlights, after the break.
In 2013, there were 145,439 full-time, year-round architects in the United States - roughly 31,000 of which were women. Making up just over 21 percent of the workforce, these women were on average paid just 80 percent the salaries of their male counterparts, according to the latest statistics released by the US Census Bureau. This means the median income for male architects was $14,877 more than female architects.
Architects: Aidlin Darling Design
Location: Stanford University, 450 Serra Mall, Stanford, CA 94305, USA
Principal In Charge : Joshua Aidlin (registered architect)
Principal: David Darling (registered architect)
Project Manager: Roslyn Cole (registered architect)
Project Designer: Kent Chiang
Project Team: Melinda Turner, Michael Pierry, Jeff LaBoskey
Area: 4000.0 ft2
Photographs: Matthew Millman Photography
High Line co-designer, James Corner Field Operations has been selected to design the proposed 10-mile “Underline” in Miami. Chosen by a local jury from 19 submitted entries, JCFO has been asked to envision a bicycle route and linear park that will replace the threadbare M-Path under the Metrorail tracks from Dadeland to the Miami River. The project has yet to achieve funding, but it is hoped that JCFO’s plan will spark more investor interest.
Architects: Robert Edson Swain Architecture + Design
Location: Seattle, WA, USA
Area: 1125.0 ft2
Photographs: Ken Gutmaker , Courtesy of Robert Edson Swain Architecture + Design
Housing is one of the most persistent challenges faced by the construction industry, and over the course of decades certain trends rise and fall, as entrepreneurial housing providers carve out new niches to provide for expanding populations and changing demographics. Originally published by BuzzBuzzHome as “The Rise and Fall of The Mail-Order House,” this article explores the craze of so-called “catalogue homes” – flat-packed houses that were delivered by mail – which became popular in North America in the first decades of the 20th century.
The testimonials make it sound effortless: building your own house is no sweat.
In the front pages of a 1921 Sears Roebuck catalogue for mail-order homes, a resident of Traverse City, Michigan identified only by the pseudonym “I Did Not Hire Any Help” wrote to the company: “I am very well pleased with my Already Cut House bought off you. All the material went together nicely. In fact, I wish I had another house to put up this summer. I really enjoyed working on such a building, and I do not follow the carpenter trade either.” It’s estimated that more than 100,000 mail-order homes were built in the United States between 1908 and 1940. It was the IKEA of housing, but instead of spending an afternoon putting together a bookshelf, buyers would take on the formidable task of building a house. Or, more commonly, get a contractor to do it. Homebuyers would pick a design of their choice out of a mail-order catalogue and the materials – from the lumber frame boards to the paint to the nails and screws – would be shipped out to the closest railway station for pickup and construction.
Update: Steven Holl Architects has announced the topping out of the University of Iowa’s Visual Arts Building, a commission they won in a competition in 2010. When complete, the new building will work with their Art Building West, which they completed on the University of Iowa campus in 2006, to provide a dedicated arts space for students. Read on after the break for our coverage of the design reveal from 2013, and for construction photos and up to date renders of the project.
The Metropolitan Museum of Art in New York has tapped British architect David Chipperfield to design its new Southwest Wing for modern and contemporary art. The commission, a result of an international competition, aims to increase gallery space, double the size of the museum’s popular roof garden, and establish accessible on-site storage. “The new design will also enhance gallery configuration and visitor navigation throughout the Southwest Wing, and support a more open dialogue between the Museum and Central Park,” says the architects.
An overlooked strip mall at the corner of Sunset and Crescent Heights boulevards will soon be replaced by a mixed-use, walkable community designed by Frank Gehry. Known to be the “gateway to the Sunset Strip,” the West Hollywood site will be comprised of 249 apartments, restaurants, retail storefronts and a central plaza – all within “an environmentally sensitive building that complements and contributes to the historic architecture in the neighborhood.”
“Frank Gehry’s deep understanding of the property, its history and the context will elevate the project to the iconic and timeless status that it deserves,” said Townscape partner and project developer Tyler Siegel.
Despite Andrés Jaque of Office of Political Innovation emerging as the winner of the 2015 MoMA PS1 Young Architects Program (YAP), his competitors put up quite a fight. One of this year’s five shortlisted proposals, Erin Besler’s Roof Deck breathes life into arguably the most overlooked aspect of architecture – the roof – by injecting it with an active public program and making it a vessel for summer celebration.
Read on after the break for more on Besler’s proposal.