Hosted by the Architectural League and co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union, Steven Holl will lecture in the Great Hall at The Cooper Union on November 28 at 7:00pm. Holl’s architecture and writing has undergone a shift in emphasis, from his earlier concern with typology to his current interest in phenomenology. This “Time Light” lecture is dedicated to Lebbeus Woods and will show both early and recent works by Steven Holl Architects. Following the lecture, Steven Holl will be joined in conversation by Sanford Kwinter. For more information on the event, please visit here.
Designed by Jae K. Kim of Co-De:CounterDesign, the Form of Public Control project is aimed at being the 20th century’s notion of a skyscraper in Manhattan. As a symbolic individual in the city, it should be redefined due to the reinterpretation of the grid to accommodate more public amenities and facilitate the cultural contexts of Manhattan. Currently, the project is exhibited for the collateral event of the Venice Architecture Biennale, at Palazzo Bembo, which was invited from the Global Art Affairs Foundation. More images and architect’s description after the break.
Taking place at Cooper Union in New York, the Steven Holl: ‘Scale’ lecture focuses on the firm’s current work in exploring new ways of integrating an organizing idea with the programmatic and functional essence of a building, “always using the unique character of a program and a site as the starting point for an architectural idea.” Steven Holl was the recipient of the 2012 AIA Gold Medal. His firm has been honored with many awards, publications, and exhibitions for excellence in design, most recently, their Cité de l’Océan et du Surf Museum (pictured in the slideshow above) won the Emirates Glass Leaf Award, the Annual Design Review, and the American Architecture Award. In 2001, Holl was named America’s Best Architect by Time. The event is co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union as part of the program put on by the Architectural League, and takes place Wednesday, November 28th at 7:00pm. For more information, please visit here.
The Save the Prentice Wrecking Ball: The Monument to Bruce, designed by Design With Company, is a response to the situation of the Prentice Women’s Hospital in Chicago which aims at creating a new narrative for the building’s afterlife. By combining literary and architectural narrative strategies, their design tries to recapture the narrative and produce the universe we need to steer us toward the conversations we want to have. This story is not a means to an end, it is the ends. More images and architects’ description after the break.
Location: Dallas, Texas, USA
Director Of Technology & Bim: Synthesis
Associate Architect: Good Fulton & Farrell
Structural Engineer: Datum Engineers
Consulting Structural Engineer: John A. Martin Associates, Inc.
Mechanical Electrical Plumbing Engineer: Buro Happold
Civil Engineer: URS Corporation
Area: 16,722 sqm
Photographs: Iwan Baan, Courtesy of Morphosis
AIA Cincinnati, in partnership with the Over-the-Rhine Brewery District Community Urban Redevelopment Corporation, recently launched the LIVE MAKE Industrial Arts Center Cincinnati competition. They are calling for architectural proposals for a membership based facility that will feature private residences, maker-in-residence studios, light industrial studios and an open workshop that will help shape a new economic opportunity for the neighborhood. Proposals should realize the history of innovation and civic engagement of the surrounding community as inspiration for the next generation to develop innovative ways of making that can impact the neighborhood’s future. Submissions are due December 21 and all participants must register by December 6. To register and for more information, please visit here.
The ‘Your Text Here’ participatory, site-specific light installation challenges the condition of the city constantly telling us what to do, what to think, and how to act. Using explicit visual language, a multiplicity of billboards, signs, images and symbols invade our public spaces in order to tell us something. The project by Marcos Zotes/UNSTABLE aims at empowering local communities by providing a tool that transforms people voices into citizen proclamations the size of buildings. You just submit an anonymous text message in a website through your mobile phone, and in turn it is automatically projected at large scale onto the façade of a building. More images and architect’s description after the break.
Architects: Roger Ferris + Partners
Location: Bridgehampton, NY, United States
Design Team: Roger Ferris, Dave Beem, Myron Mirgorodsky, Tiziano Fabrizio
Structural Engineer: Arup & Partners
Mechanical: Arup & Partners
Landscape Architect: Jack Curtis & Associates
Area: 40,000 sq ft
Photographs: Paùl Rivera © Archphoto
The Battery Conservancy Americas Design Competition 2012: Draw Up A Chair, which we published a couple months ago here, has received an impressive number of registrations to-date and continue to receive wonderful design submissions. Due to the impact of SuperStorm Sandy on many of their registered and would-be participants, they recently announced that they have extended the competition submission deadline to Monday, November 19. For more information, please visit here.
Designed for the Land Art Generator Initiative competition, the ‘NAWT Balloons’ concept, which was recently shortlisted in the competition, aims to couple the image of an oversized helium-filled teardrop with a nuanced application of wind energy technology. While the balloon’s image and subsequent geometry are the primitives to the proposal, the deployment on the Fresh Kills site ignites an interest in the oversized and the attenuated. Designed by Norman Kelley, through its multiplication and reconfiguration, this design may be able to produce new, yet familiar, collections of iconicity. More images and architects’ description after the break.
Designed by Paolo Venturella & MenoMenoPiu Architects, their ‘Solar Loop’ finalist entry for the Land Art Generator Initiative competition aims to expose more surface as possible to the southern solar rays. Sited in FreshKills Park in New York City, the shape comes directly from the solar diagrams, and deals easily with the sun following it with the best angle almost like a frozen artificial sunflower.bThe aesthetic of the sculpture is the result of this dialogue that becomes synthesis between the solar power and the park. More images and architects’ description after the break.
Architects: Zaha Hadid Architects
Location: Michigan State University, East Lansing, USA
Architects In Charge: Zaha Hadid with Patrik Schumacher
Project Director: Craig Kiner
Project Architect: Alberto Barba
Project Team: Michael Hargens, Edgar Payan Pacheco, Sophia Razzaque, Arturo Revilla, Charles Walker
Competition Project Director: Nils-Peter Fischer
Competition Project Architects: Britta Knobel, Fulvio Wirz
Competition Team: Melike Altinisik, Rojia Forouhar, Mariagrazia Lanza, Daniel Widrig
Area: 46,000 sqm
Photographs: Paul Warchol