Presented by The Architect’s Newspaper and enclos, Mode Lab recently announced their upcoming Facades+ Performance Symposium in San Francisco taking place July11-12. The event consists of hands-on instruction by industry experts in a small, one-on-one, classroom setting. These workshops will provide professionals and academics with the skills and knowledge to work with cutting edge technologies in a fast-paced and intensive environment. The workshop will explore the use of Grasshopper, Firefly and Arduino as creative and technical tools in the design, simulation and prototyping of intelligent building skins. For more information, please visit here.
Taking place this Thursday, June 20th, at 7:00pm EST, Van Alen Books welcomes Diller Scofidio + Renfro for a film screening of ’Reimagining Lincoln Center and the High Line.’ The 54-minute documentary offers insights into the firm’s history, completed projects, and unique process of re-imagining the public identities of two major New York urban spaces. The film includes commentary from the architects as well as interviews with New York City planning commissioner Amanda Burden, as well as several critics and theorists. Before the film, Liz Diller and Ric Scofidio will join directors Muffie Dunn and Tom Piper for a conversation about their work, moderated by VAI executive director David Van der Leer. More more information on the event, please visit here.
Immediately after Hurricane Sandy hit the North American Eastern seaboard last October, New York City embarked on a debate to find ways in which the city could protect itself from future storms that climate scientists predict will escalate in frequency. Engineers, architects, scientists from myriad disciplines came up with internationally inspired proposals, including sea walls, floating barrier islands, reefs and wetlands, to apply to this particular application. Diverse in scope, the ideas have gone through the ringer of feasibility and have left many wondering if we should we build to defend or build to adapt.
On Tuesday, NYC Mayor Bloomberg announced a plan that includes $20 billion worth of both: a proposal of removable flood walls, levees, gates and other defenses that would be implemented with adaptive measures, such as marshes, along with the extensive flood-proofing of homes and hospitals.
What does this plan entail and what can we imagine for the future of NYC? Find out after the break.
Terra Group + Rene Gonzalez Architect recently unveiled their design for GLASS, a new residential tower composed of 10 full-floor units located at 120 Ocean Drive in Miami Beach. The 18-story, all-glass building is located in the South of Fifth neighborhood, which has become, over the past decade, one of the most expensive destinations for luxury high-rise living in Miami Beach. Delicate and sensorial, the design of GLASS is a considered a response to its setting in Miami Beach, specifically intended to allow one to experience the surrounding natural landscape. More images and architects’ description after the break.
Three cutting edge designs were just selected as the winners of the 2013 Burnham Prize competition, organized by the Chicago Architectural Club and Chicago Architecture Foundation, in partnership with the Chicago Department of Transportation, the Chicago Transit Authority, and the Chicago Bus Rapid Transit Steering Committee. Titled, ‘NEXT STOP: Designing Chicago BRT Stations,’ the competition asked participants to integrate innovative and compelling transportation design into Chicago’s urban fabric. Awarded the first prize was the ’Form vs. Uniform: Generative Chicago BRT Stations’ proposal by designers Hesam T. Rostami and Bahareh Atash. More images and information on the winning entries after the break.
Taking place at the Storefront for Art and Architecture in New York from June 19 – July 20, the ’POP: Protocols, Obsessions, Positions.‘ exhibition will investigate what constitutes a position in architecture today and how that might be generated through the architect’s drawing. The exhibition presents 30 original drawings by 30 architects of the Storefront gallery space at 97 Kenmare Street that address both ends of the architectural drawing spectrum, understanding its codes and protocols and deploying the personal obsession of each architect in the articulation of a position now. For more information, please visit here.
Exhibited at the American Academy of Arts and Letters in New York until this month, the work of Alberto Campo Baeza is on display to celebrate the awarding of the Arnold W. Brunner Memorial Prize in Architecture 2013. In a spare white quadrangular room in the main building and with only natural light from above, 24 white panels appear floating over the walls, without touching or marking them. It is an exhibition that is very sui generis, it is an Exhibition in the air; it is an exhibition that is very Campo Baeza. More information on the exhibition after the break.
This past spring, Mayor Ed Lee announced an exploration of the potential of removing Highway 280 north of 16th Street in San Francisco. Presented by the Center for Architecture and Design + the Seed Fund, and co-sponsored by AIA San Francisco, the 280 Freeway Competition asks entrants to create hypothetical project designs for space in and around Highway 280. Open to architects, designers, planners, students, artists, landscape architects, and academics, participants are welcome to submit concepts that explore any aspect of the transformative opportunities introduced by the freeway removal. Entry is free, and up to $10,000 in prizes will be awarded. The registration and submission deadline is July 31. For more information, please visit here.
Coming at a crucial time in which Los Angeles is at risk of “losing its reputation as a center for innovative architecture,” museum director Michael Govan and Swiss architect Peter Zumthor have unveiled preliminary plans for what they hope will be the new home of the Los Angeles County Museum of Art (LACMA). If approved, this $650 million proposal – nearly six years in the making – would replace the dated William Pereira-designed campus and its 1986 Hardy Holzman Pfeiffer Associates-designed addition with an organically-shaped, energy efficient, dark-grey concrete and glass Zumthor original.
More information after the break, including Peter Zumthor’s project description…
Architects: Lake Flato Architects
Location: 451 East University Drive, Tempe, AZ 85281, USA
Architect In Charge: Lake Flato Architects
Architect Of Record: Orcutt Winslow
General Contractor: Okland Construction
Civil: Evans, Kuhn & Associates
Structural: Caruso Turley Scott
Area: 34500.0 sqm
Photographs: Bill Timmerman
Change—both collectively as a profession and individually as architects—is essential in three critical areas: culture, community, and commitment. Architects have the power to influence a broader societal culture that appreciates architecture and understands the value of an architect. Reflecting the Institute’s repositioning to serve the needs of our diverse membership, education content is to be relevant and emphasize practical application to support the needs of all members of the profession, particularly our emerging professionals and small firm owners in the areas of leadership, management, project delivery, and technology.
With that being said, the AIA is inviting articulate subject matter experts who can engage and connect with the design community in support of the Institute’s repositioning to submit a proposal for an educational program at the AIA National Convention in Chicago. The convention will take place June 26-28, 2014 in Chicago. The Call for Submissions are due July 1. For more information, please visit here.
Hosted by the American Institute of Architects, California Council (AIACC), the Monterey Design Conference 2013 will offer participants three days of talks by–and relaxed conversations with– internationally and nationally significant architects. Taking place September 27-29 in the Elysian setting of the Northern California coast, participants will find themselves strolling on the beach, wandering the Julia Morgan designed grounds or sitting on the deck of the main lodge engaging in conversation with a Pritzker Prize winner or many of the most innovative and catalytic thinkers in architecture, as if they were invited into their own backyard. This is truly a premier opportunity to be a participant in the dialog about design. For more information, please visit here.
The Miami Beach Convention Center, a giant box of a building constructed in 1957, is in desperate need of a makeover and two design teams have bravely accepted the challenge. Team 1 is dubbed South Beach ACE (Arts, Culture, Entertainment District) and is a collaboration between Rem Koolhaas‘s OMA firm, Tishman, UIA, MVVA, Raymond Jungles and TVS. Team 2 goes by the name of Miami Beach Square and includes BIG, West 8, Fentress, JPA and Portman CMC. Both proposals completely re-imagine 52 acres of prime beach real estate and cost over a billion dollars in public and private funds. So, who does it better?
Vote for your favorite after the break…