Location: 513 Church Street, George Washington National Forest, Clifton Forge, VA, USA
Professors In Charge: Marie Zawistowski, Keith Zawistowski
Student Team: Bethel Abate, Aiysha Alsane, Justin Dennis, Jennifer Leeds, Stephanie Mahoney, Stephen Perry, Amanda Schlichting, Claudia Siles, Samuel “Aaron” Williams, Ryan Hawkins, Catherine Ives, Anna Knowles-Bagwell, Michael Kretz, Fernanda Rosales, Katherine Schaffernoth, Daniel Vantresca, Bryana Warner
Photographs: Jeff Goldberg/ESTO
Taking place at the Center for Architecture September 3-23, AIA New York‘s ‘Coverage: Seventy-Five Years of Oculus’ Exhibition celebrates 75 years of Oculus and the 10 years since the 2003 re-launch. The exhibition will include original issues of Oculus from the AIA New York Chapter’s archives dating back to 1938, and will trace the publication’s history from an AIANY newsletter to the quarterly architectural journal it is today. The opening reception takes place 6:00-8:00pm EST. For more information, please visit here,
WXY Architecture + Urban Design and dlandstudio architecture & landscape have been commissioned to lead a feasibility study and planning for The QueensWay, a 3.5-mile section of abandoned railway tracks in Queens, New York, that will be converted into a High Line-inspired park and recreational pathways. As we reported earlier this year, the elevated railway line has been inactive since 1962 and, if transformed into a public parkway, has the capablitiy of serving more than 250,000 residents that live alongside it.
Architects: Yazdani Studio of Cannon Design
Location: 875 Ellicott Street, Buffalo, NY 14203, USA
Architects Of Record:: Cannon Design
Civil Engineering: DiDonato Associates
Landscape Architecture: Dean W. Gowen
Curtain Wall: Israel Berger
Construction Manager / General Contractor: Turner Construction
Area: 476500.0 ft2
Photographs: Thomas Mayer
Architects: Chenevert Architects, Remson|Haley|Herpin Architects
Location: 2825 Government Street, Baton Rouge, LA 70806, USA
Architect In Charge: Samuel J. Herpin, AIA and Norman Chenevert, AIA
Design Team: Christopher G. Remson, AIA; Trula H. Remson, FAIA; Jason Hargrave, AIA; Whitney LeJeune, AIA; Jonathan Guelfo, AIA; David Wiesendanger, AIA; Donnie Moutz
Area: 305036.0 ft2
Photographs: Sean Calamia
The Graham Foundation recently announced their upcoming exhibition, Environments and Counter Environments. “Italy: The New Domestic Landscape,” MoMA 1972, which opens to the public on September 18th with a short talk by curators Peter Lang, Luca Molinari, and Mark Wasiuta followed by a reception. This exhibition highlights the lasting significance of MoMA’s groundbreaking 1972 exhibition, Italy: The New Domestic Landscape. Presented for the first time in the United States outside of New York, the Graham Foundation’s iteration of Environments and Counter Environments highlights both the dynamic context of radical Italian design and architecture in the 1970s, as well as the innovative exhibition that first presented this work in America. The exhibition will be on view until December 14th. More information provided by The Graham Foundation after the break.
Presented by the University of Maryland’s School of Architecture, Planning and Preservation, the ’Conflict and Convergence: Urban Informality in Latin America‘ Symposium aims to explore how recent experiences in cities such as Medellín, Bogotá, São Paulo, Rio de Janeiro and Caracas, among others, can serve as examples for multidisciplinary models to urban and social revitalization in other parts of the world. Taking place October 4th at 5:00pm until October 5th at 10:00am, the event will bring together participants representing a wide spectrum of disciplines and seeks to generate a conversation between professionals and academics to analyze the goals, methods, achievements and opportunities in Latin America. For more information, please visit here.
Designed and constructed by QASTIC Lab, ‘Balance Through Buoyancy’ is a temporary researchpavilion called “Floatastic” which was designed and built for a private client to serve as a shade pavilion for a wedding ceremony. Situated in Edgerton Park, in New Haven Connecticut (an Olmsted planned landscape), this deployable structure aims to create a floated shelter which avoids imposing any loads to the ground, which traditional structures require. Instead, it proposes a well-fabricated balloon, which is filled with Helium to raise the imposed loads of fabric veils and any possible dynamic environmental loads toward the sky. More images and architects’ description after the break.
New York-based, Serbian-born performance artist Marina Abramović has successfully secured funding via Kickstarter for phase one of an interdisciplinary performance and education center in Hudson, New York. The project, known as the Marina Abramovic Institute for the Preservation of Performance Art (MAI), aims to be the first crowdfunded cultural institution ever to be built as well as the only international arts center dedicated to presentation and preservation of long-durational work. With the help of Abramović’s “global community of collaborators,” OMA will now move forward with the project’s design development process. More information on the MAI’s design can be found here.
New York Governor Andrew Cuomo has announced that the Richardson Olsmted Complex, a National Historic Landmark that is widely considered to be one of Buffalo‘s most important and beautiful buildings, will be rehabilitated and reused as a hospitality venue and cultural amenity for the city. The design team, including New York-based Deborah Berke of Deborah Berke Partners and Buffalo-based Peter Flynn of Flynn Battaglia Architects, have high hopes of transforming the 19th-century, unused building into a “thoroughly modern travel and cultural experience” while maintaining a deep respect for its long history.
The Herzog & de Meuron designed Parrish Art Museum in Long Island, NY is captured here by brazilian photographer Paul Clemence from Facebook.com/Archi-Photo. This photo gallery very elegantly emphasizes the building’s delicate placement on the landscape as well as its natural surrounding beauty of which the architects took their inspiration. Clemence also captures the project’s moment of outdoor shelter that surrounds the building to emphasize the importance of the site and its interaction with the art within.The full photo gallery can be viewed after the break.
The July Architecture Billings Index (ABI) has jumped to 52.7, up more than one full point from June’s 51.6, indicating “acceleration in the growth of design activity nationally.” As any score above 50 indicates an increase in billings, July’s score reflects an increase in demand for design services; this increase was seen most dramatically in the area of new projects, which jumped from 62.6 in June to 66.7 in July.
Despite the optimistic results, AIA Chief Economist, Kermit Baker, noted the uneven nature of the growth, and warned that “it is premature to declare the entire sector has entered an expansion phase.”
More statistics from July’s ABI, after the break…
“Open House” is artist Matthew Mazzotta‘s latest invention: a compact, faded pink house that unfolds into a ten-piece outdoor theater that seats nearly 100 people. Facing a raised earthen stage, it’s a public space made from the remnants of a privately owned blighted property. Reversing the loss of public space that the city of York, Alabama has experienced, Open House has transformed a wasted ruin of a house into an outdoor theatre open to various community events.