Alicja Borkowska and Iris Papadatou from you&me architects have been announced as the UK winners of the inauguralOld Doha Prize, a competition to redesign part of the old city of Doha in Qatar.
Four teams of architects have "worked intensively to develop contextual design responses to address the challenge of regenerating and maintaining the heritage of the city" as part of a British-Qatari collaborative project to "reimagine the urban landscape of old Doha." As a city defined by its strong heritage, coupled with ambitious plans for the future, the competition aimed to discover ways of regenerating parts of the city centre in a sustainable, yet vibrant, way.
Having been officially in the role for only two months, Hodder spent some time with us discussing his hopes for the next two years. Find out why he described himself as a fan of Scandinavians and prog-rock after the break...
A few weeks ago the RIBA doled out the 18th Stirling Prize to London-based architects Witherford Watson Mann. The decision was a good one. It was good for WWM and good for the profession – a youngish practice being recognized for a small but beautiful piece of work.
The scheme’s application of brickwork and joinery removes the work from the expediencies of modern construction technology and building products, which almost exclusively characterize the contemporary built environment. It genuinely feels like a project made at a different point in history, the result of the quite particular interests of three minds, Stephen Witherford, Chris Watson and William Mann. It is direct and personal. It reminds me of Stirling’s work..
And not just for its powerful draftsmanship, plan and restricted palette of materials, but for its intimacy. An intimacy that is apparent in much of Stirling’s oeuvre. I do not refer to the production of intimate spaces per se but the formulation of an architecture that is authored not by a factory but a few minds.
The latest Stirling prompted me to look back, and reconsider the work of Stirling himself.
The Shed, a 225-seat auditorium designed by Haworth Tompkins, was completed earlier this year in London. It's made of raw steel and plywood, while the rough sawn timber cladding refers to the National Theatre’s iconic board-marked concrete. You can see more photos of photographer Philip Vile after the break.
According to the Royal Institute of British Architects (RIBA), the number of people aged over 60 is expected to increase by 40% over the next twenty years, suggesting that "our post-retirement years will be longer and healthier." There is no doubt, therefore, that people in this age group will have a greater economic, social and political power - but how will this affect our cities?
The latest Future Trends Survey, published by the Royal Institute of British Architects (RIBA), indicates both stability and optimism. The Future Trends Workload Index increased to +26, a rise of four balance points from August 2013, "building upon the steadily increasing positive trend" seen since the start of this year. The survey also shows evidence that "the growing optimism about an upturn in overall workloads is now widespread" throughout the UK.
Adjaye Associates. Image Courtesy of A Dolls' House
Inspired by the dolls’ house that Edwin Lutyens designed for The British Empire Exhibition in 1922, twenty British practices are each designing a contemporary dolls’ house in aid of the disabled childrens’ charity KIDS. Each version will sit on a 750mm square plinth to be auctioned at Bonham's on the 11th November and contains one feature which would make life easier for a disabled child. Among the participating practices is Zaha Hadid Architects and Rogers Stirk Harbour + Partners. FAT will also be working with Turner Prize recipient Grayson Perry CBE, and Studio Egret West with artist Andrew Logan.
The "O" is an elegantly simple concept, manifesting itself as a striking reinterpretation of a traditional pedestrian bridge. The multifaceted bridge offers unique and evolving perspectives to approaching pedestrians, culminating in a mesmerizing ellipse that engulfs those crossing the Irwell River. "Creating an inviting gesture for the Salford meadows was a main goal," says Precht, we envisioned "a transition space, where the structure almost hugs you."
This week the shortlist for this year's Young Architect of the Year Award (YAYA) was announced. The YAYA, organized by BD and now in its 15th year, has become a high-profile springboard for many practices led by architects under 40.
For the first time, this year the award is open to architects from outside the UK, allowing any practice based in the EU a chance to apply. The shortlist reflects this new opportunity, featuring practices from Belgium and Spain among the list of five.
Five proposals for reconnecting Londoners with the River Thames have gone on display at London's Royal Academy of Arts (RA). The competition, organised by the Architecture Foundation, "launched an open call for multidisciplinary design teams to put forward new ideas and visions for self-selected sites along the Tidal Thames" earlier this year. The five selected teams were shortlisted earlier this year and recently discussed their designs at a public design workshop. The schemes are now being exhibited as part of the Richard Rogers RA: Inside Outexhibition.
A couple of days ago we featured Zaha Hadid's Serpentine Sackler Gallery, her recent conversion of a classical 19th century brick structure. Today, photographer Danica Kus shared with us some more photos on this project. Enjoy them all after the break.
Following the news in 2010 that Daniel Libeskind was to design a "landmark" building for the UK's University of Essex, it has been announced that the plans have been abandoned. What was known as the Institute for Democracy and Conflict Resolution (IDCR) "was intended to become the ‘anchor’ to a new Knowledge Gateway research park at the university’s Colchester Wivenhoe Campus".
Nakagin Capsule Tower / Kisho Kurokawa. Image Courtesy of arcspace
In recent weeks both the national papers and the London Evening Standard have been reporting dramatic increases in the price of houses in the capital. Up 8% in a year they say. This isn’t great. Rents are also rising sharply. Soon, many, particularly young, Londoners will be trapped, unable to rent or buy. No doubt this is increasingly the case in many big cities. But England is still arguably in a recession, the worst for nearly a century.
In an attempt to find affordable homes people move further away from their work, especially those on low wages, and spend too much of their salary and their time commuting. The cost of housing affects what we eat, whether we exercise and how much spare time we have. It affects our quality of life.
So, this is not about business or property. It’s more important. This is about home. Home is a refuge. It’s our emotional harbour. In fact it is a human right. As the UN Covenant on Economic, Social and Cultural Rights states: it is 'the right of everyone to an adequate standard of living for himself and his family, including adequate ... housing'.
Can architects help? Yes. As architects, we need to ask what home actually is, and, how it fits into the city. Indeed, the answer is as much anthropological as it is architectural, as it lies in re-thinking the house itself, in creating - not housing - but homes.
Following the news that the 2013 RIBA Stirling Prize was been won by Witherford Watson Mann for Astley Castle at a ceremony in London last week, the critical response to the project has been extremely positive. Joseph Rykwert (who recently won the RIBA Gold Medal) said that "Witherford Watson Mann have been gentle surgeons, saving the essential, eliminating the incidental". Check out the critical responses from The Financial Times' Edwin Heathcote, The Guardian's Oliver Wainwright, Building Design's Ellis Woodman, and the Architects' Journal's Rory Olcayto after the break...
With Astley Castle winning this year's Stirling Prize last week, Olly Wainwright investigates the fortunes of other Stirling Prize winners - finding that in many cases critical acclaim and awards do not necessarily translate to long term success. His study brings into question what qualities should be awarded, and seems to imply that there should be a greater focus on post-occupancy awards, such as the 10-year award started by the Council on Tall Buildings and Urban Habitat’s (CTBUH) this year, and another being considered by the RIBA. You can read Wainwright's full investigation here.
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