ONZ Architects‘ ‘Tearing the Ground’ proposal was recently awarded as one of the five finalists in the Istanbul Modern YAP 2013. Their design consists of a contemporary interpretation of a flying carpet constructed with reused plastic units, made of marine litter. The project team tears the ground and lifts up this carpet and puts it in the air with everything it conceals. Thus, the plastic waste produced by the city becomes the main material for the installation. More images and architects’ description after the break.
‘Seapeaker‘, was recently named as one of the five finalists for Istanbul Modern “Young Architects Program” 2013 cycle. Designed by the collaborative team of Evren Başbuğ, İnanç Eray, Meriç Kara, and Engin Ayaz, the main intent of the project is to be a hearing aid for İstanbul. It highlights the city’s muted qualities in an unexpected way. Designed using rigorous acoustical principles and the generative capacities of the site, seapeaker amplifies sounds of the sea underneath and punctures a new connection in-between. More images and architects’ description after the break.
Designed by Salon2, their ‘Haze’ Pavilion proposal aims to transform Istanbul Modern into a garden of stages while preparing an unexpected architectural condition for the distant relationship of İstanbul and the sea. Through an experiential design, the pavilion shifts the perception of a specific shore condition of the Tophane Pier and creates its own cool microclimate in the warmest days of the year it to accommodates various events. More images and architects’ description after the break.
SO? Architecture and Ideas’ Sky Spotting Stop has been announced as winner of the 2013 Young Architects Program (YAP) Istanbul Modern in Turkey. Similar to its counterparts - CODA’s skateboard scrap Party Wall in New York and bam!’s buoyant installation He at MAXXI – the shady escape will be constructed in late June in the Istanbul Modern’s courtyard, offering refuge from the busy streets of Istanbul while overlooking the mouth of the Bosphorus.
More on ‘Sky Spotting Stop’ after the break…
In its third year, the AA Istanbul Visiting School, Vertical Interventions, in collaboration with Istanbul Technical University, will continue to rediscover verticality through novel generative design techniques and large-scale physical prototypes. Abstracted as a fusion of various sub-systems, each subsystem of the tower will be investigated in relation to their various performance criteria. The correlations between the separate sets of performance criteria and evaluation methods will be analyzed, leading to the generation of unified design alternatives for a vertical system typology. In addition to the custom-made digital design and evaluation tools supporting the core methodology, Vertical Interventions will also highlight the fabrication and assembly of a large scale working prototype integrating the performative characteristics of each system in examination.
In an effort to maximize Istanbul’s potential of becoming a bustling regional hub, Transport Minister Binali Yildirim has released a request for proposals to construct and operate what could potentially be one of the world’s largest airports. With the Ataturk airport – Turkey’s largest airport which handled nearly 45 million passengers last year – steadily reaching capacity and limited by land restrictions, the new $9 billion dollar, six-runway airport promises to expand the country’s aviation capacity with the potential of handling 150 million yearly passengers.
“The new airport project will be bigger than any other in Turkey and will be part of our plan to build a new city on the Black Sea coast,” Yildirim said, according to Bloomberg.
More after the break.
Architects: Uras X Dilekci
Location: Ümraniye, Istanbul Province, Turkey
Architect In Charge: Durmuş Dilekci, Emir Uras
Design Team: Durmuş Dilekci, Emir Uras, Fikret Sungay, Salih Küçüktuna, Handan Akbudak, Aylin Ayvaz, Evren Alpay, Elvan Çakıt
Floor Area: 440,000 sqm
Build Up Area: 248,000 sqm
Photographs: Faruk Kurtuluş, Ugur Ceylan
The Mersin Chamber of Commerce and Industry Building proposal by Ziya Imren and Onat Öktem has placed itself in an important position for the development of city of Mersin and its surroundings. Located at the intersection of the two main axes of the city, the proposal will play a major role in this new developing urban area of the city. More images and architects’ description after the break.
Çanakkale Municipality “Green” Cultural Center & Municipality Building Competition Entry / Onat Öktem and Ziya Imren
Designed by Onat Öktem and Ziya Imren, the proposal for the Çanakkale Municipality “Green” Cultural Center & Municipality Building, which won an honorable mention, aims to create a new focal point located at the intersection of two busy pedestrian and vehicle axes, that strengthens the urban identity. The project intends to achieve a sharing/networking space that supports the everyday life of urban dwellers with social and cultural activities/facilities/uses, and a human-centered urban space that is also respectful to environmental values. More images and architects’ description after the break.
The main purpose of the design for the Istanbul Camlica Mosque, which won the second prize in the architectural competition, was to create the largest worship place that has ever been designed, and cover it with one single roof. SN Architects successfully did this by using the load bearing properties of one of the traditional systems that often used “vault systems” and using contemporary architectural and engineering facilities. More images and architects’ description after the break.
AllesWirdGut, together with the German climate engineering experts Transsolar and the Dutch-born urban planning avant-gardist Ton Matton, recently developed their concept for the BIO Campus. The project consists of a huge site just outside Istanbul that is becoming one of the world’s leading scientific research centers which has had a holistic approach from the very start. The main idea behind the architectural and environmental project is to create a self-sufficient and self-supporting accumulation of living spaces for work, scientific research, everyday life and recreational activities. More images and architects’ description after the break.
Shaped by the Ottoman Empire, known for historical Byzantine structures and its famed Grand Bazaar, Istanbul has always been a melting pot of influences and culture. In recent years, due to thriving economies, emerging cities such as Istanbul have begun cultivating a design landscape. Rapid progress often compromises preservation of heritage and promotion of the arts. On the 5th of November 2012, Taksim Square, one of the few remaining green areas of the city was closed off until late 2013, without the knowledge or consent of its citizens. Here we speak to Özlem Yalim Özkaraoglu, Director of the Design Biennial, and designer, Koray Malhan, about dictatorial urban planning and the future of Turkey’s most notable city.
The government of Turkey is considering the possibility of constructing a second canal in Istanbul that would result in carving out one billion cubic meters of soil from Turkey’s main land. In response, Turkish developer Serdar Inan has commissioned New York designer Dror Benshetrit to design a proposal that would reconstitute the soil into an innovative, net-positive community for 300,000 residents off the shore of Istanbul. Inan’s only wish is that the proposal blends “innovative design ideas, state of the art technology and cultural legacy with inspirations from the work of chief Ottoman architect Mimar Sinan”.
After six months of exploratory, interdisciplinary discourse with a team of experts – such as the Buckminster Fuller Institute, Buro Happold, Shoji Sadao from Fuller, Sadao & Zung Architects – Dror has unveiled his radical vision this weekend at Istanbul Design Week. Check it out after the break.
Inspired by a reaction to the tsunami, the proposal for the Istanbul Disaster Prevention and Education Center is symbolically and practically rising above the streams. Designed by CRAB, the studio of Sir Peter Cook and Gavin Robotham, the building sits with its blades resting into the ground, ready to divide the streams of water if and when they come. Organized as a series of five clusters, it meanders along the site as a chain of events and somewhat in the manner of a chain of flowers. More images and architects’ description after the break.