The Koloro Exhibition by Torafu Architects features their complete range of ‘koloro-desk / koloro-stool’, including versions which they collaborated with Mina Perhonen. Shown in CLASKA Gallery and Shop “DO” in Tokyo, the name ‘koloro’ is an Esperanto word, meaning color, many colors are used at the exhibition. They also display many colorful “airvase” throughout the space, including a new version where we collaborated with photographer Mikiya Takimoto, and a special version of“airvase”, which is enough large to cover your whole body, floating up and down with the help of a motor. More images and architects’ description after the break.
Designed by MUS Architects, their proposal for the Tokyo Fashion Museum was recently named the winner of the World Architecture Awards 20+10+X. The whole structure of the building, from the entry yard to the top of the tower has been wound with a homogenic lether relating to the basic fabric of every fashion designer and constituting the base of every collection. Fibers of the fashion museum are lead in two rows – one layer of fiber winds around the building clockwise, the other one counter-closkwise thus resulting in a kind of a plaiting. Due to the small dimensions of the parcel being located in the intensely urbanized city tissue of Tokyo, the wide program of the fashion museum has been set up vertically on 22 levels (19 of which above the ground level). The result is a functional ‘pile’ of layers – ‘program squares’. More images and architects’ description after the break.
This short video via ja+u takes you on a brief journey through the Tokyo Skytree’s various observation decks that range in altitude from 340m all the way up to the 450m high spiral Tembo Galleria. A quick time lapse of the construction that took place from 2008-2012 illustrates the tower’s growth as it quickly surpassed the Tokyo Tower’s 333m pinnacle. See our previous coverage here.
This short clip via ja+u of the Storage House by Ryuji Fukimura Architects takes you on a quick journey through the relatively compact residence that occupies a thin plot of land in the Kanagawa Prefecture, part of the Greater Tokyo Area. Smartly designed to maximize the interior volumes, a unique aspect of the house is the dry moats that line the basement floor allowing for diffuse daylight to shower the interior that would have otherwise been artificially lighted. An added benefit of the moats is that it encourages air circulation from the bottom of the house to the top creating a stack effect.
Located in front of the Kamiari-mon gate in Asakusa, Kengo Kuma’s Culture Tourist Information Center serves as a beacon to the local area as well as housing programs to serve both tourists and the local community. This video via ja+u takes you through the 7 stacked volumes that make up the 8 internal floors that house a wide variety of programming ranging from meeting rooms to tourist information kiosks. The construction uniquely integrates HVAC equipment in the gaps between the stacked volumes. The interior structure of heavy timber members are left exposed which complement the dynamism of the vertical volumes, while the language of wood is continued onto the exterior by means of laminated timber louvers.
American retailer Coach has commissioned OMA to develop a new merchandising system that accommodates Coach’s wide diversity of products while returning to the clarity of Coach’s heritage stores. Since establishing its first workshop 1941, Coach has expanded from a specialist leather atelier to a global distributor of “democratized luxury goods”. This expansion has clouded the clarity of the brand’s original library-like stores, which used a rigorous organizational system that categorically sort projects inside minimal wooden shelving at assisted counters. OMA intends to create a flexible, modular system that embodies the clarity of the original stores and responds to the individual needs of locale.
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