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Theory and History: The Latest Architecture and News

Architecture and Communication: Dissemination, Curators and Architecture News

In 1999, Birgit Lohmann and Massimo Mini co-founded designboom, self-proclaimed as the "first online architecture and design magazine." Seven years later, Facebook transitioned from Ivy League universities to massive audiences, while the first tweet was posted on formerly-known Twitter. Sixteen years have passed since these milestones.

While 16 years may be a short period in architecture, digital media and social networks are far from being considered emergent in the history of the internet. In fact, they form the core of the current Web 2.0 model, characterized by a dual interaction between content producers and consumers: sharing, liking, remixing, and reposting.

Indeed, the speed and magnitude of the transformations that digital media have undergone, and in turn, driven, provide the opportunity to begin documenting the history of the digital era and its impact on architecture.

What is Good Architecture?

Exploring materiality, contextuality, and approach, our editors developed thought-provoking articles seeking to question and describe some of the aspects that make any Architecture, a good one.

Discover in this piece a selection of editorial writings that aim to answer this interrogation, grouped under the themes of cities, materials, history, context, and Interior Spaces. Moreover, find at the end an excerpt from the ArchDaily book.

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What Does Midcentury Modern Even Mean These Days?

This article was originally published on Common Edge.

Auction houses, secondhand furniture stores, and realtors make small fortunes from a nomenclature that, despite the fuzziness surrounding its indeterminate span and whether everything made during its indefinite duration ought to be stamped with the same label, continues to demand attention. Years from now, serious collectors of architectural magazines may search for that single issue of the 21st century magazine Dwell, absent a major spread of a house designed in the midcentury modern (MCM) manner or a restoration of a building from that era. MCM is the very blood that pulses through the publication’s arteries, promulgating a view of a squeaky-clean and well-lighted lives lived almost invariably by (often childless) ectomorphic couples, blissfully happy under a flat roof with floor-to-ceiling windows affording fine views of distant landscapes best enjoyed behind insulated glass in an ambient temperature of 72 degrees Fahrenheit. But what are we to make of this term, this period—some even call it a “movement”—so well-known globally it goes by initials?

Can Artificial Intelligence Systems like DALL-E or Midjourney Perform Creative Tasks?

We are witnessing a major shift in the process of generating images. The recent influx and growth of machine learning and artificial intelligence raises questions about the way in which creative processes evolve and develop through technology. Systems like DALL-E, DALL-E 2, and Midjourney are AI programs trained to generate images from text descriptions using a dataset of text-image pairs. The diverse set of capabilities includes creating anthropomorphized versions of animals and objects, combining unrelated concepts in plausible ways, and applying transformations to existing images.

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Lessons of Troglodyte Living: What Caves Can Teach Us About Sustainable Design

Contemporary architecture's approach to space is fairly linear: enveloping a specified volume within some form of material construct. But if we take a look at humanity's first intentional dwellings, it becomes clear that they were much less premeditated.

Rather than manmade areas to be furnished with pride, our earliest homes were naturally occurring cave lairs that offered hunter-gatherers temporary protection from the elements and potential predators. It wasn't until the appearance of agriculture that our ancestors took permanent, built residences. To this day, troglodytism — or cave living — continues to be connected to ideas of societal disassociation and a hermetic desire to exist outside of orthodox architectural norms. And yet, from Northern China to Western France and Central Turkey, hundreds of millions of people still choose to spend their lives at least partially underground.

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Away From Old Architecture: What Le Corbusier Really Meant

This article was originally published on Common Edge.

This year marks the centennial of the first edition of Vers Une Architecture, Le Corbusier’s epoch-making book. Though a new English translation appeared in 2007 to much acclaim, most other practicing architects read the first English edition that appeared in 1928, entitled Towards a New Architecture. Comparing the three editions is instructive, particularly in one crucial respect: the insertion of the word “new” in the title. The book wasn’t really about new architecture, because very little of it showed buildings in the International Style. Instead, it was in many respects a clever diatribe intended to convince Europeans that they had no choice but to renounce every kind of architecture that had been built before the Great War and begin anew. It was remarkably successful in fulfilling that aim.

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Why are Scale Models So Appealing?

Ambitious and diverse, models are representative tools non-exclusive to architects. Peculiar fascination with miniatures – and what they tell us about our larger world- extends to all ages, cultures, and purposes. From scaled temples of clay from 200 B.C. found in Mexico, ceramic models carried during medieval Islamic journeys, Victorian doll houses, and LEGOS, models are more than baby buildings. Miniatures unveil the essentials, explain much larger concepts, contain intimate and historical data, and invite us to challenge our known selves and perspective.

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Color, Composition, and Scale: Analyzing Brutalist Photography

Sometimes sculptural and expressive, sometimes monolithic and monotonous, the Brutalist architectural style is equal parts diverse and divisive. From its origins as a by-product of the Modernism movement in the 1950s to today, Brutalist buildings, in architectural discourse, remain a popular point of discussion. A likely reason for this endurance is — with their raw concrete textures and dramatic shadows, brutalist buildings commonly photograph really well.

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Bucky Fuller’s Most Complex Invention May Have Been Himself

This article was originally published on Common Edge.

Today we know R. Buckminster Fuller primarily through his oeuvre of iconic objects and ideas created over the arc of a nearly 90-year life. Born in the last decade of the 19th century, Fuller lived long enough to hang out with Steve Jobs. He’s variously described as a “systems thinker,” perhaps the first “futurist,” a visionary, engineer, geometer, and architect (he won the AIA Gold Medal in 1970). But “inventor” is probably the most accurate description. Historian and writer Alec Nevala-Lee’s 2022 biography, aptly titled Inventor of the Future: The Visionary Life of Buckminster Fuller (Dey St. Books), tells a nuanced story of the man known for geodesic domes; space frames; “Spaceship Earth”; the Dymaxion map, house, and car; and concepts such as tensegrity, synergy, and “ephemeralization” (“doing everything with nothing at all,” as he described it).