REX has released images of the future Ronald O. Perelman Performing Arts Center (The Perelman Center), located on the World Trade Center site in New York City. Located between the gleaming glass tower of One World Trade and the future Two World Trade Center, the Perelman Center takes on a solid, pure form as it is set to become a new home for theater, dance, music, film, opera, and multidisciplinary works for visitors and residents of Lower Manhattan.
The scaffolding obscuring the facade of OMA’s Taipei Performing Arts Center has begun to come down, exposing the aluminum exteriors of the spherical Proscenium Playhouse and the Multiform Theatre for the first time. Upon completion, the experimental building will feature a looped public pathway, flexible auditoriums and unique stage environments. Construction on the building is now moving full speed ahead, with an expected opening date in June 2017.
Continue on for more images of the in-progress building.
Upon opening its doors for the first time on a rainy winter’s night in 1932, the Radio City Music Hall in Manhattan was proclaimed so extraordinarily beautiful as to need no performers at all. The first built component of the massive Rockefeller Center, the Music Hall has been the world’s largest indoor theater for over eighty years. With its elegant Art Deco interiors and complex stage machinery, the theater defied tradition to set a new standard for modern entertainment venues that remains to this day.
This article was originally published on Autodesk's Redshift publication as "Energy Efficiency in Historic Buildings: Why a Theater Company Chose Resurrection (Not Demolition)."
For a ruined Civil War-era warehouse in Brooklyn, there may have been no better organization than an avant-garde theater group to think creatively about its future.
Situated in the shadow of the Brooklyn Bridge in the popular Dumbo neighborhood, the 1860 tobacco warehouse was crumbling and forgotten when St. Ann’s, a 36-year-old theater company that began life in another Brooklyn church, sought to renovate it for its first permanent home. Attaining energy efficiency in historic buildings is not just possible—it can be the most sustainable and aesthetic choice.
St. Ann’s, led by artistic director Susan Feldman, hired a building team that included Marvel Architects; BuroHappold Engineering; and Charcoalblue, a theater, lighting, and acoustics consultancy. The resulting 25,000-square-foot complex, St. Ann’s Warehouse, includes two versatile and changeable performance spaces, lobby and event areas, and a triangular garden (designed by landscape architects Michael Van Valkenburgh Associates).
Ennead Architects has released plans for a new 40,000 square meter (430,550 square foot) Music Center in the Chinese city of Xiamen. The design, produced for a six-week design competition held by Xiamen City Municipal Planning, draws inspiration from the island city’s dramatic topography and history to create a new public institution along the harbor. To provide the beachfront with a new public gathering place, the project’s feature element will be a grand stair likened by Ennead to Rome’s timeless Spanish Steps.
Through 181 images, Guerra shows us Siza's masterful play of light and shadow. The photos allow us to experience a full day at the museum: the morning sun, followed by sunset and finally, the museum illuminated at night.
Below, see the gallery and learn more.
Bing Thom Architects have released new images for Hong Kong’s Xiqu Centre, designed in collaboration with Ronald Lu & Partners. Currently under construction, the building is scheduled for completion in 2017, becoming the first venue to open within the new West Kowloon Cultural District. The Xiqu Centre will serve as the home of the Chinese Opera, as well as play host to an array of cultural events.
Originally built as the headquarters for the Finnish Communist Party, the House of Culture (Kultuuritalo in Finnish) has since established itself as one of Helsinki’s most popular concert venues. Comprising a rectilinear copper office block, a curved brick auditorium, and a long canopy that binds them together, the House of Culture represents the pinnacle of Alvar Aalto’s work with red brick architecture in the 1950s.
British firm PLP has unveiled their design for a large complex at the heart of the Pearl River Delta in China. The master plan comprises four buildings: the Platform for Contemporary Arts, the Lizhi Park Tower, the Concourse, and the Nexus - a 600-meter tall office and hotel tower that will be the masterplan's centerpiece and the region's tallest skyscraper.
A new design competition asks participants to design a facade and street presence for a new addition to the historic 1938 County Theater in Doylestown, Pennsylvania.
URBAN AGENCY, BEM Architects and bbz have unveiled their proposal for the Kronberg School of Music, in Kronberg, Germany, which includes a music chamber, music school and hotel. Developed as an invited competition entry, the project aims to enhance the area around the Kronberg train station and act as a new “gate” to the city, designed to blend into the forecourt of the station.
UNStudio’s design for a theatre in Den Bosch, the Netherlands has been selected through a competition in which the city’s residents voted on one of two finalist designs, receiving 57% of the votes. Their proposal, Theatre on the Parade, integrates the theatre’s four volumes into its surrounding environment.
Location7300 Portalegre, Portugal
HPP Architects has won a competition to extend the campus of Cologne's University of Music and Dance. Chosen over 13 entries, the winning design will enclose a site in the Kunibertsviertel, close to Cologne’s railway station, and transform it into an "attractive" urban area. The plan, deemed by the jury to be a "clear example of a successful urban remedy," also calls for the conversion of an existing building into an animated concert and dance hall.
Envisioning the House of Hungarian Music as the new center of distribution within Liget Park, MenoMenoPiu Architects proposed a circular form for the concert hall, facilitating circulation to and from the museum and within the park. Although not the final winner of the Liget-Budapest Competition, “The Circle” demonstrates an interesting organizational strategy and perspective on sound.
Residents of 's-Hertogenbosch have been asked to vote on proposals by UNStudio and Ector Hoogstad Architecten to decide who will design their new City Center Theater. Though vastly different, both proposals promise to provide a timeless main theater and flexible performance hall that connects to an inviting foyer and seamlessly merges with the adjacent public plaza.
The public's vote will count towards 50 percent of the final decision. Ground breaking is expected to occur in 2017, with completion scheduled for 2020. Read on for a preview of both proposals.
Out of 197 entries from 38 countries, six proposals have been chosen as the winners of the 2015 OISTAT Theatre Architecture Competition, which sought proposals for a floating theatre that could be moved to different locations along the Spree River in Germany. The ideas competition was organized by OISTAT (International Organization of Scenographers, Technicians, and Theatre Architects), and the winning proposals will be showcased at the exhibition Stage│Set│Scenery in Berlin in June.
Per the competition requirements, the floating theatre proposals accommodate audiences of up to 300 people with a backstage area for 20 or fewer performers. The performance space remains moored on the river, while the foyer, restrooms, and refreshments are housed in a temporary structure on land that can be moved when necessary.
LocationClinton, NY 13323, United States
Architect in ChargeRodolfo Machado
Project DirectorEdwin Goodell, AIA