In the latest of a series of technological developments which are expanding the capabilities of 3D Printing, researchers at MIT's Computer Science and Artificial Intelligence Laboratory (CSAIL) have developed a 3D printer that is capable of handling up to 10 materials simultaneously, and uses a process called "machine vision" to dramatically increase the variety of objects which the printer can produce.
Is there a designer who does not dream of the perfect lighting concept, which conveys a feeling of well-being and shows the architecture at its best? Unfortunately, however, it is often the case that the brief received from the client causes difficulties. All too often discussions are peppered with such terms as LEDs and lux levels,causing an unconscious shift in thinking in the direction of norms and technology instead of placing questions about requirements and lighting quality at the centre of discussion. But what exactly is quality lighting design?
Glass can be molded, formed, blown, plated, sintered and now 3D printed. Neri Oxman and her Mediated Matter Group team has just unveiled their new glass printing platform: G3DP: Additive Manufacturing of Optically Transparent Glass. A collaboration with the Glass Lab at MIT, G3DP is the first of its kind and can 3D print optically transparent glass with stunning precision.
"G3DP is an additive manufacturing platform designed to print optically transparent glass," Oxman told ArchDaily. "The tunability enabled by geometrical and optical variation driven by form, transparency and color variation can drive; limit or control light transmission, reflection and refraction, and therefore carries significant implications for all things glass: aerodynamic building facades optimized for solar gain, geometrically customized and variable thickness lighting devices and so on."
Taipei 101, once the world's tallest building before losing the title to the Burj Khalifa, has set a new record. As Popular Mechanics reports, the 1,667-foot-tall skyscraper's internal "tuned mass damper" swayed more than it ever has before in last week's Typhoon Soudelor. Also known as a "harmonic absorber," the massive damper moved a full meter from its central position at the tower's top in an effort to keep Taipei 101 upright during the early morning storm's 100 to 145 mph winds.
The weighted ball, measuring 18-feet in diameter and weighing 728 tons, sits on hydraulic cylinders suspended between the 87th and 92nd floors. It was engineered for winds up to 135 mph. Watch the damper (and building) sway in the video below.
"Buildings shouldn't just be a place where you go to do stuff. How can we enable the buildings themselves to be a positive contributor to the activities that happen within them?"
This is how David Fano, co-founder of New York consultancy CASE, explained the logic behind their acquisition by WeWork, the company that provides flexible coworking spaces for entrepreneurs and small businesses. Announced today, the merger could potentially mark a new chapter in the field of office design, as CASE proposes to bring their trademark attitude to Building Information Modeling (BIM) and other cutting edge technology to every space developed by WeWork.
Find out how this acquisition could change the face of Office design after the break.
As an architect, whether you’re storing large design files, sharing them with colleagues, syncing files to your tablet to show clients in meetings, or filing away confidential patent documentation, the benefits of the cloud are increasingly on your side. Because the architecture industry relies so heavily on collaboration throughout the course of a project, it seems like a natural fit for using the cloud but nonetheless, many architecture firms generally dissuade cloud adoption, largely due to concerns about security and the necessity of protecting intellectual property.
To be fair, these concerns are not entirely unfounded: After all, nearly a quarter of cybercriminals are intellectual property spies, hoping to sell your designs to a competitor or release confidential plans to the public. So when you work in an industry where intellectual property is your bread and butter, it’s essential to regularly address security concerns and maintain strong contingency plans.
Spanish architect Josep Lluís Mateo of Mateo Arquitectura has launched the “BCN Architecture Guide,” a free application to help travelers and architecture lovers explore Barcelona. The app guides users to both highlights of the city’s built environment as well as its natural environment, including some “places to experience nature in tension with the city, places to be rather than objects to look at.”
The success of a design, from inception to construction, can depend on the extent to which designers can represent their intentions, but the days when architects used the drafting pencil and parallel edge to exercise physical control over their work are rapidly fading away. While computerization makes possible innovative forms and new methods of working, if not calibrated and engineered perfectly, digital technology can bring unintended consequences into the design process. Samsung’s UD970 monitor, however, resynchronizes the design process with the build environment through ultra-high definition (UHD) technology. Samsung partnered with leading designers, including Mark English Architects, to explore the importance of high-resolution detail in their work and ArchDaily has teamed up to bring these UHD monitors to our readers. To learn more, read on after the break.
A design team from Belgium is developing a new way to add real estate to your laptop. The Sliden’joy, founded by Charlee Jeunehomme, Laurent Wéry and Thomas Castro, is an attachment for Mac and PC that adds up to two extra displays to your laptop.
With the ability to rotate each (13”, 15” or 17”) monitors 180°, the attachment gives you 360° visibility of your screen. The thickness of the unit varies, depending on how many screens and which finish the user selects; the 2-screen unit is currently 1.7 centimeters thick, though the designers claim it could be thinner. Finishes include wood, leather and carbon.
Seven years after waking up without sight, San Francisco-based architect Chris Downey is helping to revolutionize the built environment with interactive technologies optimized for the blind. One of the world's leading blind architects, Downey intrinsically understands the issues facing blind and visually impaired people worldwide. As a consultant to a variety of organizations serving to advance universal access, Downey has played an integral role in the development and integration of new, non-invasive technologies designed to assist the blind.
In a recent article in Dwell, Downey illustrates the various technologies currently being tested and implemented in San Francisco - a city notorious for its topographical challenges to differently abled residents. See four takeaways from Dwell's interview with Downey on how technology can help bridge the gap between architecture and universal access after the break.
Could Hovering Buildings be the Future of Sustainability?
If Arx Pax, a cutting-edge technology firm led by Greg and Jill Henderson, has its way, levitating objects could become a common sight. The team is developing what they call Magnetic Field Architecture (MFA), a technology which controls electromagnetic energy to make objects hover, and at the several months ago, they used it to produce Hendo Hover, a hoverboard capable of carrying a person. While the fact that Arx Pax was able to produce a hoverboard is fascinating, the technology could have much more serious applications: as an architect, Greg Henderson envisions that one day MFA technology could be used in buildings to produce sustainable structures which can better survive earthquakes and other natural disasters. Is this goal realistic?
Rendering has become the ultimate tool in the architect’s arsenal for communicating designs directly to clients. But with the seemingly infinite number of real-life material options that exist today, the textures built into rendering programs often fall short. In some cases, one may be able to find appropriate texture maps for their desired materials online, but when experimenting with new materials or unique colors the need for greater customization arises. In the past, perhaps you could attempt to manually create and edit your own texture maps, but this can be a long and arduous process.
The AIA has announced four projects as the winners of its inaugural Technology in Architectural Practice (TAP) Innovation Awards, with Morphosis Architects' Emerson College Los Angeles taking away the headline "Stellar Architecture" award. Started in 2005, the TAP Knowledge Community has led efforts to acknowledge and disseminate the best use of Building Information Modeling (BIM) technologies, and the AIA hopes that the new TAP Innovation Award will "enliven the discourse on how these innovations can advance the profession and practice of architecture and further the mission of the Institute."
See all four awarded projects after the break.
ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions. In this introduction to the April 2015 issue, her final editorial at the magazine, Catherine Slessor reflects on the changes in her two-decade tenure as a member of the AR's editorial staff - from the technological change that has irrevocably changed the nature of architectural publishing, to the worrying decline in the relevance of the architectural profession.
Cyberpunk king William Gibson once remarked: "The future is already here; it’s just not evenly distributed." But we’re getting there. The AR’s digital adventure has just climaxed with the recent launch of the AR app. Our lavish and incomparable banquet of criticism, culture and campaigning can now be savoured at your leisure, wherever you are and whatever you’re doing. It’s a leap that completes the journey from paper magazine to digital multiverse, offering more and different kinds of content on your platform of choice.
In the latest of a series of polemical arguments against smart cities, Rem Koolhaas has penned perhaps his most complete analysis yet of the role that emerging technologies and the way they are implemented will affect our everyday lives, in an article over at Artforum. Taking on a wide range of issues, Koolhaas goes from criticizing developments in building technology as a "stealthy infiltration of architecture via its constituent elements" to questioning the commercial motivations of the (non-architects) who are creating these smart cities - even at one point implicating his other erstwhile recent interest, the countryside, where he says "a hyper-Cartesian order is being imposed." Find out more about Koolhaas' smart city thoughts at Artforum.
What if the manufacturers of the phones and social networks we cling to became the rulers of tomorrow’s cities? Imagine a world in which every building in your neighborhood is owned by Samsung, entire regions are occupied by the ghosts of our digital selves, and cities spring up in international waters to house outsourced laborers. These are the worlds imagined by self-described speculative architect, Liam Young in his latest series of animations entitled ”New City.” Read on after the break to see all three animations and learn more about what’s next in the series.
In his popular post on how architects can "work smarter, not harder," Michael Kilkelly suggests that you should "customize your tools to work the way you work" and "use macros to automate repetitive tasks." Both sound very helpful of course, but wouldn't those require you to to write some code? Yes - but according to Kilkelly this should be a tool available in every architect's toolkit. Originally published on ArchSmarter, here he offers 5 reasons that architects should learn to code.
As architects, we need to know a lot of stuff. We need to know building codes, structures, mechanical systems, materials. We need to know how to read zoning codes, how to calculate building area, how to layout office floor. The list goes on and on. Do we really need to know how to write computer programs as well?
What possible use could architects have for a supercomputer? Well, of course it would be nice to produce that ultra-high-quality render in a matter of seconds rather than hours - but this post on the XSEDE blog recounts another use that is (arguably) much more important. XSEDE, an organization that helps researchers by providing them with access to supercomputers, has been working with a group from the University of Utah's Mechanical Engineering Department to simulate wind flow in cities, with the ultimate aim of providing architects and engineers with the tools to reduce wind tunneling effects, improve energy efficiency and lower pollution. Find out more about the research project here.