Nearly two years after OMA was announced winner of a two-stage international competition, the construction of the new Taipei Performing Arts Center has commenced. This ambitious project, led by OMA partners Rem Koolhaas and David Gianotten, generated a lot of debate among architects when it was announced back in 2009 due to its particular form. Morphed by a series of programatic operations, the form intersects three types of theater in order to accommodate a variety of performances.
The main theater, which seats 1,500, is expressed on the exterior as a large sphere while the two smaller theaters, each capable of seating 800, are represented as peripheric cubes. All the stage accommodations are brought together within the central cube, allowing for more flexibility as theaters can be used independently or combined, thus expanding the possibilities for experimental performances – an art which is very strong inTaiwan. At the same time, and in a similar way as OMA’s CCTV building in Beijing, China, a “public loop” channels circulation through the building, exposing the spaces that make the TPAC work, areas typically hidden from the public but are as revealing as the performances themselves.
In this aspect, the building is like a machine at work with its engine exposed, somehow reminding me of OMA’s Prada Transformer – a machine-like building (the anti-blob) that changed its configuration to host different types of events.
The 180 million dollar project is set to be completed in 2015. More details, including sections and updated renders, after the break:
Architect: Marco Casagrande
Location: Taipei City, Taiwan
Project Managers: Delphine, Peng Hsiao-Ting / JUT Group, Nikita Wu / C-LAB
Casagrande Laboratory for Cicada: Frank Chen, Yu-Chen Chiu, Shreya Nagrath, Arijit Sen
Measures: 34 m long, 12 m wide, 8 m high
Interior space: 270 sqm
Project Year: 2011
Anemone is an art/architectural installation by Oyler Wu Collaborative aimed at weaving together aesthetic experience and tactile engagement, a combination generally considered off limits within the world of contemporary art. All too often, art installations are considered precious, almost sacred objects; while they are meant to be appreciated for their aesthetic beauty, they offer little in terms of human interaction. In other words, they are meant to be seen, not felt. Recognizing that human engagement is one of the key factors in creating a rich experience, Anemone has been designed with the idea of interaction as one of its key design objectives. More images and project description after the break.
The New Taipei City Museum of Art (NCArt) should propose a new paradigm for celebrating art in Taipei, one that brings lifestyle, art, recreation and education together to celebrate the vibrant cultural identity of the community. The fusion of art with all aspects of one’s daily experience is driven by ideas about the intrinsic relationship between art and life relevant in Taiwan’s popular contemporary culture. The new museum seeks to embody these ideas and provide an iconic venue for the spontaneous unfolding of contemporary life.
Here’s the proposal Zerafa Architecture Studio presented for this project.
INFLUX_STUDIO shared with us their proposal for the New Taipei City Museum of Art competition as contemporary art museums are becoming hybrid programs and transforming the way people approach art to become real places to be. The key issue they were dealt with was how to gather people and art while integrating the landscape into the museum and the museum into the park. More images and architects’ description after the break.
The objectives of this competition to build a world-class museum of art in a call for proposal through a conceptual design international competition, creative and visionary schemes are sought in order to give the New Taipei City Museum of Art a fresh look and versatile art exhibition space. The design teams from all over the world are invited to challenge their imagination, pursue new possibilities for modern art museums and help New Taipei City create an artistic icon for the new century!
The planning and design guidelines in this design brief are for reference only. The designer must propose the new positioning for the new possibilities for modern art museums, define the exhibition method, and propose new space requirement, then proceed the planning and design based on the new required spaces and design guidelines.
For more information go to the competition’s official website.
Architects: Moxie Design
Location: Taipei, Taiwan
Interaction Design: xXtraLab Design Co
Art Director: Zoching Chen
Interactive Director: Ting-Han Chen
Design Team: Chi-Chen Yang ,Chian Hsin, Shang-Fang Chen, Pu Chen, Jimmy Lin
Design Director: Frankie Fan
Project Designer: Chian Hsin
Project year: 2009 – 2010
Photographs: Marc Gerritsen
Mecanoo’s Wei-Wu-Ying Center for the Arts has broken ground in Kaohsiung with a festive public celebration hosted by President Ma Ying-jeou and attended by Architect Francine Houben. The new cultural complex will be the largest in Asia at 141,000 sqm, featuring the most modern in theatre technology, housing a concert hall with 2000 seats, an opera house with 2250 seats, a playhouse with 1250 seats, a recital hall with 500 seats, a public library and studios for music and dance.
We have featured several designs for the Taipei Performing Arts Center (such as the winning proposal by OMA previously featured on AD), and our latest project is from Kokkugia, a New York and London based architecture firm. Kokkugia’s form, which is based on the location’s unique geography, is a compelling composition that attempts to create “a dynamic venue and a public space of spectacle.” The slight slope of the site in emphasized in the form, as visitors enter from under the building. The interior aims to create the best possible acoustics. The roof is a network of semi-autonomous agents that reorganize to adjust so that the roof maintains some of its original geometry and other parts shift freely.
More images after the break.