Anemone is an art/architectural installation by Oyler Wu Collaborative aimed at weaving together aesthetic experience and tactile engagement, a combination generally considered off limits within the world of contemporary art. All too often, art installations are considered precious, almost sacred objects; while they are meant to be appreciated for their aesthetic beauty, they offer little in terms of human interaction. In other words, they are meant to be seen, not felt. Recognizing that human engagement is one of the key factors in creating a rich experience, Anemone has been designed with the idea of interaction as one of its key design objectives. More images and project description after the break.
The New Taipei City Museum of Art (NCArt) should propose a new paradigm for celebrating art in Taipei, one that brings lifestyle, art, recreation and education together to celebrate the vibrant cultural identity of the community. The fusion of art with all aspects of one’s daily experience is driven by ideas about the intrinsic relationship between art and life relevant in Taiwan’s popular contemporary culture. The new museum seeks to embody these ideas and provide an iconic venue for the spontaneous unfolding of contemporary life.
Here’s the proposal Zerafa Architecture Studio presented for this project.
INFLUX_STUDIO shared with us their proposal for the New Taipei City Museum of Art competition as contemporary art museums are becoming hybrid programs and transforming the way people approach art to become real places to be. The key issue they were dealt with was how to gather people and art while integrating the landscape into the museum and the museum into the park. More images and architects’ description after the break.
The objectives of this competition to build a world-class museum of art in a call for proposal through a conceptual design international competition, creative and visionary schemes are sought in order to give the New Taipei City Museum of Art a fresh look and versatile art exhibition space. The design teams from all over the world are invited to challenge their imagination, pursue new possibilities for modern art museums and help New Taipei City create an artistic icon for the new century!
The planning and design guidelines in this design brief are for reference only. The designer must propose the new positioning for the new possibilities for modern art museums, define the exhibition method, and propose new space requirement, then proceed the planning and design based on the new required spaces and design guidelines.
For more information go to the competition’s official website.
Architects: Moxie Design
Location: Taipei, Taiwan
Interaction Design: xXtraLab Design Co
Art Director: Zoching Chen
Interactive Director: Ting-Han Chen
Design Team: Chi-Chen Yang ,Chian Hsin, Shang-Fang Chen, Pu Chen, Jimmy Lin
Design Director: Frankie Fan
Project Designer: Chian Hsin
Project year: 2009 – 2010
Photographs: Marc Gerritsen
Mecanoo’s Wei-Wu-Ying Center for the Arts has broken ground in Kaohsiung with a festive public celebration hosted by President Ma Ying-jeou and attended by Architect Francine Houben. The new cultural complex will be the largest in Asia at 141,000 sqm, featuring the most modern in theatre technology, housing a concert hall with 2000 seats, an opera house with 2250 seats, a playhouse with 1250 seats, a recital hall with 500 seats, a public library and studios for music and dance.
We have featured several designs for the Taipei Performing Arts Center (such as the winning proposal by OMA previously featured on AD), and our latest project is from Kokkugia, a New York and London based architecture firm. Kokkugia’s form, which is based on the location’s unique geography, is a compelling composition that attempts to create “a dynamic venue and a public space of spectacle.” The slight slope of the site in emphasized in the form, as visitors enter from under the building. The interior aims to create the best possible acoustics. The roof is a network of semi-autonomous agents that reorganize to adjust so that the roof maintains some of its original geometry and other parts shift freely.
More images after the break.
With the Taipei Pop Music Center, Reiser + Umemoto and ARUP have fundamentally rethought the live music and entertainment venue to meet the challenges and opportunities of pop music and digital media in the 21st century.
More images and full architect’s description after the break.
The idea of this project is to form a live music hub that creates richly diverse experiences reflective of Taipei’s music scene. The design knits together unique venues—large and small—with indoor, outdoor and semi-enclosed public spaces, forming a dense urban architecture connected through the live experience of music.
More images and full architect’s description after the break.
Located in the Nangang District, the principal space design comprises of an indoor performing hall with 4500-6000 seats, an outdoor performing space with 15000 standing seats, exhibition space for reputed musicians, a digital library, a medium and small indoor exhibition and performing live house, industrial communities and incubation space, etc.
More images and architect’s description after the break.
Pop culture is the culture of change. Pop architecture is the space of change. Rather than a building, the TPMC provides a platform for spontaneous activities: a street, a park, a network of pedestrian circulation, which are embedded into an architectural framework. The design strategy for the TPMC defines the site through 3 different elements.
Full architect’s description and more images after the break.
Taipei 101, famous for being one of the world’s tallest buildings, is set to get some major eco-upgrades in an effort to save money, reduce its impact, and gain the much coveted title of “World’s Tallest Green Building.” In 2007, the Burj Dubai surpassed Taipei 101 in terms of height, but the Taiwanese building won’t give up the fight, throwing down $1.8 million in energy efficiency upgrades, which are expected to yield $20 million annually in savings and make it the Earth’s greenest and tallest building.
Over the next 18 months, the skyscraper will undergo significant energy efficiency upgrades and will also seek LEED Gold certification for existing buildings. The certification will largely depend on the building performance after the upgrades and renovations take place. The owners of Taipei 101 are teaming up with SL+A International Asia Inc., Siemens and EcoTech International Inc. to complete the eco-upgrades. Seen at Inhabitat. More images after the break.