Learning how to design is hard. It requires students to learn an entirely new way of thinking and seeing the world. It even requires a whole new vocabulary. So architecture school is rightly hard. However, architecture school is known for being hard for the wrong reasons; studio is considered a mystical place on college campuses full of sleep-deprived students who are designing simply because professors decree that they must—so much so that when a non-architecture student meets an architecture student on the Quad they immediately offer their condolences. This perception exists because studio culture has not yet evolved from its rigid hierarchy, originating in the Beaux Arts teaching method, that thrives on competition and intensity and creates a breeding ground for unhappy students.
Adjaye Associates, SHoP Architects and Snøhetta have been shortlisted for a new National Veterans Resource Complex (NVRC) at Syracuse University. The three practices, all of which were among seven recently shortlisted to design the Obama Presidential Library in Chicago, were selected over 28 considered firms by a group of faculty, staff, students and design professionals, including Martha Thorne.
“The three finalist firms and their teams are outstanding,” says Thorne. “I have no doubt they will propose ideas that go beyond traditional academic buildings and make the NVRC a pioneering facility that will contribute to the University, as well as the broader community.”
DesignIntelligence has released their 2016 rankings of the Best Architecture Schools in the US for both undergraduate and graduate programs. Nearly 1500 professional practice organizations were surveyed this year, as part of the survey's 16th edition, and were asked the following question: “In your firm’s hiring experience in the past five years, which of the following schools are best preparing students for success in the profession?”
This information, along with detailed accounts on the best programs that teach skills in design, communication, sustainability and technology, resulted in the 2016 rankings. The two top schools, Cornell for undergraduates and Harvard for graduates, held their positions as the best programs to attend, according to the study.
Without further ado, the top 10 undergraduate and graduate programs in the US are...
The story of the African built environment is often told through historical perspectives of colonization and political crises, emphasizing the difficulties that African people have faced. Economic perspectives such as poverty, development and globalization also create stereotypes of the continent. Often missing from these are the transformations in space that result from daily and repeated use. These transformations emerge from ideas exchanged between people and their movements through their neighborhoods, cities, regions and countries. The quality of spaces that we may find will paint a complex picture of Africa.
For the 10th Festival des Architectures Vives in Montpellier, Syracuse University commissioned a team to design an installation in the courtyard of Hôtel Audessan. The project, “Trans(inter)ference,” was a 3D drawing designed and constructed by Maya Alam and Daniele Profeta, with the help of three Syracuse University students.
Focusing on the in-between of architecture, the project favors the space between idea and resolution, "between old and new." The installation was developed by projecting the facades of Hôtel Audessan through one another, creating a labyrinth of layered views.
Marcel Breuer, born in Hungary in 1902, was educated under the Bauhaus manifesto of “total construction”; this is likely why Breuer is well known for both his furniture designs as well as his numerous works of architecture, which ranged from small residences to monumental architecture and governmental buildings. His career flourished during the Modernist period in conjunction with architects and designers such as founder of Bauhaus Walter Gropius, Le Corbusier and Mies van der Rohe.
In 2009, Syracuse University’s Special Collection Research Center recieved a National Endowment for the Humanities grant with which it began creating the Marcel Breuer Digital Archive. The digital archive, available online, is a collaborative effort headed by the library and includes institutions such as the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau, the Eidgenössische Technische Hochschule Zürich, Harvard University, the Archives of American Art at the Smithsonian Institution, the University of East Anglia, and the Vitra Design Museum. It is in the first phase, which includes Breuer work up until 1955, of digitzing over 30,000 drawings, photographs, letters and other related material of his work.
More about Marcel Breuer’s career and the archive after the break.