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SFMOMA’s expansion / Snøhetta

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Expansion Aerial View Southeast © Snøhetta

SFMOMA reveals the design for the museums new expansion, designed by the Norway-based architecture firm Snøhetta. The expansion transforms the current Mario Botta-designed building into a scale that “meets the museum’s mission.” Increased public circulation, flexible gallery space and intuitive navigation are a few of the projects main goals.

Continue after the break for more information, images and video.


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SFMOMA’s expansion, unconfirmed shortlist

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© jay.tong via Flickr

Curbed SF previosuly reported on the shortlist for the 225,000sqf expansion of the SFMOMA. The unconfirmed shortlist of the 8 practices include David Adjaye, Diller Scofidio + Renfro, Steven Holl, Office for Metropolitan Architecture (OMA), Snøhetta, and Renzo Piano. The other 2 remained unknown, but they stated that there are no local firms included.

Our friends at the Architect’s Newspaper propose a list of local practices that should have been invited: Aidlin Darling, Anne Fougeron (works previously featured at AD), IwamotoScott (projects previously featured at AD), Ogrydziak/Prillinger and Brad Cloepfil of Allied Works. I strongly agree with their list, and would like to add Stanley Saitowitz | Natoma Architects, with a vast experience in , who recently completed the Tampa Museum of Art

Photo via jay.tong, Flickr.

“Patterns of Speculation”: An exhibition on the works of Juergen Mayer.

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An on the works of German architect Juergen Mayer H., entitled “Patterns of Speculation”, just opened at the SF MoMA. Mayer joins two modes of exhibiting architecture in a gallery – installation and documentation – to present a unique, hybrid environment.

The first solo museum exhibition to focus on this internationally recognized, Berlin-based studio, Patterns of Speculation offers a kind of dreamscape: a chamber of hypnotic imagery in which sound and light are set within a three-dimensional matrix of constructed and graphic elements. Data protection patterns serve as the source material for the installation.

These patterns – which are used to conceal information, similar to the lining on the inside of bank envelopes – are translated into different scales and media, from the freestanding modules to frameworks for projected imagery and sound, as well as models for the designs of the depicted buildings.

Long a subject of fascination and object of research for J. MAYER H., the patterns are presented here as the precondition or pretext for the studio’s architecture, a code that lies at the core of its design language.

You can see J.Mayer H. works previously featured on AD here.

More info at the SFMoMA website.

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