The San Francisco Museum of Modern Art (SFMOMA) has announced further details of its 235,000-square-foot building expansion that will support the museum’s increasing role in city life and the international art community. Designed by Norway-based practice Snøhetta, in collaboration with local firm EHDD, the 10-story concrete structure will compliment SFMOMA’s original, Mario Botta-designed, red-brick museum by offering more free-to-the-public space, expanded education programs and an abundance of flexible performance-based gallery space.
Construction will commence this Summer and is expected to reopen in early 2016.
More after the break…
SFMoMA will highlight the legacy of Lebbeus Woods in an exhibition that will run from February 16 through June 2, 2013. It will include 75 works from the past 35 years of his career. Lebbeus Woods is often categorized as an architect, but always as an artist and visionary. His career has been filled with imaginative leaps through the concepts of space and form, exploring politics, society, ethics and the human condition. He was a great influence on architects, designers, filmmakers, writers and artists. The exhibition will celebrate his untimely death late last year and the breadth of influence that his work had on the art and design community.
The San Francisco Museum of Modern Art will be hosting an exhibition from September 1, 2012 through January 6, 2013 that features works of conceptual and theoretical architecture. Blurring the lines between the two, the “field” to frame these investigations into construction, representation, and experience of space entitled Field Conditions features works in a wide variety of media by artists and practicing architects. Some of the notable names that will have their work on display include Tauba Auerbach, Daniel Libeskind, Rafael Lozano-Hemmer, Sol LeWitt, and Lebbeus Woods. More snapshots of the work after the break.
If you are in the Bay Area this weekend, we recommend you stop in at the San Francisco Museum of Modern Art (SFMOMA) and check out their current exhibit The Utopian Impulse: Buckminster Fuller and the Bay Area. This exhibition is the first of its kind, featuring Buckminster Fuller’s most iconic projects as well a focus on his local design legacy in the Bay Area. Though he was never a resident, Fuller’s ideas inspired many local experiments in the realms of technology, engineering and sustainability. Continue reading for more information.
SFMOMA reveals the design for the museums new expansion, designed by the Norway-based architecture firm Snøhetta. The expansion transforms the current Mario Botta-designed building into a scale that “meets the museum’s mission.” Increased public circulation, flexible gallery space and intuitive navigation are a few of the projects main goals.
Continue after the break for more information, images and video.
Curbed SF previosuly reported on the shortlist for the 225,000sqf expansion of the SFMOMA. The unconfirmed shortlist of the 8 practices include David Adjaye, Diller Scofidio + Renfro, Steven Holl, Office for Metropolitan Architecture (OMA), Snøhetta, and Renzo Piano. The other 2 remained unknown, but they stated that there are no local firms included.
Our friends at the Architect’s Newspaper propose a list of local practices that should have been invited: Aidlin Darling, Anne Fougeron (works previously featured at AD), IwamotoScott (projects previously featured at AD), Ogrydziak/Prillinger and Brad Cloepfil of Allied Works. I strongly agree with their list, and would like to add Stanley Saitowitz | Natoma Architects, with a vast experience in San Francisco, who recently completed the Tampa Museum of Art
An exhibition on the works of German architect Juergen Mayer H., entitled “Patterns of Speculation”, just opened at the SF MoMA. Mayer joins two modes of exhibiting architecture in a gallery – installation and documentation – to present a unique, hybrid environment.
The first solo museum exhibition to focus on this internationally recognized, Berlin-based studio, Patterns of Speculation offers a kind of dreamscape: a chamber of hypnotic imagery in which sound and light are set within a three-dimensional matrix of constructed and graphic elements. Data protection patterns serve as the source material for the installation.
These patterns – which are used to conceal information, similar to the lining on the inside of bank envelopes – are translated into different scales and media, from the freestanding modules to frameworks for projected imagery and sound, as well as models for the designs of the depicted buildings.
Long a subject of fascination and object of research for J. MAYER H., the patterns are presented here as the precondition or pretext for the studio’s architecture, a code that lies at the core of its design language.
You can see J.Mayer H. works previously featured on AD here.
More info at the SFMoMA website.