Update: SFMOMA Expansion / Snøhetta

Expansion Aerial Southeast Façade; Courtesy of MIR and Snøhetta

The San Francisco Museum of Modern Art (SFMOMA) has announced further details of its 235,000-square-foot building expansion that will support the museum’s increasing role in city life and the international art community. Designed by Norway-based practice Snøhetta, in collaboration with local firm EHDDthe 10-story concrete structure will compliment SFMOMA’s original, Mario Botta-designed, red-brick museum by offering more free-to-the-public space, expanded education programs and an abundance of flexible performance-based gallery space.

Construction will commence this Summer and is expected to reopen in early 2016.

More after the break…

SFMOMA Expansion Howard St. entrance; Courtesy of MIR and Snøhetta

SFMOMA’s new building will include seven levels dedicated to diverse art experiences and programming spaces, along with three housing enhanced support space for the museum’s operations. It will also offer approximately 130,000 square feet of indoor and outdoor gallery space, as well as nearly 15,000 square feet of art-filled free-access public space, more than doubling SFMOMA’s current capacity for the presentation of art while maintaining a sense of intimacy and connection to the museum’s urban surroundings. Other notable features include:

A large glass-walled gallery (interior view) on ground level with free public access will beckon passersby on Howard Street; rendering: Courtesy of MIR and Snøhetta
  • A large-scale vertical garden located in a new outdoor sculpture terrace on the third floor, which will be the biggest public living wall of native plants in San Francisco.
  • A versatile, double-height “white box” space on the fourth floor equipped with cutting-edge lighting and sound systems that, in tandem with the museum’s upgraded Phyllis
  • Wattis Theater, will open new doors for SFMOMA’s program of live art, and also improve services for school-group tours, film screenings, and special events.
  • State-of-the-art conservation studios on the seventh and eighth floors that will further SFMOMA’s progressive work in the care and interpretation of its growing collections.
  • An environmentally sensitive approach on track to achieve LEED Gold certification, with 15% energy-cost reduction, 30% water-use reduction, and 20% reduction in wastewater generation.
  • A new outdoor terrace on the seventh floor with incredible city views, further integrating the urban indoor/outdoor experience that SFMOMA began in 2009 with the opening of its current rooftop sculpture garden on the fifth floor.
Versatile “white box” space (interior view) on fourth floor of expanded SFMOMA will create new possibilities for live performance and education programs; rendering: Courtesy of MIR and Snøhetta

At the same time, as previously announced, new public spaces and additional public entrances to the building (on Howard and Minna Streets) are designed to increase access and weave the museum more deeply into the neighborhood. A mid-block, street-level pedestrian promenade will open a new route of circulation in the area, enlivening the side streets and offering a pathway between SFMOMA and the Transbay Transit Center currently under construction two blocks east of the museum. Building on the popularity of the museum’s artist commissions in its admission-free atrium, an expansive free-to-access gallery on the ground floor with 25-foot-high glass walls facing Howard Street will now place art—such as Richard Serra’s enormous walk-in spiral sculpture Sequence (2006)—on view to passersby for the first time. This gallery will also feature stepped seating, offering a resting and gathering point for museum tour groups and neighborhood denizens alike.

Sculpture terrace extending from Howard to Minna Streets will be framed on one side by a vibrant vertical garden; rendering: Courtesy of MIR and Snøhetta

“SFMOMA has had a tremendous impact on the economic and cultural vitality of the South of Market neighborhood and the city,” says San Francisco’s District 6 Supervisor Jane Kim. “Even though this area is one of the city’s oldest, in many ways it’s still the freshest, where much of the most dramatic change is happening. The museum’s expanded home in this cultural center will provide even greater public access and support to emerging and established artists as a hub of creativity and international art destination. I look forward to seeing the district grow and evolve even further as SFMOMA’s future takes shape.”

SFMOMA Expansion Night Aerial from Howard St.; Courtesy of MIR and Snøhetta

News via SFMOMA  

SFMoMA: Lebbeus Woods, Architect

Lebbeus Woods, San Francisco Project: Inhabiting the Quake, Quake City, 1995;; © Estate of Lebbeus Woods

SFMoMA will highlight the legacy of Lebbeus Woods in an that will run from February 16 through June 2, 2013.  It will include 75 works from the past 35 years of his career.  Lebbeus Woods is often categorized as an architect, but always as an artist and visionary.  His career has been filled with imaginative leaps through the concepts of space and form, exploring politics, society, ethics and the human condition.  He was a great influence on architects, designers, filmmakers, writers and artists.  The will celebrate his untimely death late last year and the breadth of influence that his work had on the art and design community.

SFMoMA presents “Field Conditions”

, Conflict Space 2, 2006; crayon and acrylic on linen; 74 x 120 in. (187.96 x 304.8 cm); Collection , gift of Aleksandra Wagner; © Lebbeus Woods

The San Francisco Museum of Modern Art will be hosting an exhibition from September 1, 2012 through January 6, 2013 that features works of conceptual and theoretical architecture. Blurring the lines between the two, the “field” to frame these investigations into construction, representation, and experience of space entitled Field Conditions features works in a wide variety of media by artists and practicing architects. Some of the notable names that will have their work on display include Tauba Auerbach, Daniel Libeskind, Rafael Lozano-Hemmer, Sol LeWitt, and Lebbeus Woods. More snapshots of the work after the break.

SFMoMA Exhibit: “The Utopian Impulse: Buckminster Fuller and the Bay Area”

1. Buckminster Fuller and Chuck Byrne, Building Construction/Geodesic Dome, United States Patent Office no. 2,682,235, from the portfolio Inventions: Twelve Around One, 1981; screen print in white ink on clear polyester film; 30 in. x 40 in. (76.2 cm x 101.6 cm); Collection , gift of Chuck and Elizabeth Byrne; © The Estate of R. Buckminster Fuller, All Rights reserved. Published by Carl Solway Gallery, Cincinnati.

If you are in the Bay Area this weekend, we recommend you stop in at the San Francisco Museum of Modern Art (SFMOMA) and check out their current exhibit The Utopian Impulse: Buckminster Fuller and the Bay Area. This is the first of its kind, featuring Buckminster Fuller’s most iconic projects as well a focus on his local design legacy in the Bay Area. Though he was never a resident, Fuller’s ideas inspired many local experiments in the realms of technology, engineering and sustainability. Continue reading for more information.

SFMOMA’s expansion / Snøhetta

Expansion Aerial View Southeast © Snøhetta

SFMOMA reveals the design for the museums new expansion, designed by the Norway-based architecture firm Snøhetta. The expansion transforms the current Mario Botta-designed building into a scale that “meets the museum’s mission.” Increased public circulation, flexible gallery space and intuitive navigation are a few of the projects main goals.

Continue after the break for more information, images and video.

SFMOMA’s expansion, unconfirmed shortlist

© jay.tong via Flickr

Curbed SF previosuly reported on the shortlist for the 225,000sqf expansion of the SFMOMA. The unconfirmed shortlist of the 8 practices include David Adjaye, Diller Scofidio + Renfro, Steven Holl, Office for Metropolitan Architecture (OMA), Snøhetta, and Renzo Piano. The other 2 remained unknown, but they stated that there are no local firms included.

Our friends at the Architect’s Newspaper propose a list of local practices that should have been invited: Aidlin Darling, Anne Fougeron (works previously featured at AD), IwamotoScott (projects previously featured at AD), Ogrydziak/Prillinger and Brad Cloepfil of Allied Works. I strongly agree with their list, and would like to add Stanley Saitowitz | Natoma Architects, with a vast experience in , who recently completed the Tampa Museum of Art

Photo via jay.tong, Flickr.

“Patterns of Speculation”: An exhibition on the works of Juergen Mayer.

An on the works of German architect Juergen Mayer H., entitled “Patterns of Speculation”, just opened at the SF MoMA. Mayer joins two modes of exhibiting architecture in a gallery – installation and documentation – to present a unique, hybrid environment.

The first solo museum exhibition to focus on this internationally recognized, Berlin-based studio, Patterns of Speculation offers a kind of dreamscape: a chamber of hypnotic imagery in which sound and light are set within a three-dimensional matrix of constructed and graphic elements. Data protection patterns serve as the source material for the installation.

These patterns – which are used to conceal information, similar to the lining on the inside of bank envelopes – are translated into different scales and media, from the freestanding modules to frameworks for projected imagery and sound, as well as models for the designs of the depicted buildings.

Long a subject of fascination and object of research for J. MAYER H., the patterns are presented here as the precondition or pretext for the studio’s architecture, a code that lies at the core of its design language.

You can see J.Mayer H. works previously featured on AD here.

More info at the SFMoMA website.