International architecture non-profit Shelter Global has announced the winners of its 2015 Dencity Competition. Out of 300 entries from 50 different countries, three winners and six special mentions were selected.
The competition’s goal was “to foster new ideas on how to handle the growing density of unplanned cities and to spread awareness of the massive problem,” and jury members sought out project designs that empower communities and allow for self-sufficiency. Read about the three winners, after the break.
Thiago Bernardes, Camila Tariki, Francisco Abreu, Ilana Daylac, Daniel Vannucchi, Thiago Moretti, Antonia Bernardes, Fernanda Lopes, Maria Vittoria Oliveira, Ana Paula Endo, Renata Evaristo,Caroline Premoli
At the 2014 Venice Biennale, away from the concentrated activity of the Arsenale and Giardini, was Death in Venice: one of the few independent projects to take root that year. The exhibition was curated by Alison Killing and Ania Molenda, who worked alongside LUST graphic designers. It saw the hospitals, cemeteries, crematoria and hospices of London interactively mapped creating, as Gian Luca Amadei put it, an overview of the capital's "micro-networks of death." Yet it also revealed a larger message: that architecture related to death and dying appears to no longer be important to the development of architecture as a discipline.
The Flamengo landfill in Rio de Janeiro was recently host the world's largest urban art GIF. Created by anonymous artist INSA, the work consisted of a huge floor painting that underwent minor changes recorded by the satellite 430 miles above the earth.
Sponsored by Scotch whiskey brand Ballantine, the painting - 619,000-square-feet of yellow and pink hearts - was produced by a 20-person team over the course of four days. With each new picture, the team altered the illustration so that, by the end of the process, the recorded images created an animated GIF (as seen above).
It’s no wonder that the beautiful city of Rio de Janeiro is one of the most visited cities in the southern hemisphere. From Copacabana’s Balneario Beach to the iconic Cristo Redentor atop Corcovado, Rio is a “cidade maravilhosa” (marvelous city) with one of the most spectacular urban settings in the world. Capturing its mystic, the pros of Scientifantastic have posted a stunning time-lapse that captures life in the coastal Brazilian megalopolis.
Another, revealing the favelas of Brazil and more, after the break.
Images of Zaha Hadid’s first project in Brazil – and in South America -- have been revealed. The “Casa Atlântica” residential tower will have eleven floors and a rooftop pool and be built in Copacabana, Rio de Janeiro, according to local paper O Globo.
Located on Atlântica Avenue, “Casa Atlântica” will be the only building on its lot, yet seeks to complement the surrounding environment and neighborhood.
The project was commissioned by businessman, Omar Peres, who acquired the land for R$ 23 million ($8.5 million).
First inspired with a grand vision to transform Rio de Janeiro’s most notorious slum into a community united by color, artists Jeroen Koolhaas and Dre Urhahn of Haas&Hahn have found an ingenious and stunning way to empower some of the world’s most impoverished communities through art.
Curator Pedro Gadanho, in collaboration with the Austrian Museum of Applied Arts (MAK), states:
“The exhibition features design scenarios for future developments that simultaneously raise awareness of the prevailing inequalities in specific urban areas and confront the changing roles of architects vis-à-vis ever-increasing urbanization. Each team in the exhibition was asked to consider how emergent forms of tactical urbanism can respond to alterations in the nature of public space, housing, mobility, spatial justice, environmental conditions, and other major issues in near-future urban contexts.”