The Royal Institute of British Architects (RIBA)’s Future Trends Survey for September 2015 shows a level of consistency with the workload index remaining unchanged at a balance figure of +21. All nations and regions within the United Kingdom returned positive balance figures, with practices in Scotland responding most confidently about workloads in the next quarter. The report states that practices remain firmly positive about overall workload prospects in the medium term, though with "an apparent leveling-off in the rate of growth."
André Tavares debates with Mark Tuff and Tim Abrahams
The Lisbon Architecture Triennale is very pleased to announce the kick-off debate - Communicating Forms – with André Tavares chief curator of 2016’s Lisbon Triennale, Mark Tuff and Tim Abrahams.
In the late nineteenth century the rise of the industrial revolution inspired a counter-movement to reignite the production of handmade goods across the world. Led by classically trained artisans from rural England, the Arts and Crafts movement briefly swept Europe and North America on principles of celebrating high calibre and unique goods resulting in an array of furniture, textiles, wallpaper and architecture, among others.
More than a century later, the Arts and Crafts movement is in the midst of a renaissance led by 2015 RIBA Turner Prize nominees Assemble Studio. Founded under the moniker Granby Workshop, the newly formed Liverpool-based artisan collective aims to eliminate widespread dereliction in one of the city's most blighted boroughs through the replacement of objects that have, over time, been stripped away. Sustained through a crowd funding model, Granby Workshop has launched a broad collection of locally sourced, designed and assembled homewares available for purchase online.
The Royal Institute of British Architects (RIBA) have made 90,000 unique images from their visual archive available online. Architecture.com/images (also known as RIBApix) hosts the world's largest collection of 16th century drawings by Palladio, as well as drawings by Sir Christopher Wren, Erno Goldfinger, Augustus Pugin, Denys Lasdun, and Edwin Lutyens. In addition, many original London Underground station designs sit alongside collections of some of the world’s leading photographers, including John Maltby, Edwin Smith, Henk Snoek, John Donat, Dell & Wainwright, Martin Charles and Tony Ray-Jones.
With a week to go until the announcement of the 2015 RIBA Stirling Prize, we're interested to see which project ArchDaily readers would place at the top spot. Six projects are vying for this year's prestigious award, which was won last year by Haworth Tompkins' Everyman Theatre in Liverpool. Following a rigourous system of regional awards (all of which you can see on ArchDaily), the shortlist has been picked from a handful of nationally award-winning projects. The winning scheme will be the one which, in the eyes of the jury, "has made the greatest contribution to British architecture over the past year."
You can see each project in more detail and read the judges' citations here.
The RIBA Future Trends Survey for August 2015 showed signs of slowing after indications of growth for architects during the summer. The RIBA Future Trends Workload Index dropped one point to +21.
London School of Economics (LSE) has launched a call for expressions of interest for its next major building project; the redevelopment of 44 Lincoln's Inn Fields (44LIF), which will be known as the Paul Marshall Building.
Following its redevelopment, the new building on the site of 44LIF will house a number of academic and research departments including the Marshall Institute for Philanthropy and Social Entrepreneurship. Paul Marshall is a major benefactor of the School and the Marshall Institute will make its permanent home in the new building at 44 Lincoln's Inn Fields which will take his name.
The Royal Institute of British Architects (RIBA) have announced fourteen 2016 RIBA Honorary Fellowships (of whom two are in partnership) and eight International Fellowships which will be awarded at an event on the 1st February 2016, alongside the recently announced RIBA Royal Gold Medal. RIBA Honorary Fellowships are awarded annually to people who have made "a particular contribution to architecture in its broadest sense," be it in the fields of architecture, construction, media, education, or the arts.
The Royal Institute of British Architects (RIBA) have revealed that Dame Zaha Hadid will receive the 2016 Royal Gold Medal — the first sole woman to be awarded the UK's highest honour for architects in her own right. Previous female winners (Sheila O’Donnell in 2015, Patty Hopkins in 1994, and Ray Eames in 1979) were each recognised alongside their husbands and practice partners.
Given in recognition of a lifetime’s work, the RIBA Royal Gold Medal is approved personally by Her Majesty The Queen and is awarded to those who have had a significant influence "either directly or indirectly on the advancement of architecture." Other notable Royal Gold Medallists include Frank Gehry (2000), Lord Norman Foster, Baron of Thames Bank (1983), Ludwig Mies van der Rohe (1959), Le Corbusier (1953), and Frank Lloyd Wright (1941). The medallists' names are engraved into the marble wall at the RIBA's headquarters in London.
The 2015 Stephen Lawrence Prize shortlist features:
Building projects are inherently complex: as projects progress, architects are joined by contractors, engineers, and myriad consultants. Architects, according to a recent report by RIBA, are considered the "spiritual leaders" of a building project. Cemented in this perception by a monopoly on design, architects continue to sit precariously atop project hierarchies despite a shifting landscape in building production. This begs the question: how can architects leverage this spiritual responsibility to translate into the best results for clients?
In their latest report Client & Architect: Developing the Essential Relationship, RIBA delves into the nuanced problem of connecting architecture to its owners, emphasizing the importance of a strong, functional and mutually educational relationship. Currently, architects have a tremendous opportunity to learn, improve and capitalize on understanding of clients, regardless of firm size, portfolio and established skills.
Read on to discover RIBA's findings from two years of client analysis
The Royal Institute of British Architect (RIBA)'s Future Trends Survey results for July 2015 present a note of caution for architecture practices with a fall in both workload and staffing forecasts. However, optimism remains as staffing levels are higher than a year ago. Despite June’s record-high forecast, July 2015 saw a downturn in the RIBA Future Trends Workload Index from +44 to +22. Even so, practices reported an overall increase in workload at an annual rate of 8%, and staffing levels 6% higher than in 2014.
Andrea Palladio is the only architect who has given his name to a style – one that is still in use around the world after nearly 500 years. From the US Capitol to a 21st century Somerset cowshed, 'Palladian Design: The Good, the Bad and the Unexpected' introduces Palladio’s design principles and explores how they have been interpreted, copied and re-imagined across time and continents from his death in 1580 to the present day.
The RIBA annually bestows the Jencks Award to an outstanding architect or practice "that has made a recent significant, simultaneous contribution to the theory and practice of architecture." This year the honors go to Herzog & de Meuron.
Selected by a panel of judges chaired by David Gloster (RIBA Director of Education) and which included Charles Jencks, Stephen Hodder (RIBA President and Chairman of Hodder and Partners), Julia Peyton-Jones (Director of the Serpentine Galleries) and Brett Steele (Director of the Architectural Association School of Architecture), Herzog & de Meuron will receive the award on Thursday 29 October at the RIBA in London. In addition, the Swiss architects will receive an honorarium of £1,000 and a certificate.
Read on to see the judges statements.
The RIBA Regent Street Windows Project pairs exceptional architects with flagship retailers to create architectural installations in the windows of fashion retailers, skincare boutiques, perfumeries, restaurants and cafes along and around Regent Street, London. Now in its sixth year, the project has been developed in partnership with the Regent Street Association, and creates a vast public architecture exhibition seen by more than one million people each week. Open for three weeks in September, it ties into the city-wide London Design Festival and the internationally renowned London Fashion Week.
Jonathan Gales of creative studio, Factory Fifteen, presents 'Architecture in Animation', a seminar that focusses on visual storytelling, film direction, production design and architectural communication.
This seminar forms part of RIBA London's 'Effective Communication' series of CPD seminars that will equip architects with the business skills they need to succeed. The combined sessions will cover the positive ways in which a message can be skilfully and meaningfully articulated in a language clients understand.
The Royal Institute of British Architects (RIBA)’s Future Trends Survey for June 2015 shows "an all-time high," with the workload index ascending to +44 compared to +37 last month. All nations and regions within the United Kingdom returned positive balance figures, with practices in the Midlands and East Anglia responding most confidently about workloads in the next quarter. Following a slight fall last month, the private housing sector workload forecast increased to +39 (from +34), while the public sector saw a modest increase back into positive figures. Workload forecast balance figures have remained extremely high. The survey reports that large-sized practices continue to be the most optimistic about growth, while small and medium-sized practices "remain in strongly positive territory."
The winner of a competition for a mixed-use building scheme, London-based Kamvari Architects has unveiled the design for Zartosht, a 300,000 square-foot retail and office building in Tehran, Iran. The building's design is based largely on local cultural contexts, like the region’s reputation for renowned fabric and textile shops, and environmentalism, particularly with respect to solar energy.