The inadequate provision of open spaces in urban areas is one of the most recurrent challenges for the Hong Kong government. High-quality open public spaces can significantly increase a city’s attractiveness by encouraging business investment and improving living conditions.
Greek architecture firm topio7 has released image of their competition-winning proposal to create an eco-corridor across former lignite mines in the Western Macedonia region of Greece. Despite its past coal mining activity, the 180,000 Ha region has retained its natural beauty, partly due to the site's inaccessibility and fragmentation. Topio7’s winning proposal, through a measured, sensitive approach, seeks to enhance the area’s natural beauty whilst creating a variety of nodes and eco-corridors to enable public interaction.
Utopia Arkitekter wants to start a discussion in Stockholm: how do we manage and develop our public spaces? The definition of the word public, according to the Oxford Dictionary, is something “open to or shared by all the people of an area or country.” However, as commercialism continues to rise, Utopia Arkitekter has a problem with our new applications of indoor “public” spaces. As architecture critic Rowan Moore writes in Why We Build, “Identity, desire and stimulation become things you have to buy, as clothes, restaurant meals of calculated diversity, and rides on the ski slope or up the Burj Khalifa.” The problem is that as our inner cities adopt more commercial indoor
The problem is that as our inner cities adopt more commercial indoor public spaces such as shopping malls, cafés or restaurants, the “public” is no longer represented by “all the people of an area,” simply due to economic restrictions. In a city like Stockholm, where darkness and temperatures below 10 degrees celsius prevail for 6 months of the year, the economic boundaries set up around indoor public spaces mean reduced opportunities for people to socialize outside of the home. Utopia Arkitekter’s proposal in response to this conundrum? An indoor park.
On May 28, Beirut-based firm 109 Architectes unveiled Notes on a Tree at the 2016 Venice Biennale of Architecture. The interactive installation is part of the GAA Foundation’s annual “Time – Space – Existence” exhibition and commemorates Lebanon’s lost public spaces.
Notes on a Tree tackles the role of the architect in countries like Lebanon, where developers often dictate urban planning. The firm uses its own projects as examples of successes and disappointments in preserving public space, which is symbolized by specific trees. Some trees were saved and some were lost, but each one represents a community’s history and collective memory.
Genoa Summer School is an international workshop ideated by Vittorio Pizzigoni and Valter Scelsi, and organized within the Department in Science for Architecture, Università degli Studi di Genova. This year the Genoa Summer School 4 is organized in collaboration with Faculdade de Arquitectura da Universidade de Lisboa, it will take place in Lisboa, Portugal, from July 21st to July 31st, 2016. The topic of the workshop is "Public Spaces." Ten days of intensive program exploring the power of architecture in reshaping the environment. Students are invited to recognize the role of design in producing public spaces, inside the great traditions of the public
Who should design public spaces? Should they even be designed at all? Can public space make a meaningful contribution to solving the world’s environmental problems? How should the success of a public space be measured?
The Bodø Kulturhus and Library will consist of two public buildings; a new city library (5,500m²) and a three-auditorium concert hall (7,350m²), creating a new cultural centre for the Norwegian coastal city.
The results of the competition were announced in Bodø, Norway on 27 February. drdharchitects beat five other practices to win the invited competition, including CF Moller, Medplan, General Architecture, Langdon Reis Zahn and Lundgaard & Tranberg.
On winning the competition, practice director Daniel Rosbottom said, “These are the last two sites left in the urban centre of Bodø, following the WWII bombing which devastated the city. We are, in effect, completing the reconstruction through the building of a new cultural heart. It is a great honour to be given such a responsibility.”