Karawitz Architecture recently announced the design for their passive co-housing project in Paris. Their principle of a self-governed independent residential initiative with 14 apartments (R+7), commercial premises, gardens (ground floor and roof area), car parks and communal areas (community house, laundry, bike shed and other areas) aims to reflect a new construction trend: private individual buyers joining together to form a cooperative to fulfil their own property and future housing project, in partnership with the SEMAVIP (Paris Site Manager) and Paris City and to share spaces and equipment.
By invitation of Nexity/SAEM, STUDIONINEDOTS was awarded second place in the competition for their design of macro LOT AA in Paris, an icon for life. Their intention was to create a recognizable residential building with a luxurious appearance where, by making a smart intervention, all residents can enjoy the great qualities of the site. More images and architects’ description after the break.
In response to a public debate about rebuilding the historic wing of the Louvre in Paris, Carl Fredrik Svenstedt Architecte shared with us their initiative to extend the Louvre. Destroyed by the French Republic at the end of the 19th century as a symbol of royal and imperial power, this proposal aims to build a more democratic building better suited to the site and our times. More images and architects’ description after the break.
This week, with the help of our readers, our Architecture City Guide is headed to Paris. For centuries Paris has been the laboratory where innovative architects and artists have come to test their ideas. This has created a city that has bit of everything. Where the architecture of some cities seems to undergo phases of punctuated equilibrium, Paris’s architectural fossil record gives an impression of gradualism; all the missing links are there. This makes it easy to trace the origins of the most contemporary ideas throughout history. Nothing seems to come out of nowhere. If you look around you kind find the design’s inspiration running through the city’s Roman, Medieval, Renaissance, Baroque, Classical, Rocco, Neo-Classical, Empire, Art Nouveau, Art Deco, Modern, Post-Modern, and Contemporary Architecture. Seen in another context, many of Paris’s buildings might seem out of place, but the bones of this city support the newest iterations on the oldest and most profound questions. The 24 contemporary designs that comprise our list probably should not be viewed outside of this context, even though that is the stated goal of some of the designs.
As the most visited city in the world and arguably the capital of culture, it is impossible to capture the essence of Paris in 24 modern/contemporary designs. Our readers supplied us with great suggestions, and we really appreciate the help and use of their photographs. The list is far from complete and we realize that many iconic buildings are not yet on the list. We will be adding to it in the near feature, so please add more in the comments section below.
The Architecture City Guide: Paris list and corresponding map after the break.
Stephane Malka, of Malka Architecture has shared with ArchDaily his project AME-LOT, a material reuse, found material, restorative proposal. Further images of the project as well as a narrative from the architect are available after the break.
Next week we will be taking our Architecture City Guide to Paris and we need your help. To make the City Guides more engaging we are asking for your input on which designs should comprise our weekly list of 12. In order for this to work we will need you, our readers, to suggest a few of your favorite modern/contemporary buildings for the upcoming city guide in the comment section below. Along with your suggestions we ask that you provide a link to an image you took of the building that we can use, the address of the building, and the architect. (The image must be from a site that has a Creative Common License cache like Flickr or Wikimedia. We cannot use images that are copyrighted unless they are yours and you give us permission.) From that we will select the top 12 most recommended buildings. Hopefully this method will help bring to our attention smaller well done projects that only locals truly know. With that in mind we do not showcase private single-family residences for obvious reasons. Additionally, we try to only show completed projects.
This week we are headed to Paris, France.
Brothers Daniel and Maximilian Zielinski shared with us their winning proposal for the modernization of Paris in the Living City Design Competition. Organized by the International Living Future Institute, in partnership with The National Trust for Historic Preservation, Daniel and Max were given the challenge to visualize the transformation of existing towns in cities of the future by translating the highest standards of ecological fund included in the Living Building Challenge 2.0. Desired solutions were possible with existing technologies that could be applied in the near future. As a competition open to all, more than 80 teams addressing 69 cities from 21 countries submitted their ideas for the contest. More images and project description after the break.
The University of Paris-Descartes wishes to replace its two IUT amphitheaters that stand in the interior courtyard of 143, avenue de Versailles, in the 16th arrondissement. The physical location of the two buildings, constructed in the heart of an urban islet, and resting atop the university parking lots, confronted Atelier Zündel & Cristea with a complex exercise in conceiving and planning their operation. They decided the new edifice should faithfully superimpose itself over the layout of the existing parking lot, while clearing around itself a smooth space, manageable and comprehensible by its users. More images and architects’ description after the break.
OMA‘s exhibition (IM)PURE, (IN)FORMAL, (UN)BUILT opened today at the École des Beaux-Arts in Paris. Made in collaboration with students at the Paris Malaquais School of Architecture, the exhibition focuses on three French libraries designed by OMA, two of them unrealized but crucially important in the development of the typology of libraries, and one about to go under construction.
The featured libraries, explored in a range of archival and new materials, are the Très Grande Bibliothèque in Paris (1989), with its “strategy of the void”; Jussieu (1992), with its continuous, ramped floors; and the Bibliothèque Multimédia à Vocation Régionale in Caen, scheduled for groundbreaking in 2012. (IM)PURE, (IN)FORMAL, (UN)BUILT opens today in the Amphithéâtre d’Honneur at the École des Beaux-Arts, with a discussion between OMA Associate-in-charge Clément Blanchet and co-curators Nasrine Seraji and Thierry Mandoul from the Paris Malaquais School of Architecture. The exhibition runs until 22 July.
Photographer Stefan Tuchila recently shared with us his images of the Chanel Mobile Art Pavilion by Zaha Hadid Architects. Designed for Chanel the pavilion traveled all over the world, Hong Kong, Tokyo, New York until reaching it’s final stop at L’Institut du Monde Araba in Paris.
Materials for the pavilion include: a façade constructed from fibre re-inforced plastic, the roof PVC, ETFE roof lights, the primary structure was created from 74t steel and has over 1752 different steel connections, and the secondary structure consists of aluminium extrusions.