In an article for the New York Times Rachel Donadio examines Masterworks vs. the Masses. From the Louvre in Paris to London’s British Museum, Florence’s Uffizi to the Vatican Museums, the increasing surge of visitors to these international cultural nodes “has turned many museums into crowded, sauna-like spaces.” Balancing everyone’s right to be “nourished” by cultural experiences with protecting and preserving the works of art in question is a very real problem. According to Donadio, ”even when the art is secure, the experience can become irksome.” With some museums seeing annual visitors of up to 6.7 million visitors (British Museum), addressing the issues faced by institutions that are a victim of their own success is becoming more and more pressing. Read the article in full here.
A former treasure in Louisville is now nothing more than a storage facility, while a dilapidated office building in Paris has sat empty for months on end. Both of these cities are taking proactive, but wildly different, measures to help the valuable vacant buildings and lots in their jurisdictions find new life. To learn more about each city’s potential solution to this global problem, keep reading after the break.
Architects: Ateliers Jean Nouvel, Valero Gadan Architectes
Location: 123 Rue du Cherche-Midi, 75015 Paris, France
Project Leaders: Project: Gaston TOLILA et Élodie VADEPIED | Competition: Gaston TOLILA
Project Team: Project: Delphine ALTIER, Léa CHARRAT, Yseult DE DIEULEVEULT, Marie-Charlotte PROSPERI | Competition: Chen CHEN, Nathalie DIEBOLD, Damien FARAUT, Samuel LACAILLE, Fabrice LAGARDE, Sophie LAROMIGUIERE, Marie-Charlotte PROSPERI
Area: 18992.0 sqm
Photographs: Christophe Valtin, Patrick H. Muller
Renovated numerous times during its history, Gaumont-Alésia, a Parisian cinema housed in a structure that is over 80 years old, will now be revamped by firm Manuelle Gautrand Architecture. With a design that emphasizes filmography’s presence in modern culture, the Gaumont-Alésia is set to become an inviting cultural hub for the surrounding city, showcasing cinema’s influence on both the interior and exterior.
Both street facades will be composed of glass curtain walls shaded by pleated metal panels. These panels will be perforated by hundreds of LED “pixels” which will create an image across the pleats. Both entrances to the building become animated walls, broadcasting film stills, movie trailers, and advertisements, all meant to entice passersby. The LEDS are spaced fewer and farther apart toward the edges of the building, creating a stippling effect around the border of the images. At the entrances these animated panels will peel upwards, creating a canopy under which patrons can walk.
Welfare Centre for children and teenagers in Paris / Marjan Hessamfar & Joe Verons architectes associes
Architects: Marjan Hessamfar & Joe Verons architectes associes
Location: Porte des Lilas, 75019 Paris, France
Area: 5211.0 sqm
Photographs: Vincent Fillon
With no casualties, last week’s fire at the Glasgow School of Art, which caused significant damage to parts of the building and gutted Charles Rennie Mackintosh‘s canonical library room, will be remembered as a tragic event that robbed us of one of the best examples of Art Nouveau of its time. The intention of the Glasgow School of Art is to restore the building in the hope that in generations to come, the fire will be all but forgotten, a strategy which has been largely well received by the profession.
However, in the case of other fires things have not gone so smoothly: for millennia, fire has played a big role in determining the course of architectural history - by destroying precious artifacts, but often also by allowing something new to rise from the ashes. Read on after the break as we count down the top 10 fires that changed the course of architectural history.
Architects: Michel Guthmann
Location: 81 Rue des Cévennes, Paris, France
Design Team: Michel Stéphanie Appert, Olivier Barthe, Valentin Bourdon, Bénédicte Caspar, Amélie Jonville, Céline Motte-Moitroux, Samuel Reist, Oona Savransky
Area: 6,500 sqm
Photographs: Courtesy of Michel Guthmann, Michel Denancé , Takuji Shimmura
When you’re surrounded by buildings on all sides, what do you see? In his SkyArt series, French artist Lamadieu Thomas gives us his answer. He takes claustrophobia-inducing photographs of urban landscapes through a fish-eye lens, framing the sky with rooftops and filling the negative space with playful illustrations. Thomas describes his whimsical approach to art as an attempt to show “what we can construct with a boundless imagination” and ”a different perception of urban architecture and the everyday environment around us.” To see more from the collection, continue after the break.
In this four-part, stop-motion series, Mayeul Akpovi presents a new perspective on the City of Lights. Filmed with manual camera movements and composed of more than 30,000 photographs, the videos enable a unique, otherwise-unattainable experience of Paris’ sleepless urban spaces by ceaselessly attenuating the passage of time.
Watch part one (above), and continue after the break for the remaining series…
Architects: ADE architectes – David Elalouf & Guillaume Prognon
Location: 10 Rue de Colmar, 75019 Paris, France
Architects In Charge: David Elalouf, Guillaume Prognon
Architects Team : David Elalouf, Guillaume Prognon, Guillaume Pelé, Damien Caron, Caroline Weill
Area: 7080.0 sqm
Photographs: Pauline Turmel, Courtesy of ADE Architectes