As we told you weeks ago, the MoMA and PS1 have partnered with the MAXXI (the National Museum of the 21st Century Arts in Rome) on their Young Architects Program. This partnership will result in a summer installation in the exteriors of the italian museum (a Zaha Hadid building completed last year). This installation will happen at the same time as the one at the P.S.1, designed by Interboro Partners.
The winning propostal WHATAMI by Italian architects stARTT is based on the manufacturing of an artificial archipelago-hill, generating smaller green areas in the garden and potentially outside the museum. The hill works as a garden, injecting “green” into the concrete plateau of the museum’s outdoor space, allowing it to serve as a stage and/or parterre for concerts and other events, or as a space to rest and look at the museum itself.
The artificial landscape will be punctuated by large “flowers” providing light, shadow, water, and sound. The materials proposed for the installation involve a two-fold recycling process, the supplying of the materials for the construction (straw, geo-textile, plastic) and the dismantling of the “hill” (turf, lighting).
Today, Interboro Partners was announced as the winner with their entry Holding Pattern.
The NY firm, formed by Tobias Armborst, Daniel D’Oca, and Georgeen Theodore, not only managed to meet the YAP’s budget and programatic requirements, but also established a dialogue with the neighbors, which resulted in a scheme that doesn’t so much redesign the courtyard as reveal it.
A series of meetings with a nearby taxi company, and also with senior and day care centers, high schools, settlement houses, and the local YMCA, library, and greenmarket (among others) led to a design that includes a series of eclectic objects (benches, mirrors, ping-pong tables, and floodlights) under a very elegant and taut canopy of rope strung from MoMA PS1’s wall to the parapet across the courtyard. These objects will be recycled and given to these groups, further extending the reach of the project to the neighborhood.
More details about Holding Pattern after the break.
Expect a complete coverage of the finalists and the built installation as we have done in previous years: WORK ac‘s P.F.1. Public Farm 1 in 2008, MOS‘ Afterparty in 2009, and SO-IL‘s Pole Dance in 2010.
The annual make-over of PS1′s courtyard is one of our favorite summertime events, as the competition brings fresh, crazy and creative proposals to the table. The NYTimes recently shared that the MoMA and PS1 have asked MAXXI – the National Museum of the 21st Century Arts in Rome – to be the third partner in their Young Architects Program. MAXXI will take part in transforming the Long Island City site, but there will also be a separate installation displayed in Rome.
Logistically, a New York jury and a Rome jury will chose the winning architects in February. The short list for MAXXI includes Raffaella De Simone and Valentina Mandalari of Palermo, Ghigos Ideas of Lissone and stARTT of Rome, Asif Khan of London and Langarita Navarro Arquitectos of Madrid (we’ve covered several Langarita Navarro works previously on AD here).
As we featured several weeks ago, the MoMA/MoMA PS1 finalists include Interboro Partners of Brooklyn, Matter Architecture Practice of Brooklyn, and FormlessFinder also of Brooklyn, MASS Design Group in Boston and IJP Corporation Architects of London.
You can expect full coverage of this exciting new partnership, especially the new proposals for the summer. We are looking forward to seeing if these proposals top last summer’s ideas.
Since 2000, the MoMA and the P.S.1 have been running a competition under their Young Architects Program, each year inviting a group of emerging architects to experiment with new shapes and materials, resulting in a summer installation at the P.S.1. Past winners include WORK ac (P.F.1. Public Farm 1), MOS (Afterparty) and SO-IL (Pole Dance). Architects Newspaper recently announced the short list for the 2011 summer installation, which includes Interboro Partners (NY), FormlessFinder (NY), Matter Architecture Practice (NY) MASS Design Group (Boston) and IJP Corporation Architects (London). Matter Architecture practice was already invited to the 2008 competition, which also happened to MOS back in 2007, then winners in 2009. As usual expect a complete coverage here at ArchDaily, we look forward to see all the projects!
Check out this video we found by Yellow Line Pictures and the 2010 MoMA/MoMA PS1 Young Architects Program. We’ve been documenting SO-IL’s Pole Dance quite extensively and we feel that this video is a good addition to our coverage. We hope the film’s fun take on demonstrating how to use the project will make you even more excited to visit the PS1 schoolyard if you find yourself in the New York area. What do you think of the noise making poles? And, how about the fact that the project can be affected by an iPhone app ?
We are sure that SO-IL‘s PS1 installation, Pole Dance, will be a hit this summer. On Friday we had a preview by Alan R Tansey and today, we found at Iwan Baan’s website another view on the installation. We hope you’ll be able to visit the project in person sometime.
Complete photoset at Iwan’s website, some photos after the break:
Even though these hot months can be a bit stifling, we’re excited because the summer means that the PS1 installation by SO-IL (catch our coverage of the winning proposal here) is almost ready for the public! Upon watching SO-IL’s competition entry video, we are patiently waiting to experience the physical manifestation of the Pole Dance’s conceptual ideas about making space. While you can expect full coverage of the project, thanks to our reader, Alan R Tansey, we can share a sneak peak of the Pole Dance installation with you today. Enjoy!
More images after the break.
The symposium marks the release of the 11 Architects + 12 Conversations issue of PRAXIS: a journal of writing and building. The moderated discussion will invite audience participation in an open dialogue that explores shared and contested territory among this emerging generation of practices.
The symposium, “Conversations: Continued”, brings together 10 Young Architectural Practices: MOS, NArchitects, WORKac, PATTERNS, Aranda/Lasch, Productora, FAR, Ciro Najle, The Living, and Howeler +Yoon with two critics, Timothy Hyde and Lucia Allais. The event continues the more formal discussion begun in PRAXIS 11, 11 Architects/12 Conversations, by bringing the firms together in a shared conversation, broadening the issues at stake, and sharing the material with a wider architectural and public audience.
To close our coverage of this years P.S.1 YAP competition we present you BIG‘s proposal.
BIG’s invitation to the P.S.1 is not only rare for not being based in NY or in the US (they are based in Denmark), as it has been the common denominator over the years, but also because they have built several small-medium-large scale projects.
But personally, this was the proposal I wanted to see the most: BIG’s P.S.1 out of 7295 is a “cloudscape” formed by
translucent recycled PVC “bubbles”, with a cradle to cradle life-cycle design on which 7,295 bags will be made out of the ballons after the installation, completing the cycle that started as recycled truck bed covers and bags.
More on BIG’s proposal after the break:
This time we introduce you EASTON+COMBS, a practice ran by partners Rona Easton and Lonn Combs.
The firm has a focus on material innovation, which could be seen at LUX NOVA, their proposal for the P.S.1, which includes “Strong Light”, a 100 percent recyclable and exceptionally strong featherweight building component.
The initial system is developed as a permeable featherlight structural skin that engages an environmental play of translucent and polychromatic effect. The system offers an 80% weight reduction over an equivalent glass system with no compromise in strength and stability at a significantly lower cost.
More about LUX NOVA after the break:
As I told you on our previous post, the summer installation competition held by the MoMA and the P.S.1 is a platform for young architects, and that’s why we are presenting you all the entries for this year. You can read our whole P.S.1 competition coverage here.
We continue with William O’Brien Jr, who has been very related to the academy and is currently a professor at the MIT School of Architecture and Planning and he also runs his own practice in Cambridge, MA.
His proposal for the summer installation, Weathers Permitting, constructs an elevated boardwalk with a topology which collects water, which varies or evaporates depending on the current weather at the location. The action of the weather over the boardwalk reminds me of the weathering effect described by Mohsen Mostafavi on his book On Weathering: The Life of Buildings in Time.
More about William’s proposal after the break:
Last friday we presented you the results of P.S.1 summer installation competition, held by the MoMA and the P.S.1. As the idea of the competition is to identify and showcase young practices, here at ArchDaily we’d like to introduce you not only the winner as we did last Friday with SO-IL’s Pole Dance, but also the other contestants, as their proposals are good examples of what young architects are thinking these days. So in the following articles we are going to feature the entries by Freecell, William O’Brien Jr, Easton + Combs and BIG.
We start with Freecell, a design and fabrication practice based in Brooklyn, NY, directed by partners Lauren Crahan and John Hartmann. The firm specializes on small scale commissions, as you can see on the many projects featured at their website.
Their proposal “Cumulus” explores pneumatic structures, which respond to the weather changing its configuration between sunny and cloudy days:
This video clearly explains the concept for SO-IL‘s winning proposal for the P.S.1 summer installation we presented you yesterday. Now it is easier to understand the concept proposed by Pole Dance, encouraging people to move the structure to create a dynamic space.
Since 2000, the MoMA and the P.S.1 have been running a competition under their Young Architects Program, inviting each year a group of emerging architects to experiment with new shapes and materials, resulting in a summer installation at the P.S.1.
Interesting projects have come out of this competition, such as the Public Farm (PF1) by Work AC in 2008, and Afterparty by MOS last year. And today, the winning proposal for 2010 has been announced: Pole Dance by Brooklyn based SO-IL (Solid Objectives Idenburg Liu) a practice ran by Florian Idenburg and Jing Liu.
Conceived as a participatory environment that reframes the conceptual relationship between humankind and structure, Pole Dance is an interconnected system of poles and bungees whose equilibrium is open to human action and environmental factors. Throughout the courtyard, groups of 25-foot-tall poles on 12 x 12-foot grids connected by bungee cords whose elasticity will cause the poles to gently sway, creating a steady ripple throughout the courtyard space.
To explain this to one of my friends, I used a fabric and a few sharp pencils (so they stick to the fabric, and the eraser in the back sticks to the table) and we started to move it around… I´m pretty sure that the built installation will be very fun to visit. As you can see on the renderings, the net waves around, and touches the soil at the pool in the center, with a few holes that let you pass by.
SO-IL worked with Buro Happold for this structure, and with Sciame for cost analysis, to keep the installation on a $85,000 budget.
After the break, more images and a video from SO-IL’s winning proposal.
A few months ago we presented you the winning entry for this years YAP competition for the P.S.1 summer installation, awarded to MOS Architects (Michael Meredith, Hilary Sample) as we reported earlier.
This competition has been a field for experimentation on digital manufacturing, new materials and new construction techniques -all under a tight budget-, as we saw in 2008 with the P.F.1 by WORKac.
To keep the courtyard fresh, a series of “hut” like structures conformed by inverted catenaries (part of an on going research by the practice) acting as chimneys: The faux fur that covers them collects heat from the sun, transfering it to the air inside the huts creating a chimney effect that keeps air flowing to cool the lower level.
The resulting space corresponds to the after-party concept envisioned by MOS:
The main purpose of the afterparty is to provide a relaxing environment, as compared to the earlier venue, where the atmosphere is usually more frenetic. During an afterparty people often sit down, relax, and chat freely, meet new people in a more controlled setting. If the original party was one that continued until late at night, the afterparty will often include a morning snack, which usually counts as breakfast. …. Possibly in contrast to relaxation, the afterparty can provide a chance for people to get away from the eyes of people who were overseeing the main party. This tends to be more common in events such as school balls where alcohol consumption is not allowed, and provides a location where the partygoers will be allowed to drink. In this case, the afterparty may turn out to be more lively than the main party, as the people are freed from the restrictions that were placed on them during the main party.
All photos by © Florian Holzherr. See more after the break:
Since year 2000, the MoMA and the P.S.1 Contemporary Art Center present the Young Architects Program, an annual competition that invites emerging architects to design a temporary structure at the P.S.1 ’s facility in Long Island City, Queens. This has been a field for experimentation for digital manufacturing, new materials and new construction techniques -all under a tight budget-, as we saw in 2008 with the P.F.1 installation by WORKac.
A few days ago we featured this years winning proposal by MOS, a lightweight aluminum frame using recyclable parts, and saw how the economical crisis is present on the project´s conception.
But also, the other proposals by BSC Architecture, !ndie architecture, L.E.FT architects and PARA-project explore this and other social/cultural concepts on their proposals, so we decided to contact them and feature this projects so you can get the whole picture.
I´d like to thank Michel (MOS), Martin (BSC Architecture), Paul (!ndie architecture), Ziad (L.E.FT architects), Jon (PARA-project), April (P.S.1) and Meg (MoMA) for helping us out on this article.
And now, onto the proposals:
For this competition the P.S.1 invites each year a group of emerging architects to experiment with new shapes and materials, as Work AC did last year with their PF1 project.
MOS project is entitled Afterparty, a design that Micheal Meredith and Hilary Sample (MOS partners) say is meant to honor and reflect current economic realities, by using basic materials. The main structure is a lightweight aluminum frame using recyclable parts which require minimal assembly, which will become a landmark for the neigborhood – all this on a USD$70,000 budget.
I spoke with Michael a few minutes ago and he refered to the name of the project: One thing about the “Afterparty,” as we’re calling it, is the need to look for new promiscuities after the party of a sort of high-formalism which has dominated academic discourse, and in our case it’s with the basic structural arch geometries, rough almost singular materiality and the production and interaction of “environment,” (literally cooling down the courtyard through stack effect) looking towards a more primitive state of architecture. – (See afterparty definition on Wikipedia).
The project is still under development, and we´ll keep you posted on further updates. We´ll try to do a good coverage on this as we did last year.
More images of Afterparty after the break.
You can check the list of the DJs and artists that will playing at the PS1 this summer on the 10th version of the Warm Up Sessions (including LCD Soundsystem and Au Revoir Simone) here.
I still remember when i saw the cardboard tubes on their office, and now they are part of this innovative green canopy. Below, pictures sent by photographer Elizabeth Felicella of the completed structure. She has more pictures available for editorials.
As I had previously mentioned we visited Work AC in New York a few months ago, where we interviewed Amale Andraos and Dan Wood. This turned out to be a great interview, where they shared their thoughts on the current state of architectural practice, the role of architects in current society, humor, networking, media and something that really interested me: the importance of knowing how to manage the growth of your office.
On their office we saw the amazing model for their Cadavre Exquis Lebanese, a proposal based on a series of interventions to re-create Downtown Beirut presented at the 2007 Rotterdam Biennale. We also got to see their on on going projects and a 1:1 prototype of their Public Farm 1 structure soon to be opened at the PS1. You can check the construction progress at the PF1 website.
Pictures of Work AC after the jump.
UPDATE: See a video on the construction and photos of the project finished on this article.
Every year the PS1 Gallery at the Museum of Modern Art in New York invites young emerging architects to propose a temporary structure for their Warm-up Music festival, and unless you´ve been living under a rock for the last few months, you already know that Work AC won this years edition with their PF1 (Public Farm One) proposal.
PF1 (Public Farm One) is an urban farm concept built with inexpensive and sustainable materials recyclable after its use at P.S.1, such as cardboard tubes that form a continuous surface creating multiple zones of activity including swings, fans, sound effects, innovative seating areas, and a refreshing pool at its center, as an Urban Beach.
We visited Work AC (interview coming this Sunday) and they told us how this project allowed them to get in touch with non architects for the technique for growing plants on the cardboard tube structure, which enriched the development of the project. They also worked with LERA structural engineers.
Installation opens June 20th, hosting the 2008 Warm Up summer music series at the PS1. You can follow the construction progress at the Public Farm 1 website.