The student architecture competition “120 Hours” has released the winners of its 2016 competition—“What Ever Happened to Architectural Space?”—which this year challenged entrants to imagine a space without program or site. In a time when the discourse of architecture is influenced more by program and environment than spatial quality, the brief was uniquely challenging in its simplicity. Entries were received from over 2863 students from 72 countries, with winners selected by a jury headed by Christian Kerez and including Maria Shéhérazade Giudici, Beate Hølmebakk, Neven Mikac Fuchs and Marina Montresor.
Originally devised by students in Oslo, the competition format is intended as a way of encouraging discourse among architecture students across the world, with competition briefs released just 120 hours (5 days) before the submission deadline. These unique restrictions have fostered a reputation for unconventional and challenging proposals and winning entries in the past have included giant scaffolds of hammocks and the use of robots to inhabit an abandoned town. Read on to see the top three award recipients for 2016.
Though architectural history is replete with bricks, stones, and steel, there is no rule that states that architecture must be ‘solid’. Sverre Fehn, one of the most prominent architects of postwar Norway, regularly made use of heavy materials like concrete and stone masonry in his projects . In this way, his proposal for the Nordic Pavilion at the Osaka World Expo in 1970 could be seen as an atypical exploration of a more delicate structure. Representing a very different aspect of ‘Modernity’ than his usual work, Fehn’s “breathing balloon” pavilion stands not only in contradiction to Fehn’s design canon, but to that of traditional architecture as a whole.
Following an international open call for 'Intervention Strategies' which connect and correspond to the 2016 Oslo Architecture Triennale’s theme—After Belonging—five proposals have been selected to be developed as part of its core program, to be displayed and discussed throughout the course of the event. The jury have been "pleased and impressed by the wide range of proposals, their creativity, seriousness and sometimes also the humor with which [the submissions] approach issues of real gravity, and by the care and hard work that was evident in almost all of them."
schmidt hammer lassen architects has won an international competition to masterplan a 87,000-square-meter area of Skøyen in central Oslo, dubbed Eureka Kvarteret. The multi-phased plan aims to unify the area's connection to the Oslo fjord, nearby transportation hubs and its main street, Hoff, while generating a versatile new skyline that compliments its context.
“We have proposed a framework that builds upon a basic idea about the space between the buildings," explains Senior Partner Kristian Lars Ahlmark.
Colourful fantasy worlds full of speech bubbles and motion lines. Buildings with human characteristics, and invisible architecture. Since the early years of the 20th century, architects have shown an enduring interest in the comic strip as a means to explore their field of activity. What is it about comics that architects find so liberating and interesting?
“Architecture in Comic-Strip Form”, the new autumn exhibition at the National Museum – Architecture in Oslo, examines the relationship between the medium of the comic strip and architecture to reveal an aspect of the architectural discipline that few people are aware of. Many architects use the comic strip as a form of expression – as a kind of counterpart or supplement to digital drawing.
The 2016 Oslo Triennale – After Belonging: A Triennale In Residence, On Residence and the Ways We Stay in Transit – has launched a call for intervention strategies and associated projects. To be held from September 8- November 27, 2016, the Triennale will look at contemporary population mobility—including an interest in migration, new forms of tourism and refugeesim— with the intention of designing “the objects, spaces and territories for a transforming condition of belonging.” Specifically, it seeks to answer the questions: “How can different agents involved in the built environment address the ways we stay in transit?” And, “how can architects intervene in the reconfiguration of the contemporary residence?"
http://www.archdaily.com/774221/2016-oslo-triennale-launches-international-calls-for-intervention-strategies-and-associated-projectsAD Editorial Team
120 HOURS has teamed up with FutureBuilt to host a 5 day-long competition regarding climate-friendly urban development in the Oslo region. Open to all creatives, the competition's challenge will be revealed on Monday, June 15th 2015, at 09.00 (GMT+1). From that moment, entrants will have 120 hours to design and submit their proposal. Third, second and first prize in the contest are respectively 12.500, 25.000 and 50.000 Norwegian Kroner. Read more about the competition and register here.
Nearly 100 architects, designers, and consultants have been developing designs for a competition for the new government quarter in Oslo. Drawing an initial 24 entries, the intent of the competition was to generate viable solutions for the future relocation of all government ministries (excluding the defense ministry), emphasizing an urban atmosphere and public elements. In the six shortlisted proposals from both local and international firms, including BIG, Snøhetta, and MVRDV, the themes of building tall and introducing green space emerged.
Now a ten-member committee of industry professionals will assist Statsbygg, the public construction advisers collaborating on the government's behalf, with the evaluation of each design. Take a look at the six proposals after the break.