Photographer Cameron R Neilson, who we introduced in our earlier post about Oslo’s ripening real estate market, has produced some fantastic views from within Oslo. As part of the Straight Up project, Neilson is challenging both the way in which city-scapes and skylines are photographed and the way that our eyes navigate the urban environment.
Check out the remarkable photographs after the break.
For architects, Oslo has become a safe haven from Europe’s economic turmoil. According to an article by J.S. Marcus for The Wall Street Journal, dozens of new architectural projects currently under construction are not only changing the city’s humble skyline, putting the city on the cutting-edge of architectural design, but are also pulling in a base of buyers that are eager to call the city’s waterfront home (no wonder Norway was voted our #1 country for architects to find work). And nowhere can Oslos’s transformation be better seen than in the new quarter of Operakvarteret, where a 20,000 square-meter, mixed use development project has brought various, innovative architects together to design a new face for Oslo.
More after the break.
The newly constructed Astrup Fearnley Museet, designed by Renzo Piano Building Workshop in collaboration with Narud-Stokke-Wiig, has opened on a stunning waterfront site in the Tjuvholmen neighborhood of Oslo. The €90 million, 7000 square meter structure provides space for the museum’s collection, temporary exhibitions, a gift shop and cafe. Slender steel columns support the sail-form, glass roof that provides shelter to the weathered timber cladding, while illuminating the interior’s extensive collection of contemporary art with a soft, natural light.
The museum has launched with To Be With Art Is All We Ask, an exhibition of selected works from the Astrup Fearnley Collection by some of the world’s most innovative contemporary artists. Continue after the break to learn more.
Architects: Element Arkitekter AS
Location: Osterhaus gate 4, Oslo, Norway
Client: Union of Education Norway
Structural Engineer: Dr. Tech Kristoffer Apeland AS
Energy Consultant: Siv. Ing. JP Dybdahl AS
Artists: Jorunn Sannes (main façade), May Bente Aronsen (acoustic artpiece in lobby)
Total Area: 1,794 sqm
Photographs: Element Arkitekter AS
Map 13 shared with us their project, Infrastructural Archeaology. Landfills are areas of great potential which are but a mere evidence of the uncontrolled cosumerism of this extreme society. They understand that waste should be buried and isolated, and not be forgotten and abandoned. It is thus an open project, where the definite plan of its pieces is not the main interest, but rather the definition of its systems and their development in time. More images and architects’ description after the break.
Since the beginning, it has been very interesting to discover how, despite the fact that we have reached such an advanced state of urbanity (meaning the way we produce our more or less shared space), it is still possible to scrape the bottom of the barrel and find residual urban spaces, with enormous, unexpressed potentials. In a world where design contaminates every possible field of technical knowledge and theoretical thinking, landfills still represent and exceptional void of intentions. The strategy of the Active Edge by 2A+B embodies Grønmo’s landfill as an urban organism able to constantly re-produce its own components (soil, landscapes, trash) and the relative network of socioeconomic processes behind it. More images and architects’ description after the break.
Location: Karl Johans gate, Oslo, Norway
Client: Tanum AS
Size: Bookstore ca. 750 sqm, Offices ca. 225 sqm
Consultants: RISS AS, Linda Knoph Vigsnæs/LYSSTOFF
Primary architects: Einar Jarmund, Håkon Vigsnæs, Alessandra Kosberg, Siv Hofsøy, Ane Sønderaal Tolfsen, Paul Henri-Hann, Jens Herman Næss
Photographs: Courtesy of JVA
The Bispevika mixed-use development proposal by PUSHAK maximizes the views of the harbor and integrates passive design methods to minimize energy use. The proposal is part of an invited competition that will conclude in January 2012.
Continue reading for more project details.
In the 70′s Oslo’s own “Man in Black”, Professor of Architecture Per Kartvedt , started his long lasting lecture series on cities, communities, myths and dreams. Per has since then been an influential character in contemporary architecture, both as principle of the architecture department at the University of Strathclyde and as teacher and supervisor on several different architecture schools in Europe. For a decade the slides from the lectures remained tucked away in an attic in Nesodden. Now the slides are projected once again in Slide City at Internasjonalen in Oslo. More information on the exhibition after the break.
A-lab is currently working on a design proposal for an eco-cube for the UNION group which will be a pilot project for A-lab’s eco-BIM technology.
The Økern area of Oslo faces significant changes in the near future and is being developed as a new destination in the city. The new Økern center brings shopping, culture and housing to the area. Lørenveien 68 will function as a broker between the new Økern center and Løren’s established residential area. More images and project description after the break.
JDS Architects’ Holmenkollen Ski Jump in Oslo, Norway has been announced as the winner of the 2011 ECCS Structural Steel Design Award at the ECCS Congress in Postdam, Germany. The award recognizes outstanding design in steel construction emphasizing the many advantages of steel in construction, production, economy and architecture.
The European Steel Design Awards are given by the European Convention for Constructional Steelwork (ECCS) every two years to encourage the creative and outstanding use of steel in architecture and construction. For more information about ECCS, visit here.
Taking full advantage of the density of the towers, Chocron set up multiple cameras at various angles in order to shoot a sequence of time lapse videos from sundown to sunup. What looks like an intricately choreographed light show, is cleverly composited in post-production. Predictably, in the evening residents turned their lights on, and as the evening progressed turned them off. In order to create the dance of lights in similar effect to that of an equalizer, Chocron switches between the illuminated and darkened states in concert with the choreography of the song. The end result is an intriguing audiovisual composition.