OMA Fiction - Non Fiction: Exhibition, Map & More

18:00 - 23 December, 2015
OMA Fiction - Non Fiction: Exhibition, Map & More

In the coming months, OMI is entirely devoted to OMA, the Office for Metropolitan Architecture. With the reopening of the Kunsthal, the completion of De Rotterdam and Timmerhuis this is a perfect opportunity to profile the work of OMA. OMI publishes a special map, organises excursions, and an accompanying exhibition at OMI’s own location gives insight into the work of the office in Rotterdam and The Hague.

Timmerhuis / OMA

09:00 - 11 December, 2015
Timmerhuis / OMA, © Sebastian van Damme
© Sebastian van Damme

© Ossip van Duivenbode © Ossip van Duivenbode © Ossip van Duivenbode © Sebastian van Damme +35

On OMA's Designs for 'The Factory': "an Enigmatic Tent Bulging With Programming"

04:00 - 1 December, 2015
On OMA's Designs for 'The Factory': "an Enigmatic Tent Bulging With Programming", OMA's proposal for 'The Factory'. Image © OMA
OMA's proposal for 'The Factory'. Image © OMA

In an article for the Financial Times, Edwin Heathcote responds to the recent news that OMA, based in Rotterdam, have won the competition to design the British city of Manchester's new "ultra-flexible" arts venue. The Factory, so-named because of city's rich musical heritage, will be one of the largest cultural projects of its kind. Having gained and maintained financial support from Westminster, the building—which must be able to transform from a 2,200-seat theatre into an open 5,000-capacity space—is a flagship project for the British government.

OMA Selected to Design Manchester's 'Factory', Their First Public Project in the UK

10:00 - 25 November, 2015
OMA Selected to Design Manchester's 'Factory', Their First Public Project in the UK, OMA's proposal for 'The Factory'. Image © OMA
OMA's proposal for 'The Factory'. Image © OMA

Rotterdam-based Office for Metropolitan Architecture (OMA) have been announced by the UK's Chancellor of the Exchequer as the winning team in the competition to design the city of Manchester's high-profile Factory art space. Following the announcement of the shortlist earlier this year, featuring practices including Rafael Viñoly, Diller Scofidio + Renfro, Zaha Hadid and Mecanoo, it has since been reported by The Guardian that the British government's original pledge of £78million ($117million) to the cost of the building will be raised by a further £9million per year from around 2018.

OMA's 15 Most Outrageous Unbuilt Skyscrapers

09:30 - 17 November, 2015
OMA's 15 Most Outrageous Unbuilt Skyscrapers

Since 1975, the Rotterdam-based Office for Metropolitan Architecture has produced some of the world's most provocative buildings. Led by Rem Koolhaas and his nine partners, the firm's most notable built projects include seminal works such as the CCTV Headquarters in Beijing, the Seattle Central Library, and Casa da Musica in Porto, Portugal. Known as one of the world's leading creators of boundary-pushing design, OMA's influence on the global architectural landscape is undeniable.

Among the firm's several hundred realized projects, however, many lesser known proposals were drafted but never constructed. Arguably a fundamental component of the OMA's practice, the unbuilt projects contain some of the firm's most outlandish and important ideas with incredible potential to influence architectural design worldwide. As a tribute to Koolhaas and OMA's continued pursuit of the unconventional, we've rounded up fifteen of OMA's most unusual unbuilt skyscrapers. Read on to find out which ones made the list.

C3 Maastowers. Image Courtesy of OMA 425 Park Avenue. Image Courtesy of OMA MoMA Charette. Image Courtesy of OMA Dubai Renaissance. Image Courtesy of OMA +16

Spotlight: Rem Koolhaas

06:00 - 17 November, 2015
Spotlight: Rem Koolhaas, The Seattle Public Library / OMA. Image Courtesy of OMA
The Seattle Public Library / OMA. Image Courtesy of OMA

With the extensive list of acclaimed alumni of his firm, OMA, it is not a stretch to call Rem Koolhaas (born 17 November 1944) the godfather of contemporary architecture. Equal parts theorist and designer, over his 40 year career Koolhaas has revolutionized the way architects look at program and interaction of space, and today continues to design buildings that push the capabilities of architecture to new places.

Cy Twombly Painting Sells for $70.5 Million to Fund OMA's LA Synagogue Extension

16:00 - 12 November, 2015

OMA's first ever building for a religious institution will be constructed with a little help from one of the United States' greatest 20th century artists. In an auction at Sotheby's in New York yesterday, Cy Twombly's 1968 "Untitled (New York City)" - one of the artist's notable "Blackboard Paintings" - sold for $70.5 million, $30 million of which will be donated to LA's Wilshire Boulevard Temple by the painting's owner, Audrey Irmas, to fund the temple's OMA-designed extension.

As reported by the LA Times, the synagogue's new "Audrey Irmas Pavilion" has been designed to be "clearly in dialogue" with the 1929 Byzantine revival temple, and will be used in the celebration of weddings and bar mitzvahs, as well as for meetings, conferences, and gala events by other nonprofit groups. Though the design has not yet been unveiled, the pavilion is currently slated for a 2019 opening.

OMA and Ole Scheeren's Interlace Named World Building of the Year 2015

13:01 - 6 November, 2015
OMA and Ole Scheeren's Interlace Named World Building of the Year 2015, World Building of the Year Winner: The Interlace (Singapore) / OMA and Ole Scheeren. Image © Iwan Baan
World Building of the Year Winner: The Interlace (Singapore) / OMA and Ole Scheeren. Image © Iwan Baan

OMA and Buro Ole Scheeren's vertical village in Singapore, The Interlace has been named the World Building of the Year 2015 at culmination of the World Architecture Festival (WAF). Celebrated for being "an example of bold, contemporary architectural thinking," as WAF Director Paul Finch described, the project is eighth building to ever win the illustrious award. It is considered to be a "radical new approach to contemporary living in a tropical environment."

Winners of the year's Future Project, Landscape, Small Project and Color Prize awards were also announced. Read on to see the who won with comments from the jury. 

OMA to Design Fashion and Technology Exhibition at the MET

16:04 - 14 October, 2015
OMA to Design Fashion and Technology Exhibition at the MET , © Wikimedia User: Fcb981, Licensed Under: CC BY-SA 3.0
© Wikimedia User: Fcb981, Licensed Under: CC BY-SA 3.0

Shohei Shigematsu, the Director of OMA New York, has been selected to lead the design of the exhibition space for the Costume Institute’s Spring 2016 Exhibition at the Metropolitan Museum of Art. Titled manus x machina: fashion in an age of technology, the exhibition will focus on the intersection of technology and fashion and “how designers are reconciling the handmade and the machine-made in the creation of haute couture and avant-garde ready-to-wear.” Organized by Andrew Bolton, the Curator of The Costume Institute, the exhibition will feature over 100 samples of “haute couture and avant-garde ready-to-wear, dating from an 1880s Worth gown to a 2015 Chanel suit.”

Tomas Koolhaas Unveils Pre-Release Teaser for "REM"

16:00 - 12 October, 2015

"I think it is much better to say," explains Rem Koolhaas, "that we are challenged by people's needs." The closing line of this short teaser released by the filmmaker and son of Rem, Tomas Koolhaas, sums up perfectly why "REM" is one of the most highly anticipated architecture documentaries of recent years. Now three years in the making, Tomas Koolhaas' film will examine his father's incomparable oeuvre of work through the eyes of the people that inhabit the designs, eschewing the high-brow and sometimes impenetrable discourse that usually surrounds the work of OMA for something more elemental.

Gallery: OMA's Garage Museum of Contemporary Art Photographed by Laurian Ghinitoiu

12:00 - 12 October, 2015
Gallery: OMA's Garage Museum of Contemporary Art Photographed by Laurian Ghinitoiu, Garage Museum of Contemporary Art / OMA. Image © Laurian Ghinitoiu
Garage Museum of Contemporary Art / OMA. Image © Laurian Ghinitoiu

Photographer Laurian Ghinitoiu has shared with us images of OMA's recently completed Garage Museum of Contemporary Art in Moscow. The museum project repurposed the 1960s Vremena Goda restaurant in Gorky Central Park and transformed it into a modern exhibition space adorned with Soviet era tiles, mosaics and bricks preserved from its previous life. 

"The building offers a wide range of interior conditions for the exhibition of art beyond the ubiquitous “white cube,” described OMA in the project's description. Scroll down for more images of the museum by Ghinitoiu. 

Garage Museum of Contemporary Art / OMA. Image © Laurian Ghinitoiu Garage Museum of Contemporary Art / OMA. Image © Laurian Ghinitoiu Garage Museum of Contemporary Art / OMA. Image © Laurian Ghinitoiu Garage Museum of Contemporary Art / OMA. Image © Laurian Ghinitoiu +34

OMA to Redesign Washington DC's RFK Stadium Campus

16:35 - 9 October, 2015
OMA to Redesign Washington DC's RFK Stadium Campus, RFK Stadium in 1988. Image © Ken Hammond
RFK Stadium in 1988. Image © Ken Hammond

OMA has been selected to redevelop Washington DC's Robert F. Kennedy (RFK) Stadium campus. Lauded by the commissioners for their ability to activate public space, especially along waterfronts, OMA was also recently chosen alongside OLIN to design the city's 11th Street Bridge Park.

“One of the things we realized as we were analyzing the future use of RFK, after talking to a lot of potential users, is that there was no conceptual master plan that can be shared with the community once the ideas are put to paper,” said Max Brown, chairman Events DC - the organization spearheading the project. “We needed someone to help tell a story about what this place could be and options for use and how they’re located.”

Alternative Realities: 7 Radical Buildings That Could-Have-Been

09:30 - 21 September, 2015
Alternative Realities: 7 Radical Buildings That Could-Have-Been, Masterplan for the World Trade Center by Richard Meier & Partners, Eisenman Architects, Gwathmey Siegel and Associates, and Steven Holl Architects. Image © Jock Pottle. Courtesy Richard Meier & Partners Architects
Masterplan for the World Trade Center by Richard Meier & Partners, Eisenman Architects, Gwathmey Siegel and Associates, and Steven Holl Architects. Image © Jock Pottle. Courtesy Richard Meier & Partners Architects

In It’s A Wonderful Life the film’s protagonist George Bailey, facing a crisis of faith, is visited by his guardian angel, and shown an alternate reality where he doesn’t exist. The experience gives meaning to George’s life, showing him his own importance to others. With the increasing scale of design competitions these days, architectural “could-have-beens” are piling up in record numbers, and just as George Bailey's sense of self was restored by seeing his alternate reality, hypothesizing about alternative outcomes in architecture is a chance to reflect on our current architectural moment.

Today marks the one-year-anniversary of the opening of Phase 3 of the High Line. While New Yorkers and urbanists the world over have lauded the success of this industrial-utility-turned-urban-oasis, the park and the slew of other urban improvements it has inspired almost happened very differently. Although we have come to know and love the High Line of Diller Scofidio + Renfro and James Corner Field Operations, in the original ideas competition four finalists were chosen and the alternatives show stark contrasts in how things might have shaped up.

On this key date for one of the most crucial designs of this generation, we decided to look back at some of the most important competitions of the last century to see how things might have been different.

Joseph Marzella's second-place design for the Sydney Opera House. Image via The Daily Mail Designs for the Chicago Tribune Tower by Adolf Loos (left) and Bruno Taut, Walter Gunther, and Kurz Schutz (right). Image via skyscraper.org Design for the High Line by Zaha Hadid Architects with Balmori Associates, Skidmore, Owings & Merrill LLP and studio MDA. Image via University of Adelaide on Cargo Collective Moshe Safdie's design for the Centre Pompidou. Image Courtesy of Safdie Architects +16

Elia Zenghelis and Steven Holl Share Lessons Learned from a Life in Architecture

14:00 - 18 September, 2015

In the latest video on architecture and urbanism from 32BNY, Steven Holl and his associate Dimitra Tsachrelia sit down with Elia Zenghelis, a founding partner at OMA and former lecturer at the Architectural Association in London. After forty-five years in architecture, Zenghelis has come to a series of conclusions, including a long-standing belief that men obstruct the design potential of their female colleagues, creating an imbalance in the professional landscape. "Women are much better architects than men," proclaims Zenghelis, former professor to Steven Holl, Rem Koolhaas and Zaha Hadid (as well as a former collaborator of the latter two). Sitting in Holl's New York office, Zenghelis argues that women have a certain intuition that proves essential to the creation of great design. "It's men that dominate the scene - something has to happen," he says.

Read on for more on the contents of the video.

OMA Launches New Website

16:40 - 15 September, 2015
OMA Launches New Website, © OMA
© OMA

The Office for Metropolitan Architecture (OMA) has launched a new website in an effort to make their work more accessible. A collaboration with Oslo-based Bengler and NODE, oma.eu "functions as an omnivorous sensor," says OMA, that "redefines the office’s digital presence and offers a tool for many different users." Check it out for yourself, here

Gallery: OMA's Fondazione Prada Photographed by Laurian Ghinitoiu

14:00 - 15 September, 2015
Gallery: OMA's Fondazione Prada Photographed by Laurian Ghinitoiu, Fondazione Prada / OMA. Image © Laurian Ghinitoiu
Fondazione Prada / OMA. Image © Laurian Ghinitoiu

In May, OMA celebrated the opening of Fondazione Prada. Set out to “expand the repertoire of spatial typologies in which art can be exhibited and shared with the public,” the project resulted in an “unusually diverse environment” staged within a historic 20th-century distillery south of Milan’s city center that goes beyond the traditional white museum box. 

Fondazione Prada / OMA. Image © Laurian Ghinitoiu Fondazione Prada / OMA. Image © Laurian Ghinitoiu Fondazione Prada / OMA. Image © Laurian Ghinitoiu Fondazione Prada / OMA. Image © Laurian Ghinitoiu +42

A+U 540: OMA – Recent Works

21:00 - 13 September, 2015
A+U 540: OMA – Recent Works

From the publisher. September 2015 issue of a+u is focused on OMA, architectural office led by Rem Koolhaas. Featuring 14 recent works, including 7 in-progress works.

In recent years, increasing number of projects that OMA takes on involve preservation or renovation of historic architecture. Fondazione Prada and Garage Museum of Contemporary Art, both completed this year, convert modern heritage into museums where the visitors experience spatial diversity brought about by the harmony and friction of old and new.

Examining OMA's Two Latest Venues for Contemporary Art

04:00 - 5 August, 2015
Examining OMA's Two Latest Venues for Contemporary Art, Fondazione Prada, Milan. Image © Bas Princen
Fondazione Prada, Milan. Image © Bas Princen

In an article for DesignCurial, Shumi Bose visits OMA's new galleries in Milan and Moscow: the Fondazione Prada and the Garage Museum of Contemporary Art. Noting that "the mythologies [between OMA and Miuccia Prada] have become inextricably intertwined" over recent years, "the purpose of [the Fondazione Prada] was to produce a range of spaces for the creation, display of and engagement with art; what results is the built realisation of a particular ethos, affording the protean OMA a return to form. And it was always going to be stylish." Bose's flowing description of the building and its spaces, which she ultimately praises as "a place which will bear return," leads into an equally compelling description of Garage for which she recognises its clear "contribution [...] in supporting, indeed composing, the very narrative of Russian contemporary art."