Early this month at Design Miami/, Olson Kundig Architects celebrated the opening of “38 Beams,” a temporary collectors lounge named after the thirty-eight salvaged glulam beams that made up the structure. Originally milled in the 1950s, the Northwestern Douglas fir beams were once used to construct a Los Angeles building before being repurposed.
Approximately 15×30 inches around and up to 30 feet in length, 38 Beams formed a 2,400-square-foot lounge with an open lattice-work stacked 15-feet-high. The focal point of the space was a 28-foot Perrier-Jouët champagne bar lit by a chandelier of one hundred suspended light tubes designed by LILIENTHAL l ZAMORA.
More about the structure and images, after the break.
Today, Olson Kundig Architects’ first-ever retrospective Anthology opened its doors at Omaha’s KANEKO. Spanning five decades of Olson Kundig work, the site-specific exhibition will focus on the Seattle-based firm’s unique creative process, showcasing the many influences and design explorations that have shaped the practice over the years. Follow us after the break for more information and a sampling of the firms work.
Last week, the five teams competing for the Presidio Parkland project in San Francisco unveiled their proposals in a public meeting at the project site. The parkland, made possible by the replacement of an elevated highway by a new tunnel, will command stunning views of the San Francisco bay, including views of the Golden Gate bridge.
“This is a once-in-a lifetime opportunity to create and design new parklands,” Executive Director of the Presidio Trust Craig said. “We are extremely pleased with the caliber of the work of the five design teams and look forward to hearing the public’s feedback on these early concepts.”
Competing for the prestigious project are James Corner Field Operations, OLIN with Olson Kundig Architects, Snøhetta with Hood Design Studio, West 8, and CMG Landscape Architecture. A winner will be announced in January.
Read on after the break to see all five proposals
Forty years ago, the Expo ’74 World’s Fair opened in Spokane, Washington to great fanfare as the world’s first environmentally themed Expo. Perhaps equally as momentous, the former Soviet Union participated for the first time since World War II, and 5.6 million people attended throughout the course of the six month long Fair. This year, Olson Kundig Architects, led by design principal Tom Kundig, partnered with the City of Spokane to reinvent the original park with new concept designs for its structures, program, and facilities.
In collaboration with client Shinsegae, Olson Kundig Architects has designed a 20,000 square foot roof garden in Uijeongbu, South Korea. Sitting atop the ninth floor of a twelve story department store, the park acts as a playground for children and a cultural center for the community. The project follows a rising trend: placing green spaces on top of buildings in urban areas to create safe and secluded public places. This particular garden uses entirely native species and incorporates sculptures by the artist Do-Ho Suh.
This post was originally published in The Architectural Review as “Size Doesn’t Matter: Big Ideas for Small Buildings.“
Taschen’s latest volume draws together the architectural underdogs that, despite their minute, whimsical forms, are setting bold new trends for design.
When economies falter and construction halts, what happens to architecture? Rather than indulgent, personal projects, the need for small and perfectly formed spaces is becoming an economic necessity, pushing designers to go further with less. In their new volume Small: Architecture Now!, Taschen have drawn together the teahouses, cabins, saunas and dollhouses that set the trends for the small, sensitive and sustainable, with designers ranging from Pritzker Laureate Shigeru Ban to emerging young practices.
San Francisco’s Presidio Trust isn’t giving up. After rejecting three shortlisted schemes earlier this year that envisioned a “cultural institution of distinction” for the underdeveloped Crissy Field, the Trust has now invited five new teams to envision “kid-friendly” plans for a 13 acre portion of the site.
The five teams, which include James Corner Field Operations, Olson Kundig Architects and Snøhetta, are expected to present their ideas publicly in just three months. A winner will not be selected, though each team will receive $25,000 for their efforts. However, the Trust will be inclined to work with one of the teams should their concepts “dazzle” the audience.
A complete list of the five teams and more project information, after the break…
Where do you receive inspiration? Nalina Moses asked the question to nine contemporary residential architects, asking each to choose one residence that had left an impression on them. The following answers were first published on the AIA’s website in the article “Homing Instinct.”
When nine accomplished residential architects were asked to pick a house—any house—that has left the greatest impression on them as designers, most of their choices ran succinctly along the canon of American or European Modern architecture. Two—Alvar Aalto’s Villa Mairea and Pierre Chareau’s La Maison de Verre—were even tapped twice.
If the houses these designers chose weren’t surprising, the reasons they chose them were. Rather than groundbreaking style or technologies, what they cited were the moments of comfort, excitement, and refinement they offered: the restful proportions of a bedroom, the feel of a crafted wood handrail, an ocean view unfolding beyond an outdoor stair.
The American Institute of Architects (AIA) has selected ten recipients for their 14th annual Housing Awards. Considered to be the year’s most impressive works, the awards are designed to “recognize the best in U.S. housing design” and “promote the importance of good housing as a necessity of life, a sanctuary for the human spirit and a valuable national resource.” The winners, after the break…
Seattle’s Olson Kundig Architects has been tapped to design The Kirkland’s new headquarters in downtown Denver, just a block from Daniel Libeskind’s Denver Art Museum and Allied Works’ Clyfford Still Museum. The commission, which is expected to cost “tens of millions,” will double the museum’s gallery space and be used to display Colorado’s largest repository of art that includes a collection of 15,000 objects by Frank Lloyd Wright, Frank Gehry, Andy Warhol, Eero Saarinen, Philip Johnson and Mies van der Rohe.
To celebrate the launch of ArchDaily Materials, our new product catalog, we’ve rounded up 10 awesome projects from around the world that were inspired by one material: metal. Check out the projects after the break…
Olson Kundig Architects’ $6.6 million Wagner Education Center at The Center for Wooden Boats (CWB) in Seattle is scheduled to break ground this winter. Reminiscent of historic Northwest boatbuilding facilities, the projected LEED Gold center will serve as the “modern front door for the growing museum, Lake Union Park and the surrounding South Lake Union neighborhood.” The design will feature large windows and movable exterior panels that, consistent with Kundig’s signature use of inventive details, will grant users maximum flexibility in controlling the interior’s exposure to the elements.
Construction begins in late October on the approximately 16,000 square foot new wing and building renovation of the Tacoma Art Museum. The new wing will provide a home for the Haub Family Collection of Western American Art, double the museum’s gallery space, provide greater art experiences for visitors, and increase the museum’s role in downtown Tacoma. Award-winning architects Olson Kundig Architects will design the expansion and renovation.
Seattle-based architect Jim Olson of Olson Kundig Architects has been selected by Washington State University to design a new Museum of Art. Over the years, Olson has complied a spectacular portfolio of stunning homes designed for art collectors worldwide. This experience has given Olson a “wealth of experience in not only crafting beautiful environments for works of art, but in working with artists to discover new opportunities for expressing their creativity,” according to Chris Bruce, director of the museum.
Designed by Olson Kundig Architects, the Foss Waterway Seaport, Puget Sounds premier maritime heritage, education and recreation center began undergoing historic rehabilitation and adaptive re-use. When building rehabilitation is completed, the new 45,000 square foot public facility will feature an expansive maritime heritage museum, compelling indoor program spaces (including a K-16 marine science and environmental education center), a heritage boat building shop and the “Discovery Wharf” childrens learning center. More images and architects’ description after the break.